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The London Mercury — Vol. I
The London Mercury — Vol. I

Chapter XIII

Chapter 13 of The London Mercury — Vol. I is here in full — 499 sentences across 100 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/99 · 5 lines
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Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.
The more "thought" there is in poetry the less poetical it is.
There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.
Nor indeed can we remember any poem of which his remark would be true.
Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The London Mercury — Vol. I

Chapter XIII

Chapter 13 of The London Mercury — Vol. I is here in full — 499 sentences across 100 reading sections, with audio for every sentence and word.

Reading 1/99 · 5 reading units · Lines 1–5

Line 1
Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.
Line 2
The more "thought" there is in poetry the less poetical it is.
/ðə mɔːr θɔːt ðer ɪz ɪn ˈpoʊətri ðə les poʊˈetɪkəl ɪt ɪz/
Line 3
There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.
Line 4
Nor indeed can we remember any poem of which his remark would be true.
/nɔːr ˌɪnˈdiːd kæn wiː rɪˈmɛm.bər ˈeni ˈpoʊəm ʌv wɪtʃ hɪz rɪˈmɑːrk wʊd biː truː/
Line 5
Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.
/ˈmɪstər hɪlz ˌɑːbzərˈveɪʃənz ɑːn ˈemərsənz staɪl ənd hɪz ˌbaɪəˈɡræfɪkəl ˈpɔːrʃənz ʌv ðə eˈseɪ ɑːr nɑːt kwaɪt soʊ ɔːf ðə mɑːrk/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Antigone noun US /æˈtɪɡəni/

(Greek mythology) the daughter of King Oedipus who disobeyed her father and was condemned to death

biographical adjective US /ˌbaɪəˈɡræfɪkəl/

of or relating to or being biography

From this reading “Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.”

commas noun US /ˈkɑːməz/

plural of “comma” — a punctuation mark (,) used to indicate the separation of elements within the grammatical structure of a sentence

From this reading “There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.”

contention noun US /kənˈtenʃən/

a point asserted as part of an argument

From this reading “There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.”

Emerson's noun US /ˈemərsənz/

possessive form of “emerson” — United States writer and leading exponent of transcendentalism (1803-1882)

From this reading “Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.”

evoked adjective US /ɪˈvoʊkt/

called forth from a latent or potential state by stimulation

From this reading “Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.”

Hill's noun US /hɪlz/

possessive form of “hill” — a local and well-defined elevation of the land

From this reading “Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.”

inverted adjective US /ˌɪnˈvɜːrtɪd/

being in such a position that top and bottom are reversed

From this reading “There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

true poetry adjective + noun

In this reading “Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.”

All words in this reading · 88

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AbbeynounUS /ˈæbi/

a church associated with a monastery or convent

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

absentadjectiveUS /ˈæbsənt/

not being in a specified place

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

AntigonenounUS /æˈtɪɡəni/

(Greek mythology) the daughter of King Oedipus who disobeyed her father and was condemned to death

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Nor indeed can we remember any poem of which his remark would be true.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Nor indeed can we remember any poem of which his remark would be true.

BeautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

biographicaladjectiveUS /ˌbaɪəˈɡræfɪkəl/

of or relating to or being biography

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

BooknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Nor indeed can we remember any poem of which his remark would be true.

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

charmnounUS /tʃɑːrm/

attractiveness that interests or pleases or stimulates

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

combinedadjectiveUS /kəmˈbaɪnd/

made or joined or united into one

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

commasnounUS /ˈkɑːməz/

plural of “comma” — a punctuation mark (,) used to indicate the separation of elements within the grammatical structure of a sentence

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

Commedia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

containsverbUS /kənˈteɪnz/

third-person singular of “contain” — include or contain; have as a component

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

contentionnounUS /kənˈtenʃən/

a point asserted as part of an argument

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

Divina

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

Emerson'snounUS /ˈemərsənz/

possessive form of “emerson” — United States writer and leading exponent of transcendentalism (1803-1882)

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

essaynounUS /eˈseɪ/

an analytic or interpretive literary composition

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

evokedadjectiveUS /ɪˈvoʊkt/

called forth from a latent or potential state by stimulation

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

followverbUS /ˈfɑːloʊ/

to travel behind, go after, come after

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

HamletnounUS /ˈhæmlət/

a community of people smaller than a village

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

HillnounUS /hɪl/

a local and well-defined elevation of the land

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

Hill'snounUS /hɪlz/

possessive form of “hill” — a local and well-defined elevation of the land

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

imagesnounUS /ˈɪmədʒəz/

plural of “image” — an iconic mental representation

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Nor indeed can we remember any poem of which his remark would be true.

invertedadjectiveUS /ˌɪnˈvɜːrtɪd/

being in such a position that top and bottom are reversed

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The more "thought" there is in poetry the less poetical it is.

lacknounUS /læk/

the state of needing something that is absent or unavailable

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

languagenounUS /ˈlæŋɡwədʒ/

a systematic means of communicating by the use of sounds or conventional symbols

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading The more "thought" there is in poetry the less poetical it is.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

LostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

markverbUS /mɑːrk/

attach a tag or label to

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

nodeterminerUS /noʊ/

not any; not one

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

NorconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Nor indeed can we remember any poem of which his remark would be true.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

observationsnounUS /ˌɑːbzərˈveɪʃənz/

plural of “observation” — the act of making and recording a measurement

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

ParadisenounUS /ˈperədaɪs/

any place of complete bliss and delight and peace

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading Nor indeed can we remember any poem of which his remark would be true.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

poeticaladjectiveUS /poʊˈetɪkəl/

of or relating to poetry

From this reading The more "thought" there is in poetry the less poetical it is.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

portionsnounUS /ˈpɔːrʃənz/

plural of “portion” — something determined in relation to something that includes it

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

remarknounUS /rɪˈmɑːrk/

a statement that expresses a personal opinion or belief or adds information

From this reading Nor indeed can we remember any poem of which his remark would be true.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading Nor indeed can we remember any poem of which his remark would be true.

RingverbUS /rɪŋ/

sound loudly and sonorously

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

sheeradjectiveUS /ʃɪr/

complete and without restriction or qualification; sometimes used informally as intensifiers

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

soundsnounUS /saʊndz/

plural of “sound” — the particular auditory effect produced by a given cause

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

stylenounUS /staɪl/

how something is done or how it happens

From this reading Mr. Hill's observations on Emerson's style and his biographical portions of the essay are not quite so off the mark.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

thereadverbUS /ðer/

in or at that place or location

From this reading The more "thought" there is in poetry the less poetical it is.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading The more "thought" there is in poetry the less poetical it is.

Tintern

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

truthnounUS /truːθ/

a fact that has been verified

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

unanalysable

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

virtuenounUS /ˈvɝː.tʃuː/

Moral excellence and goodness of character; the highest human attainment in Stoic philosophy.

From this reading There is much virtue in inverted commas, and no doubt "thought" is absent from the _Antigone_, the _Divina Commedia_, _Hamlet_, _Paradise Lost_, _Tintern Abbey_, and _The Ring and the Book_; but we cannot follow Mr. Hill in his contention that these poems lack truth or passion.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Nor indeed can we remember any poem of which his remark would be true.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading Beautiful language, true poetry, often contains little truth and not much passion; we feel that the poetry is in the beauty of the images evoked, or in the sheer unanalysable charm of the words as sounds, or--more generally--both combined.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Nor indeed can we remember any poem of which his remark would be true.

Chapter 13 of The London Mercury — Vol. I by Various holds 499 sentences, grouped into 100 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of The London Mercury — Vol. I contain?

Chapter 13 holds 499 sentences of The London Mercury — Vol. I, unabridged, divided into 100 reading sections.

This page carries chapter 13 of The London Mercury — Vol. I by Various exactly as it stands in the source edition, without abridgement. It runs to 499 sentences, grouped into 100 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of The London Mercury — Vol. I?

Work through the 100 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 100 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The London Mercury — Vol. I

Common questions about reading The London Mercury — Vol. I by Various on this page, its source edition and its audio.

Is this the complete text of The London Mercury — Vol. I?

Yes. All 19107 sentences of Project Gutenberg eBook #45116 are kept, with a record of which sentences cover which part.

Which edition of The London Mercury — Vol. I is used?

Project Gutenberg eBook #45116, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The London Mercury — Vol. I take to read?

About 600 minutes of reading across 3822 sections of 5 sentences each, at an unhurried pace.

How to read The London Mercury — Vol. I section by section

How to work through The London Mercury — Vol. I section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The London Mercury — Vol. I

Words and structures a reader meets early in The London Mercury — Vol. I, each tappable for pronunciation and meaning.

America
A word that appears in the opening chapter of The London Mercury — Vol. I; the reader can tap it to hear it and see its dictionary entry.
Letter
A word that appears in the opening chapter of The London Mercury — Vol. I; the reader can tap it to hear it and see its dictionary entry.
Bibliographical
A word that appears in the opening chapter of The London Mercury — Vol. I; the reader can tap it to hear it and see its dictionary entry.
Notes
A word that appears in the opening chapter of The London Mercury — Vol. I; the reader can tap it to hear it and see its dictionary entry.