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The Last Days of Pompeii
The Last Days of Pompeii

Chapter XIII · Chapter 13

Chapter 13 of The Last Days of Pompeii is here in full — 207 sentences across 42 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/41 · 5 lines
English subtitles · tap any word to listen 1 / 5
WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.
THE FIRST SIGNAL OF THE WRATH OF THE DREAD FOE.
WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:
Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.
The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Last Days of Pompeii

Chapter XIII · Chapter 13

Chapter 13 of The Last Days of Pompeii is here in full — 207 sentences across 42 reading sections, with audio for every sentence and word.

Reading 1/41 · 5 reading units · Lines 1–5

Line 1
WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.
Line 2
THE FIRST SIGNAL OF THE WRATH OF THE DREAD FOE.
/ðə fɜːrst ˈsɪɡnəl ʌv ðə ræθ ʌv ðə dred foʊ/
Line 3
WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:
Line 4
Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.
/ðer lʊk wɪð ðə riːtʃ ʌv pæst ˈeɪdʒəz wɑːz waɪz ənd ðə soʊl ʌv ɪˈtɜːrnəti θɔːt ɪn ðer aɪz/
Line 5
The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

eternity noun US /ɪˈtɜːrnəti/

time without end

From this reading “Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.”

grinned verb US /ɡrɪnd/

inflected form of “grin” — to draw back the lips and reveal the teeth, in a smile, grimace, or snarl

From this reading “The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.”

majestic adjective US /məˈdʒestɪk/

majestic in manner or bearing; superior to mundane matters

From this reading “WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:”

monsters noun US /ˈmɑːnstərz/

plural of “monster” — an imaginary creature usually having various human and animal parts

From this reading “WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:”

motioned verb US /ˈmoʊʃənd/

past form of “motion” — show, express or direct through movement

From this reading “The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.”

ominous adjective US /ˈɑːmənəs/

threatening or foreshadowing evil or tragic developments

From this reading “WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:”

portrayed adjective US /pɔːrˈtreɪd/

represented graphically by sketch or design or lines

From this reading “WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:”

spacious adjective US /ˈspeɪʃəs/

very large in expanse or scope

From this reading “WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:”

All words in this reading · 73

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

admittedverbUS /ədˈmɪtɪd/

inflected form of “admit” — declare to be true or admit the existence or reality or truth of

From this reading The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.

AEthiopian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.

agesnounUS /ˈeɪdʒəz/

plural of “age” — how long something has existed

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

ARBACES

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

awenounUS /ɑː/

an overwhelming feeling of wonder or admiration

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

BECOMESverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.

brothernounUS /ˈbrʌðər/

a male with the same parents as someone else

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

creptverbUS /krept/

inflected form of “creep” — move slowly; in the case of people or animals with the body near the ground

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

DREADnounUS /dred/

fearful expectation or anticipation

From this reading THE FIRST SIGNAL OF THE WRATH OF THE DREAD FOE.

EgyptiannounUS /ɪˈdʒɪpʃən/

a native or inhabitant of Egypt

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

eternitynounUS /ɪˈtɜːrnəti/

time without end

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

eyesnounUS /aɪz/

opinion or judgment

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

facesnounUS /ˈfeɪsəz/

plural of “face” — the front of the human head from the forehead to the chin and ear to ear

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

featuresnounUS /ˈfiːtʃərz/

plural of “feature” — a prominent attribute or aspect of something

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

FIRSTadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading THE FIRST SIGNAL OF THE WRATH OF THE DREAD FOE.

FOEnounUS /foʊ/

an armed adversary (especially a member of an opposing military force)

From this reading THE FIRST SIGNAL OF THE WRATH OF THE DREAD FOE.

grinnedverbUS /ɡrɪnd/

inflected form of “grin” — to draw back the lips and reveal the teeth, in a smile, grimace, or snarl

From this reading The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

hallnounUS /hɔːl/

an interior passage or corridor onto which rooms open

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

HOUSEnounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.

impressedadjectiveUS /ˌɪmˈprest/

deeply or markedly affected or influenced

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.

IONE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

majesticadjectiveUS /məˈdʒestɪk/

majestic in manner or bearing; superior to mundane matters

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

marblenounUS /ˈmɑːrbəl/

a hard crystalline metamorphic rock that takes a high polish; used for sculpture and as building material

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

monstersnounUS /ˈmɑːnstərz/

plural of “monster” — an imaginary creature usually having various human and animal parts

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

motionedverbUS /ˈmoʊʃənd/

past form of “motion” — show, express or direct through movement

From this reading The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.

mournfuladjectiveUS /ˈmɔːrnfəl/

expressing sorrow

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.

ominousadjectiveUS /ˈɑːmənəs/

threatening or foreshadowing evil or tragic developments

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

passionlessadjective

not passionate

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

pastnounUS /pæst/

the time that has elapsed

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

portrayedadjectiveUS /pɔːrˈtreɪd/

represented graphically by sketch or design or lines

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

proceedverbUS /prəˈsiːd/

continue talking

From this reading The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.

reachverbUS /riːtʃ/

reach a destination, either real or abstract

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

SIGNALnounUS /ˈsɪɡnəl/

any nonverbal action or gesture that encodes a message

From this reading THE FIRST SIGNAL OF THE WRATH OF THE DREAD FOE.

slavenounUS /sleɪv/

a person who is owned by someone

From this reading The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

soulnounUS /soʊl/

the immaterial part of a person; the actuating cause of an individual life

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

spaciousadjectiveUS /ˈspeɪʃəs/

very large in expanse or scope

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

stilladjectiveUS /stɪl/

not in physical motion

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

talladjectiveUS /tɔːl/

great in vertical dimension; high in stature

From this reading The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.

Thebannoun

an Egyptian inhabitant of ancient Thebes

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

TheirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

thereadverbUS /ðer/

in or at that place or location

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

warningnounUS /ˈwɔːrnɪŋ/

a message informing of danger

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

WHATpronounUS /wʌt/

used to ask for information about something

From this reading WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES.

WHENconjunctionUS /wen/

at the time that

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

whosedeterminerUS /huːz/

belonging to which person

From this reading WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

wiseadjectiveUS /waɪz/

having or prompted by wisdom or discernment

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

withprepositionUS /wɪð/

in the company of; together with

From this reading Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes.

WRATHnounUS /ræθ/

intense anger (usually on an epic scale)

From this reading THE FIRST SIGNAL OF THE WRATH OF THE DREAD FOE.

Chapter 13 of The Last Days of Pompeii by Edward Bulwer Lytton, Baron Lytton holds 207 sentences, grouped into 42 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of The Last Days of Pompeii contain?

Chapter 13 holds 207 sentences of The Last Days of Pompeii, unabridged, divided into 42 reading sections.

This page carries chapter 13 of The Last Days of Pompeii by Edward Bulwer Lytton, Baron Lytton exactly as it stands in the public-domain source edition, without abridgement. It runs to 207 sentences, grouped into 42 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of The Last Days of Pompeii?

Work through the 42 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 42 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Last Days of Pompeii

Common questions about reading The Last Days of Pompeii by Edward Bulwer Lytton, Baron Lytton on this page, its source edition and its audio.

Is this the complete text of The Last Days of Pompeii?

Yes. All 7117 sentences of Project Gutenberg eBook #1565 are kept, with a record of which sentences cover which part.

Which edition of The Last Days of Pompeii is used?

Project Gutenberg eBook #1565, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Last Days of Pompeii take to read?

About 593 minutes of reading across 1424 sections of 5 sentences each, at an unhurried pace.

How to read The Last Days of Pompeii section by section

How to work through The Last Days of Pompeii section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The Last Days of Pompeii to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Last Days of Pompeii

Words and structures a reader meets early in The Last Days of Pompeii, each tappable for pronunciation and meaning.

Gentlemen
A word that appears in the opening chapter of The Last Days of Pompeii; the reader can tap it to hear it and see its dictionary entry.
Pompeii
A word that appears in the opening chapter of The Last Days of Pompeii; the reader can tap it to hear it and see its dictionary entry.
Diomed
A word that appears in the opening chapter of The Last Days of Pompeii; the reader can tap it to hear it and see its dictionary entry.
Glaucus
A word that appears in the opening chapter of The Last Days of Pompeii; the reader can tap it to hear it and see its dictionary entry.