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The Literary Remains of Samuel Taylor Coleridge, Volume 2
The Literary Remains of Samuel Taylor Coleridge, Volume 2

Chapter VIII · Chapter 8

Chapter 8 of The Literary Remains of Samuel Taylor Coleridge, Volume 2 is here in full — 365 sentences across 73 reading sections, with audio for every sentence and word.

Cover illustration for The Literary Remains of Samuel Taylor Coleridge, Volume 2
Context Illustration Reading 1/73 · 5 lines
English subtitles · tap any word to listen 1 / 5
Ib.
Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.
Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.
I wish that B. and F. had written poems instead of tragedies.
Ib.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Literary Remains of Samuel Taylor Coleridge, Volume 2

Chapter VIII · Chapter 8

Chapter 8 of The Literary Remains of Samuel Taylor Coleridge, Volume 2 is here in full — 365 sentences across 73 reading sections, with audio for every sentence and word.

Reading 1/73 · 5 reading units · Lines 1–5

Line 1
Ib.
Line 2
Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.
Line 3
Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.
Line 4
I wish that B. and F. had written poems instead of tragedies.
/aɪ wɪʃ ðæt biː ənd ef hæd ˈrɪtən ˈpoʊəmz ˌɪnˈsted ʌv ˈtrædʒədiz/
Line 5
Ib.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

discontented adjective US /ˌdɪskənˈtentɪd/

showing or experiencing dissatisfaction or restless longing

From this reading “Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.”

exquisite adjective US /ˈekskwəzət/

intense or sharp

From this reading “Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.”

opulence noun US /ˈɑːpjələns/

wealth as evidenced by sumptuous living

From this reading “Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.”

Opulent adjective US /ˈɑːpjələnt/

ostentatiously rich and superior in quality

From this reading “Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.”

poems noun US /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading “I wish that B. and F. had written poems instead of tragedies.”

prodigal noun US /ˈprɑːdɪɡəl/

a recklessly extravagant consumer

From this reading “Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.”

tragedies noun US /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading “I wish that B. and F. had written poems instead of tragedies.”

Walks noun US /wɔːks/

plural of “walk” — the act of traveling by foot

From this reading “Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.”

All words in this reading · 54

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

addressedadjectiveUS /əˈdrest/

(of mail) marked with a destination

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

BnounUS /biː/

aerobic rod-shaped spore-producing bacterium; often occurring in chainlike formations; found primarily in soil

From this reading I wish that B. and F. had written poems instead of tragedies.

BentnounUS /bent/

a relatively permanent inclination to react in a particular way

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

cnounUS /siː/

a degree on the centigrade scale of temperature

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

discontentedadjectiveUS /ˌdɪskənˈtentɪd/

showing or experiencing dissatisfaction or restless longing

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

earthnounUS /ɜːrθ/

the 3rd planet from the sun; the planet we live on

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

exquisiteadjectiveUS /ˈekskwəzət/

intense or sharp

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

eyesnounUS /aɪz/

opinion or judgment

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

FnounUS /ef/

a degree on the Fahrenheit scale of temperature

From this reading I wish that B. and F. had written poems instead of tragedies.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading I wish that B. and F. had written poems instead of tragedies.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading I wish that B. and F. had written poems instead of tragedies.

Ib

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ib.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

insteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading I wish that B. and F. had written poems instead of tragedies.

ladynounUS /ˈleɪdi/

a polite name for any woman

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

Lysippusnoun

Greek sculptor (4th century BC)

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

Melantius

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

mouthnounUS /maʊθ/

the opening through which food is taken in and vocalizations emerge

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

no-character

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

opulencenounUS /ˈɑːpjələns/

wealth as evidenced by sumptuous living

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

OpulentadjectiveUS /ˈɑːpjələnt/

ostentatiously rich and superior in quality

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

piecenounUS /piːs/

a separate part of a whole

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading I wish that B. and F. had written poems instead of tragedies.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

prodigalnounUS /ˈprɑːdɪɡəl/

a recklessly extravagant consumer

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

Shakspeare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

SpeechnounUS /spiːtʃ/

the act of delivering a formal spoken communication to an audience

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I wish that B. and F. had written poems instead of tragedies.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

tragediesnounUS /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading I wish that B. and F. had written poems instead of tragedies.

WalksnounUS /wɔːks/

plural of “walk” — the act of traveling by foot

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

wat'ry

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

wishverbUS /wɪʃ/

hope for; have a wish

From this reading I wish that B. and F. had written poems instead of tragedies.

withprepositionUS /wɪð/

in the company of; together with

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading I wish that B. and F. had written poems instead of tragedies.

YesnounUS /jes/

an affirmative

From this reading Speech of Lysippus:-- Yes, but this lady Walks discontented, with her wat'ry eyes Bent on the earth, &c.

yetconjunctionUS /jet/

but in spite of that

From this reading Opulent as Shakspeare was, and of his opulence prodigal, he yet would not have put this exquisite piece of poetry in the mouth of a no-character, or as addressed to a Melantius.

Chapter 8 of The Literary Remains of Samuel Taylor Coleridge, Volume 2 by Samuel Taylor Coleridge holds 365 sentences, grouped into 73 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 8 of The Literary Remains of Samuel Taylor Coleridge, Volume 2 contain?

Chapter 8 holds 365 sentences of The Literary Remains of Samuel Taylor Coleridge, Volume 2, unabridged, divided into 73 reading sections.

This page carries chapter 8 of The Literary Remains of Samuel Taylor Coleridge, Volume 2 by Samuel Taylor Coleridge exactly as it stands in the source edition, without abridgement. It runs to 365 sentences, grouped into 73 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 8 of The Literary Remains of Samuel Taylor Coleridge, Volume 2?

Work through the 73 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 73 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 8 be read aloud to me?

Yes — every sentence and every individual word in chapter 8 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Literary Remains of Samuel Taylor Coleridge, Volume 2

Common questions about reading The Literary Remains of Samuel Taylor Coleridge, Volume 2 by Samuel Taylor Coleridge on this page, its source edition and its audio.

Is this the complete text of The Literary Remains of Samuel Taylor Coleridge, Volume 2?

Yes. All 4022 sentences of Project Gutenberg eBook #8533 are kept, with a record of which sentences cover which part.

Which edition of The Literary Remains of Samuel Taylor Coleridge, Volume 2 is used?

Project Gutenberg eBook #8533, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Literary Remains of Samuel Taylor Coleridge, Volume 2 take to read?

About 335 minutes of reading across 805 sections of 5 sentences each, at an unhurried pace.

How to read The Literary Remains of Samuel Taylor Coleridge, Volume 2 section by section

How to work through The Literary Remains of Samuel Taylor Coleridge, Volume 2 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Literary Remains of Samuel Taylor Coleridge, Volume 2

Words and structures a reader meets early in The Literary Remains of Samuel Taylor Coleridge, Volume 2, each tappable for pronunciation and meaning.

Henry
A word that appears in the opening chapter of The Literary Remains of Samuel Taylor Coleridge, Volume 2; the reader can tap it to hear it and see its dictionary entry.
Nelson
A word that appears in the opening chapter of The Literary Remains of Samuel Taylor Coleridge, Volume 2; the reader can tap it to hear it and see its dictionary entry.
Coleridge
A word that appears in the opening chapter of The Literary Remains of Samuel Taylor Coleridge, Volume 2; the reader can tap it to hear it and see its dictionary entry.
Extract
A word that appears in the opening chapter of The Literary Remains of Samuel Taylor Coleridge, Volume 2; the reader can tap it to hear it and see its dictionary entry.