Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Last Galley
The Last Galley

Chapter I · Chapter 1

Chapter 1 of The Last Galley is here in full — 418 sentences across 84 reading sections, with audio for every sentence and word.

Cover illustration for The Last Galley
Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
I have written Impressions and Tales upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.
The second half of the collection consists of eight stories, which explain themselves.
The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.
It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.
I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Last Galley

Chapter I · Chapter 1

Chapter 1 of The Last Galley is here in full — 418 sentences across 84 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
I have writtenImpressions and Talesupon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.
Line 2
The second half of the collection consists of eight stories, which explain themselves.
/ðə ˈsekənd hæf ʌv ðə kəˈlekʃən kənˈsɪsts ʌv eɪt ˈstɔːriz wɪtʃ ɪkˈspleɪn ðemˈselvz/
Line 3
The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.
/ðə fɜːrst hæf ɪz meɪd ʌp ʌv ə ˈsɪriz ʌv ˈpɪktʃərz ʌv ðə pæst wɪtʃ ˈmeɪbi rɪˈɡɑːrdɪd æz ˈtraɪəl flaɪts təˈwɔːrdz ə ˈlɑːrdʒər aɪˈdiːl wɪtʃ aɪ hæv lɔːŋ hæd ɪn maɪ maɪnd/
Line 4
It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.
/ɪt hæz siːmd tuː miː ðæt ðer ɪz ə ˈriːdʒən bɪˈtwiːn ˈæktʃəwəl ˈstɔːri ənd ˈæktʃəwəl ˈhɪstəri wɪtʃ hæz ˈnevər bɪn ˈædəkwətli ˈeksplɔɪtəd/
Line 5
I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.
/aɪ kʊd ˌɪˈmædʒən fɔːr ɪɡˈzæmpəl ə wɜːrk ˈdiːlɪŋ wɪð sʌm ɡreɪt hɪˈstɔːrɪkəl ˈepək ənd ˈfaɪndɪŋ ɪts ˈɪntrəst nɑːt ɪn ðə ˈhæpənɪŋz tuː pərˈtɪkjələr ˌɪndəˈvɪdʒəwəlz ðer ædˈventʃərz ənd ðer lʌvz bʌt ɪn ðə ˌfæsəˈneɪʃən ʌv ðə ˈæktʃəwəl fækts ʌv ˈhɪstəri ðemˈselvz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adequately adverb US /ˈædəkwətli/

in an adequate manner or to an adequate degree

From this reading “It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.”

consists verb US /kənˈsɪsts/

third-person singular of “consist” — originate

From this reading “The second half of the collection consists of eight stories, which explain themselves.”

epoch noun US /ˈepək/

a period marked by distinctive character or reckoned from a fixed point or event

From this reading “I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.”

exploited adjective US /ˈeksplɔɪtəd/

developed or used to greatest advantage

From this reading “It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.”

flights noun US /flaɪts/

plural of “flight” — a formation of aircraft in flight

From this reading “The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.”

happenings noun US /ˈhæpənɪŋz/

plural of “happening” — an event that happens

From this reading “I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.”

individuals noun US /ˌɪndəˈvɪdʒəwəlz/

plural of “individual” — a human being

From this reading “I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.”

styles noun US /staɪlz/

plural of “style” — how something is done or how it happens

From this reading “I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.”

All words in this reading · 93

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

actualadjectiveUS /ˈæktʃəwəl/

presently existing in fact and not merely potential or possible

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

adequatelyadverbUS /ˈædəkwətli/

in an adequate manner or to an adequate degree

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

adventuresnounUS /ædˈventʃərz/

plural of “adventure” — a wild and exciting undertaking (not necessarily lawful)

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

collectionnounUS /kəˈlekʃən/

several things grouped together or considered as a whole

From this reading The second half of the collection consists of eight stories, which explain themselves.

consistsverbUS /kənˈsɪsts/

third-person singular of “consist” — originate

From this reading The second half of the collection consists of eight stories, which explain themselves.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

coververbUS /ˈkʌvər/

provide with a covering or cause to be covered

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

dealingnounUS /ˈdiːlɪŋ/

method or manner of conduct in relation to others

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

differencenounUS /ˈdɪfərəns/

the quality of being unlike or dissimilar

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

eightadjectiveUS /eɪt/

being one more than seven

From this reading The second half of the collection consists of eight stories, which explain themselves.

epochnounUS /ˈepək/

a period marked by distinctive character or reckoned from a fixed point or event

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

essentialadjectiveUS /eˈsenʃəl/

absolutely necessary; vitally necessary

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

explainverbUS /ɪkˈspleɪn/

make plain and comprehensible

From this reading The second half of the collection consists of eight stories, which explain themselves.

exploitedadjectiveUS /ˈeksplɔɪtəd/

developed or used to greatest advantage

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

fascinationnounUS /ˌfæsəˈneɪʃən/

the state of being intensely interested (as by awe or terror)

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

findingnounUS /ˈfaɪndɪŋ/

the act of determining the properties of something, usually by research or calculation

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

flightsnounUS /flaɪts/

plural of “flight” — a formation of aircraft in flight

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading The second half of the collection consists of eight stories, which explain themselves.

happeningsnounUS /ˈhæpənɪŋz/

plural of “happening” — an event that happens

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

historicaladjectiveUS /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

idealadjectiveUS /aɪˈdiːl/

conforming to an ultimate standard of perfection or excellence; embodying an ideal

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

imagineverbUS /ˌɪˈmædʒən/

form a mental image of something that is not present or that is not the case

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

ImpressionsnounUS /ˌɪmˈpreʃənz/

plural of “impression” — a vague idea in which some confidence is placed

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

includedadjectiveUS /ˌɪnˈkluːdəd/

enclosed in the same envelope or package

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

individualsnounUS /ˌɪndəˈvɪdʒəwəlz/

plural of “individual” — a human being

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

largeradjectiveUS /ˈlɑːrdʒər/

large or big relative to something else

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

lovesnounUS /lʌvz/

plural of “love” — a strong positive emotion of regard and affection

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

maybeadverbUS /ˈmeɪbi/

by chance

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

particularadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

pastnounUS /pæst/

the time that has elapsed

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

picturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

regionnounUS /ˈriːdʒən/

the extended spatial location of something

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The second half of the collection consists of eight stories, which explain themselves.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

seriesnounUS /ˈsɪriz/

similar things placed in order or happening one after another

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The second half of the collection consists of eight stories, which explain themselves.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

stylesnounUS /staɪlz/

plural of “style” — how something is done or how it happens

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

TalesnounUS /teɪlz/

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading The second half of the collection consists of eight stories, which explain themselves.

thereadverbUS /ðer/

in or at that place or location

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

title-page

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It has seemed to me that there is a region between actual story and actual history which has never been adequately exploited.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

trialnounUS /ˈtraɪəl/

the act of testing something

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading The first half is made up of a series of pictures of the past which maybe regarded as trial flights towards a larger ideal which I have long had in my mind.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

withprepositionUS /wɪð/

in the company of; together with

From this reading I could imagine, for example, a work dealing with some great historical epoch, and finding its interest not in the happenings to particular individuals, their adventures and their loves, but in the fascination of the actual facts of history themselves.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading I have written “Impressions and Tales” upon the title-page of this volume, because I have included within the same cover two styles of work which present an essential difference.

Chapter 1 of The Last Galley by Arthur Conan Doyle holds 418 sentences, grouped into 84 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Last Galley contain?

Chapter 1 holds 418 sentences of The Last Galley, unabridged, divided into 84 reading sections.

This page carries chapter 1 of The Last Galley by Arthur Conan Doyle exactly as it stands in the source edition, without abridgement. It runs to 418 sentences, grouped into 84 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Last Galley?

Work through the 84 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 84 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Last Galley

Common questions about reading The Last Galley by Arthur Conan Doyle on this page, its source edition and its audio.

Is this the complete text of The Last Galley?

Yes. All 4408 sentences of Project Gutenberg eBook #8727 are kept, with a record of which sentences cover which part.

Which edition of The Last Galley is used?

Project Gutenberg eBook #8727, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Last Galley take to read?

About 367 minutes of reading across 882 sections of 5 sentences each, at an unhurried pace.

How to read The Last Galley section by section

How to work through The Last Galley section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 11 chapters of The Last Galley to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Last Galley

Words and structures a reader meets early in The Last Galley, each tappable for pronunciation and meaning.

Written
A word that appears in the opening chapter of The Last Galley; the reader can tap it to hear it and see its dictionary entry.
Impressions
A word that appears in the opening chapter of The Last Galley; the reader can tap it to hear it and see its dictionary entry.
Tales
A word that appears in the opening chapter of The Last Galley; the reader can tap it to hear it and see its dictionary entry.
Title-page
A word that appears in the opening chapter of The Last Galley; the reader can tap it to hear it and see its dictionary entry.