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The Life of David Belasco
The Life of David Belasco

Chapter XI

Chapter 11 of The Life of David Belasco is here in full — 414 sentences across 83 reading sections, with audio for every sentence and word.

Cover illustration for The Life of David Belasco
Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
Opinion on this point is, I am aware, sharply divided.
Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”
What does that mean?
Does it mean that everything existent in Nature is material suitable to be presented on the Stage?
Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Life of David Belasco

Chapter XI

Chapter 11 of The Life of David Belasco is here in full — 414 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
Opinion on this point is, I am aware, sharply divided.
/əˈpɪnjən ɑːn ðɪs pɔɪnt ɪz aɪ æm əˈwer ˈʃɑːrpli dɪˈvaɪdɪd/
Line 2
Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”
Line 3
What does that mean?
/wʌt dʌz ðæt miːn/
Line 4
Does it mean that everything existent in Nature is material suitable to be presented on the Stage?
/dʌz ɪt miːn ðæt ˈevriθɪŋ eɡˈzɪstənt ɪn ˈneɪtʃər ɪz məˈtɪriəl ˈsuːtəbəl tuː biː priˈzentɪd ɑːn ðə steɪdʒ/
Line 5
Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?
/dʌz ɪt miːn ðæt ðer ʃʊd biː noʊ riˈstrɪkʃən æz tuː ðə tʃɔɪs ʌv ˈsʌbdʒɪkts frʌm ðə eɪdʒ ənd ˈbɑːdi ʌv ðə taɪm tuː biː ˈɪləstreɪtəd ɪn ˈpʌblɪk bɪˈfɔːr ə mɪkst ˈɑːdiəns ʌv boʊθ ˈseksəz ənd ʌv ɔːl ˈeɪdʒəz ənd kənˈdɪʃənz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

existent adjective US /eɡˈzɪstənt/

having existence or being or actuality

From this reading “Does it mean that everything existent in Nature is material suitable to be presented on the Stage?”

feature noun US /ˈfiːtʃər/

a prominent attribute or aspect of something

From this reading “Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.””

Hamlet noun US /ˈhæmlət/

a community of people smaller than a village

inappropriately adverb US /ˌɪnəˈprɑːpriətli/

in an inappropriate manner

From this reading “Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.””

referring verb US /rɪˈfɜːrɪŋ/

inflected form of “refer” — make reference to

From this reading “Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.””

restriction noun US /riˈstrɪkʃən/

a principle that limits the extent of something

From this reading “Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?”

sexes noun US /ˈseksəz/

plural of “sex” — activities associated with sexual intercourse

From this reading “Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?”

suitable adjective US /ˈsuːtəbəl/

meant or adapted for an occasion or use

From this reading “Does it mean that everything existent in Nature is material suitable to be presented on the Stage?”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

on the Stage preposition + article + noun counted as “on … stage”

In this reading “Does it mean that everything existent in Nature is material suitable to be presented on the Stage?”

own image verb + noun

In this reading “Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.””

by the way preposition + article + noun counted as “by … way”

introducing a different topic

In this reading “Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.””

All words in this reading · 89

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

agenounUS /eɪdʒ/

how long something has existed

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

agesnounUS /ˈeɪdʒəz/

plural of “age” — how long something has existed

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading Opinion on this point is, I am aware, sharply divided.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

atprepositionUS /æt/

in or near a particular place or position

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

awareadjectiveUS /əˈwer/

(sometimes followed by “of”) having or showing knowledge or understanding or realization or perception

From this reading Opinion on this point is, I am aware, sharply divided.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Does it mean that everything existent in Nature is material suitable to be presented on the Stage?

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

byprepositionUS /baɪ/

showing who or what does the action

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

conditionsnounUS /kənˈdɪʃənz/

the prevailing context that influences the performance or the outcome of a process

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

continuallyadverbUS /kənˈtɪnjuːəli/

seemingly without interruption

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

dividedadjectiveUS /dɪˈvaɪdɪd/

separated into parts or pieces

From this reading Opinion on this point is, I am aware, sharply divided.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading What does that mean?

endnounUS /end/

either extremity of something that has length

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

everythingpronounUS /ˈevriθɪŋ/

all things; all of a situation

From this reading Does it mean that everything existent in Nature is material suitable to be presented on the Stage?

existentadjectiveUS /eɡˈzɪstənt/

having existence or being or actuality

From this reading Does it mean that everything existent in Nature is material suitable to be presented on the Stage?

featurenounUS /ˈfiːtʃər/

a prominent attribute or aspect of something

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

HamletnounUS /ˈhæmlət/

a community of people smaller than a village

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Opinion on this point is, I am aware, sharply divided.

illustratedverbUS /ˈɪləstreɪtəd/

past form of “illustrate” — clarify by giving an example of

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

imagenounUS /ˈɪmədʒ/

an iconic mental representation

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

inappropriatelyadverbUS /ˌɪnəˈprɑːpriətli/

in an inappropriate manner

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Opinion on this point is, I am aware, sharply divided.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Does it mean that everything existent in Nature is material suitable to be presented on the Stage?

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

materialadjectiveUS /məˈtɪriəl/

concerned with worldly rather than spiritual interests

From this reading Does it mean that everything existent in Nature is material suitable to be presented on the Stage?

meanverbUS /miːn/

mean or intend to express or convey

From this reading What does that mean?

mirrornounUS /ˈmɪrər/

polished surface that forms images by reflecting light

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

mixedadjectiveUS /mɪkst/

consisting of a haphazard assortment of different kinds

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

mostadverbUS /moʊst/

used to form the superlative

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

nodeterminerUS /noʊ/

not any; not one

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Opinion on this point is, I am aware, sharply divided.

OpinionnounUS /əˈpɪnjən/

a personal belief or judgment that is not founded on proof or certainty

From this reading Opinion on this point is, I am aware, sharply divided.

ownverbUS /oʊn/

have ownership or possession of

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

playingnounUS /ˈpleɪɪŋ/

the act of playing a musical instrument

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading Opinion on this point is, I am aware, sharply divided.

presentedverbUS /priˈzentɪd/

past form of “present” — give an exhibition of to an interested audience

From this reading Does it mean that everything existent in Nature is material suitable to be presented on the Stage?

pressurenounUS /ˈpreʃər/

the force applied to a unit area of surface; measured in pascals (SI unit) or in dynes (cgs unit)

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

referringverbUS /rɪˈfɜːrɪŋ/

inflected form of “refer” — make reference to

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

remindedverbUS /riˈmaɪndɪd/

past form of “remind” — put in the mind of someone

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

restrictionnounUS /riˈstrɪkʃən/

a principle that limits the extent of something

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

scornnounUS /skɔːrn/

lack of respect accompanied by a feeling of intense dislike

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

sexesnounUS /ˈseksəz/

plural of “sex” — activities associated with sexual intercourse

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

sharplyadverbUS /ˈʃɑːrpli/

in an aggressive manner

From this reading Opinion on this point is, I am aware, sharply divided.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

showverbUS /ʃoʊ/

give an exhibition of to an interested audience

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

speakingnounUS /ˈspiːkɪŋ/

the utterance of intelligible speech

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

StagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading Does it mean that everything existent in Nature is material suitable to be presented on the Stage?

subjectsnounUS /ˈsʌbdʒɪkts/

plural of “subject” — the subject matter of a conversation or discussion

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

suitableadjectiveUS /ˈsuːtəbəl/

meant or adapted for an occasion or use

From this reading Does it mean that everything existent in Nature is material suitable to be presented on the Stage?

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

thereadverbUS /ðer/

in or at that place or location

From this reading Does it mean that there should be no restriction as to the choice of subjects, from “the age and body of the time,” to be illustrated in public, before a mixed audience of both sexes and of all ages and conditions?

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Opinion on this point is, I am aware, sharply divided.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

twere

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

virtuenounUS /ˈvɝː.tʃuː/

Moral excellence and goodness of character; the highest human attainment in Stoic philosophy.

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

waynounUS /weɪ/

how something is done or how it happens

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Shakespeare, we are continually reminded, speaking for himself (most inappropriately, by the way) in the character of _Hamlet_, and referring to “the purpose of playing,” says that its “end both at the first and now was, and is, to hold, as ’twere, the mirror up to _nature_; to show _virtue_, her own feature, _scorn_ her own image, and the very age and body of the time his form and pressure.”

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What does that mean?

Chapter 11 of The Life of David Belasco by William Winter holds 414 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of The Life of David Belasco contain?

Chapter 11 holds 414 sentences of The Life of David Belasco, unabridged, divided into 83 reading sections.

This page carries chapter 11 of The Life of David Belasco by William Winter exactly as it stands in the source edition, without abridgement. It runs to 414 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of The Life of David Belasco?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Life of David Belasco

Common questions about reading The Life of David Belasco by William Winter on this page, its source edition and its audio.

Is this the complete text of The Life of David Belasco?

Yes. All 5901 sentences of Project Gutenberg eBook #62448 are kept, with a record of which sentences cover which part.

Which edition of The Life of David Belasco is used?

Project Gutenberg eBook #62448, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Life of David Belasco take to read?

About 491 minutes of reading across 1181 sections of 5 sentences each, at an unhurried pace.

How to read The Life of David Belasco section by section

How to work through The Life of David Belasco section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 15 chapters of The Life of David Belasco to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Life of David Belasco

Words and structures a reader meets early in The Life of David Belasco, each tappable for pronunciation and meaning.

Other
A word that appears in the opening chapter of The Life of David Belasco; the reader can tap it to hear it and see its dictionary entry.
Being
A word that appears in the opening chapter of The Life of David Belasco; the reader can tap it to hear it and see its dictionary entry.
Chronicles
A word that appears in the opening chapter of The Life of David Belasco; the reader can tap it to hear it and see its dictionary entry.
Memories
A word that appears in the opening chapter of The Life of David Belasco; the reader can tap it to hear it and see its dictionary entry.