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The Letters of Charles Dickens. Vol. 2, 1857-1870
The Letters of Charles Dickens. Vol. 2, 1857-1870

Chapter XI · Chapter 11

Chapter 11 of The Letters of Charles Dickens. Vol. 2, 1857-1870 is here in full — 410 sentences across 82 reading sections, with audio for every sentence and word.

Cover illustration for The Letters of Charles Dickens. Vol. 2, 1857-1870
Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
First, as to the writing.
If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.
The dialogue seems to be exactly what is wanted.
Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.
Secondly, as to the absence of the comic element.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Letters of Charles Dickens. Vol. 2, 1857-1870

Chapter XI · Chapter 11

Chapter 11 of The Letters of Charles Dickens. Vol. 2, 1857-1870 is here in full — 410 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
First, as to the writing.
/fɜːrst æz tuː ðə ˈraɪtɪŋ/
Line 2
If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.
/ɪf ðə ˈkærəktərz dɪd nɑːt spiːk ɪn ə tɜːrs ənd ˈhoʊmli weɪ ðer aɪˈdiːə ənd ˈlæŋɡwədʒ wʊd biː ˌɪnkənˈsɪstənt wɪð ðer dres ənd ˈsteɪʃən ənd ðeɪ wʊd luːz æz ˈkærəktərz bɪˈfɔːr ðə ˈɑːdiəns/
Line 3
The dialogue seems to be exactly what is wanted.
/ðə ˈdaɪəlɔːɡ siːmz tuː biː ɪɡˈzæktli wʌt ɪz ˈwɔːntɪd/
Line 4
Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.
Line 5
Secondly, as to the absence of the comic element.
/ˈsekəndli æz tuː ðə ˈæbsəns ʌv ðə ˈkɑːmɪk ˈeləmənt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

comic adjective US /ˈkɑːmɪk/

arousing or provoking laughter

From this reading “Secondly, as to the absence of the comic element.”

dialogue noun US /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading “The dialogue seems to be exactly what is wanted.”

effective adjective US /ɪˈfektɪv/

producing or capable of producing an intended result or having a striking effect

From this reading “Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.”

element noun US /ˈeləmənt/

an abstract part of something

From this reading “Secondly, as to the absence of the comic element.”

homely adjective US /ˈhoʊmli/

lacking in physical beauty or proportion

From this reading “If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.”

inconsistent adjective US /ˌɪnkənˈsɪstənt/

displaying a lack of consistency

From this reading “If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.”

Secondly adverb US /ˈsekəndli/

in the second place

From this reading “Secondly, as to the absence of the comic element.”

terse adjective US /tɜːrs/

brief and to the point; effectively cut short

From this reading “If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.”

All words in this reading · 60

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

absencenounUS /ˈæbsəns/

the state of being absent

From this reading Secondly, as to the absence of the comic element.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading First, as to the writing.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

Boucicault's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

comicadjectiveUS /ˈkɑːmɪk/

arousing or provoking laughter

From this reading Secondly, as to the absence of the comic element.

dialoguenounUS /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading The dialogue seems to be exactly what is wanted.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

dressverbUS /dres/

put on clothes

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

effectiveadjectiveUS /ɪˈfektɪv/

producing or capable of producing an intended result or having a striking effect

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading Secondly, as to the absence of the comic element.

exactlyadverbUS /ɪɡˈzæktli/

indicating exactness or preciseness

From this reading The dialogue seems to be exactly what is wanted.

FirstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading First, as to the writing.

homelyadjectiveUS /ˈhoʊmli/

lacking in physical beauty or proportion

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

honestadjectiveUS /ˈɑːnəst/

not disposed to cheat or defraud; not deceptive or fraudulent

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

ideanounUS /aɪˈdiːə/

the content of cognition; the main thing you are thinking about

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

inconsistentadjectiveUS /ˌɪnkənˈsɪstənt/

displaying a lack of consistency

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The dialogue seems to be exactly what is wanted.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

ItsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

loseverbUS /luːz/

fail to keep or to maintain; cease to have, either physically or in an abstract sense

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Secondly, as to the absence of the comic element.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

particularlyadverbUS /ˌpɑːrˈtɪkjələrli/

to a distinctly greater extent or degree than is common

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

ruggednessnoun

the property of being big and strong

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

SecondlyadverbUS /ˈsekəndli/

in the second place

From this reading Secondly, as to the absence of the comic element.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading The dialogue seems to be exactly what is wanted.

simplicitynounUS /sɪmˈplɪsəti/

the quality of being simple or uncompounded

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

speakverbUS /spiːk/

express in speech

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

stationnounUS /ˈsteɪʃən/

a facility equipped with special equipment and personnel for a particular purpose

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

straight-to-the-purpose

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

terseadjectiveUS /tɜːrs/

brief and to the point; effectively cut short

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading First, as to the writing.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

thereadverbUS /ðer/

in or at that place or location

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

throughoutprepositionUS /θruːˈaʊt/

in every part of a place, or for the whole of a period

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading First, as to the writing.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Its simplicity (particularly in Mr. Boucicault's part) is often very effective; and throughout there is an honest, straight-to-the-purpose ruggedness in it, like the real life and the real people.

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading The dialogue seems to be exactly what is wanted.

waynounUS /weɪ/

how something is done or how it happens

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

whatpronounUS /wʌt/

used to ask for information about something

From this reading The dialogue seems to be exactly what is wanted.

withprepositionUS /wɪð/

in the company of; together with

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading If the characters did not speak in a terse and homely way, their idea and language would be inconsistent with their dress and station, and they would lose, as characters, before the audience.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading First, as to the writing.

Chapter 11 of The Letters of Charles Dickens. Vol. 2, 1857-1870 by Charles Dickens holds 410 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of The Letters of Charles Dickens. Vol. 2, 1857-1870 contain?

Chapter 11 holds 410 sentences of The Letters of Charles Dickens. Vol. 2, 1857-1870, unabridged, divided into 82 reading sections.

This page carries chapter 11 of The Letters of Charles Dickens. Vol. 2, 1857-1870 by Charles Dickens exactly as it stands in the source edition, without abridgement. It runs to 410 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of The Letters of Charles Dickens. Vol. 2, 1857-1870?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Letters of Charles Dickens. Vol. 2, 1857-1870

Common questions about reading The Letters of Charles Dickens. Vol. 2, 1857-1870 by Charles Dickens on this page, its source edition and its audio.

Is this the complete text of The Letters of Charles Dickens. Vol. 2, 1857-1870?

Yes. All 7232 sentences of Project Gutenberg eBook #25853 are kept, with a record of which sentences cover which part.

Which edition of The Letters of Charles Dickens. Vol. 2, 1857-1870 is used?

Project Gutenberg eBook #25853, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Letters of Charles Dickens. Vol. 2, 1857-1870 take to read?

About 600 minutes of reading across 1447 sections of 5 sentences each, at an unhurried pace.

How to read The Letters of Charles Dickens. Vol. 2, 1857-1870 section by section

How to work through The Letters of Charles Dickens. Vol. 2, 1857-1870 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of The Letters of Charles Dickens. Vol. 2, 1857-1870 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Letters of Charles Dickens. Vol. 2, 1857-1870

Words and structures a reader meets early in The Letters of Charles Dickens. Vol. 2, 1857-1870, each tappable for pronunciation and meaning.

Reader
A word that appears in the opening chapter of The Letters of Charles Dickens. Vol. 2, 1857-1870; the reader can tap it to hear it and see its dictionary entry.
Things
A word that appears in the opening chapter of The Letters of Charles Dickens. Vol. 2, 1857-1870; the reader can tap it to hear it and see its dictionary entry.
Handwritten
A word that appears in the opening chapter of The Letters of Charles Dickens. Vol. 2, 1857-1870; the reader can tap it to hear it and see its dictionary entry.
Denoted
A word that appears in the opening chapter of The Letters of Charles Dickens. Vol. 2, 1857-1870; the reader can tap it to hear it and see its dictionary entry.