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The life and works of Sir Charles Barry
The life and works of Sir Charles Barry

Chapter XI

Chapter 11 of The life and works of Sir Charles Barry is here in full — 239 sentences across 48 reading sections, with audio for every sentence and word.

Chapter 11 of The life and works of Sir Charles Barry by Alfred Barry holds 239 sentences, grouped into 48 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

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Chapter 11 holds 239 sentences of The life and works of Sir Charles Barry, unabridged, divided into 48 reading sections.

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Chapter 1
One of the 0 chapters of The life and works of Sir Charles Barry, divided into 5-sentence reading sections.
Chapter 2
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Chapter 3
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Cover illustration for The life and works of Sir Charles Barry
Context Illustration Reading 1/48 · 5 lines
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THE NEW PALACE AT WESTMINSTER.
I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.
II.
BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.
I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The life and works of Sir Charles Barry

Chapter XI

Chapter 11 of The life and works of Sir Charles Barry is here in full — 239 sentences across 48 reading sections, with audio for every sentence and word.

Reading 1/48 · 5 reading units · Lines 1–5

Line 1
THE NEW PALACE AT WESTMINSTER.
Line 2
I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.
Line 3
II.
Line 4
BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.
Line 5
I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, audio, and collocations from this reading.

After preposition US /ˈæftər/

later than; following

From this reading “I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.”

Amount verb US /əˈmaʊnt/

to reach or total a particular quantity or value

From this reading “I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.”

Either determiner US /ˈiːðər/

one or the other of two

From this reading “I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.”

Remember verb US /rɪˈmɛm.bər/

To recall to mind.

From this reading “I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.”

Taste verb US /teɪst/

To perceive flavor through the mouth.

From this reading “I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.”

All words in this reading · 124

Every word is available to listen to. Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

acoustic

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

ACTUAL

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

adoption

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

afterprepositionUS /ˈæftər/

later than; following

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

alteration

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Alterations

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

amountverbUS /əˈmaʊnt/

to reach or total a particular quantity or value

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

approach

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

approaches

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

architect

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

ATprepositionUS /æt/

in or near a particular place or position

From this reading THE NEW PALACE AT WESTMINSTER.

authorities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

BRIEF

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

building

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

byprepositionUS /baɪ/

showing who or what does the action

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

Central

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Chapel

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

character

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

choice

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

circumstances

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Clock

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Commons

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

conception

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

considering

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

construction

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Courts

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

Criticisms

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

decoration

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

DESCRIPTION

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From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

DESIGN

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

determined

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From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

dictated

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From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

difficulty

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

dimensions

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From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

dominant

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

Elizabethan

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Enlargement

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

entirely

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From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

entrance

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

existence

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From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

external

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

free

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

Front

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Fronts

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Gallery

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

General

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Gothic

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

grand

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Great

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

GROWTH

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Hall

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

HISTORY

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

House

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

II

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From this reading II.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

inclination

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

increase

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

independent

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From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

Influence

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

influenced

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From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

irregularity

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

judges

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From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

Land

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Law

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

left

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

Limitation

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

lines

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From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

Lords

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Lowness

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

main

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From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

necessary

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From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

NEW

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From this reading THE NEW PALACE AT WESTMINSTER.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

old

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

Original

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

PALACE

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From this reading THE NEW PALACE AT WESTMINSTER.

Peers

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From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

Perpendicular

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

plan

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

porch

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

portion

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

Principle

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

private

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

problem

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

public

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Question

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

regularity

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

requirements

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

restoration

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

River

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Royal

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Simplicity

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

site

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Stephen's

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From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

style

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

styles

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

symmetry

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

tendency

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE NEW PALACE AT WESTMINSTER.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Tower

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

towers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BRIEF DESCRIPTION OF THE ACTUAL BUILDING.--Its dimensions--Its main lines of approach; the public approach--The royal approach--The private approaches of Peers and Commons--General character of the plan--The external fronts--The towers--Criticisms on the building by independent authorities.

upward

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Use

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

Victoria

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I. HISTORY OF THE GROWTH OF THE DESIGN.--Influence of external circumstances on the design--Lowness and irregularity of site--Limitation of choice to Elizabethan and Gothic styles--Choice of Perpendicular style--Original conception of the plan--Question of restoration of St. Stephen’s Chapel--Use of Westminster Hall as the grand entrance to the building--Simplicity of plan--Principle of symmetry and regularity dominant--Enlargement of plan after its adoption--Conception of St. Stephen’s porch--The Central Hall--The Royal Entrance and Royal Gallery--The House of Lords, its construction and decoration--The House of Commons, and its alteration--Great difficulty of the acoustic problem--Enlargement of public requirements--Alterations of design in the River Front--The Land Fronts--The Victoria Tower--The Clock Tower--General inclination to increase the upward tendency of the design, and the amount of decoration.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading I. In considering the growth of the design of the New Palace at Westminster, it is necessary to remember, that it was not left entirely free, to be determined by the taste of the architect or the requirements of the building, but was influenced by the site, by the existence of Westminster Hall, of the Courts of Law, and of a portion of the old St. Stephen’s Chapel, and by the limitation to either the Elizabethan or Gothic style dictated by the judges.

WESTMINSTER

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE NEW PALACE AT WESTMINSTER.