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The London Mercury — Vol. I
The London Mercury — Vol. I

Chapter XXVIII

Chapter 28 of The London Mercury — Vol. I is here in full — 469 sentences across 94 reading sections, with audio for every sentence and word.

Cover illustration for The London Mercury — Vol. I
Context Illustration Reading 1/93 · 5 lines
English subtitles · tap any word to listen 1 / 5
It is easy to see the Spanish element that is common to the whole group.
Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.
But it is to us foreigners that the Spanish local colour is most insistently obvious.
In listening to the music of any particular school we may approach it in two ways.
At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The London Mercury — Vol. I

Chapter XXVIII

Chapter 28 of The London Mercury — Vol. I is here in full — 469 sentences across 94 reading sections, with audio for every sentence and word.

Reading 1/93 · 5 reading units · Lines 1–5

Line 1
It is easy to see the Spanish element that is common to the whole group.
/ɪt ɪz ˈiːzi tuː siː ðə ˈspænɪʃ ˈeləmənt ðæt ɪz ˈkɑːmən tuː ðə hoʊl ɡruːp/
Line 2
Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.
/ˈeniwʌn kæn ˈrekəɡnaɪz ðə ˈrɪðəmz ənd tɜːrnz ʌv freɪz ðæt ɑːr dərˈaɪvd frʌm ˈspænɪʃ ˈnæʃənəl sɔːŋ ənd dæns ðə mɔːr soʊ æz ɔːl fɔːr hæv drɔːn ðer ˈprɪnsəpəl ˌɪnspərˈeɪʃən frʌm ˈpɑːpjələr ˈsɔːrsəz/
Line 3
But it is to us foreigners that the Spanish local colour is most insistently obvious.
/bʌt ɪt ɪz tuː ʌs ˈfɔːrənərz ðæt ðə ˈspænɪʃ ˈloʊkəl ˈkʌlər ɪz moʊst ˌɪnˈsɪstəntli ˈɑːbviəs/
Line 4
In listening to the music of any particular school we may approach it in two ways.
/ɪn ˈlɪsənɪŋ tuː ðə ˈmjuːzɪk ʌv ˈeni pərˈtɪkjələr skuːl wiː meɪ əˈproʊtʃ ɪt ɪn tuː weɪz/
Line 5
At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.
/æt fɜːrst wiː ɑːr ˈkɑːnʃəs ʌv ðə skuːl æz ə ˌhoʊməˈdʒiːniəs ɡruːp wiː ˈnoʊtəs ˌsɪməˈlerətiz ənd lʊk aʊt fɔːr mɔːr ʌv ðem/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

derived adjective US /dərˈaɪvd/

formed or developed from something else; not original

From this reading “Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.”

foreigners noun US /ˈfɔːrənərz/

plural of “foreigner” — a person who comes from a foreign country; someone who does not owe allegiance to your country

From this reading “But it is to us foreigners that the Spanish local colour is most insistently obvious.”

homogeneous adjective US /ˌhoʊməˈdʒiːniəs/

all of the same or similar kind or nature

From this reading “At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.”

insistently adverb US /ˌɪnˈsɪstəntli/

in an insistent manner

From this reading “But it is to us foreigners that the Spanish local colour is most insistently obvious.”

recognise verb US /ˈrekəɡnaɪz/

show approval or appreciation of

From this reading “Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.”

rhythms noun US /ˈrɪðəmz/

plural of “rhythm” — the basic rhythmic unit in a piece of music

From this reading “Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.”

similarities noun US /ˌsɪməˈlerətiz/

plural of “similarity” — the quality of being similar

From this reading “At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.”

sources noun US /ˈsɔːrsəz/

plural of “source” — the place where something begins, where it springs into being

From this reading “Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

two ways noun + noun

In this reading “In listening to the music of any particular school we may approach it in two ways.”

whole group adjective + noun

In this reading “It is easy to see the Spanish element that is common to the whole group.”

look out verb + adjective

be vigilant, be on the lookout or be careful

In this reading “At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.”

all four adjective + noun

In this reading “Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.”

All words in this reading · 68

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading In listening to the music of any particular school we may approach it in two ways.

AnyonepronounUS /ˈeniwʌn/

any person at all

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

approachverbUS /əˈproʊtʃ/

move towards

From this reading In listening to the music of any particular school we may approach it in two ways.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

AtprepositionUS /æt/

in or near a particular place or position

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But it is to us foreigners that the Spanish local colour is most insistently obvious.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

colouradjectiveUS /ˈkʌlər/

having or capable of producing colors

From this reading But it is to us foreigners that the Spanish local colour is most insistently obvious.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading It is easy to see the Spanish element that is common to the whole group.

consciousadjectiveUS /ˈkɑːnʃəs/

intentionally conceived

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

dancenounUS /dæns/

an artistic form of nonverbal communication

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

derivedadjectiveUS /dərˈaɪvd/

formed or developed from something else; not original

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

drawnadjectiveUS /drɔːn/

showing the wearing effects of overwork or care or suffering

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading It is easy to see the Spanish element that is common to the whole group.

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading It is easy to see the Spanish element that is common to the whole group.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

foreignersnounUS /ˈfɔːrənərz/

plural of “foreigner” — a person who comes from a foreign country; someone who does not owe allegiance to your country

From this reading But it is to us foreigners that the Spanish local colour is most insistently obvious.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

groupnounUS /ɡruːp/

any number of entities (members) considered as a unit

From this reading It is easy to see the Spanish element that is common to the whole group.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

homogeneousadjectiveUS /ˌhoʊməˈdʒiːniəs/

all of the same or similar kind or nature

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In listening to the music of any particular school we may approach it in two ways.

insistentlyadverbUS /ˌɪnˈsɪstəntli/

in an insistent manner

From this reading But it is to us foreigners that the Spanish local colour is most insistently obvious.

inspirationnounUS /ˌɪnspərˈeɪʃən/

arousal of the mind to special unusual activity or creativity

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is easy to see the Spanish element that is common to the whole group.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is easy to see the Spanish element that is common to the whole group.

listeningnounUS /ˈlɪsənɪŋ/

the act of hearing attentively

From this reading In listening to the music of any particular school we may approach it in two ways.

localadjectiveUS /ˈloʊkəl/

relating to or applicable to or concerned with the administration of a city or town or district rather than a larger area

From this reading But it is to us foreigners that the Spanish local colour is most insistently obvious.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading In listening to the music of any particular school we may approach it in two ways.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

mostadverbUS /moʊst/

used to form the superlative

From this reading But it is to us foreigners that the Spanish local colour is most insistently obvious.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading In listening to the music of any particular school we may approach it in two ways.

nationaladjectiveUS /ˈnæʃənəl/

of or relating to or belonging to a nation or country

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

noticenounUS /ˈnoʊtəs/

an announcement containing information about an event

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

obviousadjectiveUS /ˈɑːbviəs/

easily perceived by the senses or grasped by the mind

From this reading But it is to us foreigners that the Spanish local colour is most insistently obvious.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

particularadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading In listening to the music of any particular school we may approach it in two ways.

phrasenounUS /freɪz/

an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

popularadjectiveUS /ˈpɑːpjələr/

regarded with great favor, approval, or affection especially by the general public

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

principalnounUS /ˈprɪnsəpəl/

the original amount of a debt on which interest is calculated

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

recogniseverbUS /ˈrekəɡnaɪz/

show approval or appreciation of

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

rhythmsnounUS /ˈrɪðəmz/

plural of “rhythm” — the basic rhythmic unit in a piece of music

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

schoolnounUS /skuːl/

an educational institution

From this reading In listening to the music of any particular school we may approach it in two ways.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading It is easy to see the Spanish element that is common to the whole group.

similaritiesnounUS /ˌsɪməˈlerətiz/

plural of “similarity” — the quality of being similar

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

songnounUS /sɔːŋ/

a short musical composition with words

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

sourcesnounUS /ˈsɔːrsəz/

plural of “source” — the place where something begins, where it springs into being

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

SpanishnounUS /ˈspænɪʃ/

the Romance language spoken in most of Spain and the countries colonized by Spain

From this reading It is easy to see the Spanish element that is common to the whole group.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading It is easy to see the Spanish element that is common to the whole group.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It is easy to see the Spanish element that is common to the whole group.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading At first we are conscious of the school as a homogeneous group; we notice similarities and look out for more of them.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It is easy to see the Spanish element that is common to the whole group.

turnsnounUS /tɜːrnz/

plural of “turn” — a circular segment of a curve

From this reading Anyone can recognise the rhythms and turns of phrase that are derived from Spanish national song and dance, the more so as all four have drawn their principal inspiration from popular sources.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading In listening to the music of any particular school we may approach it in two ways.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading But it is to us foreigners that the Spanish local colour is most insistently obvious.

waysnounUS /weɪz/

structure consisting of a sloping way down to the water from the place where ships are built or repaired

From this reading In listening to the music of any particular school we may approach it in two ways.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading In listening to the music of any particular school we may approach it in two ways.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading It is easy to see the Spanish element that is common to the whole group.

Chapter 28 of The London Mercury — Vol. I by Various holds 469 sentences, grouped into 94 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 28 of The London Mercury — Vol. I contain?

Chapter 28 holds 469 sentences of The London Mercury — Vol. I, unabridged, divided into 94 reading sections.

This page carries chapter 28 of The London Mercury — Vol. I by Various exactly as it stands in the source edition, without abridgement. It runs to 469 sentences, grouped into 94 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 28 of The London Mercury — Vol. I?

Work through the 94 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 94 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 28 be read aloud to me?

Yes — every sentence and every individual word in chapter 28 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The London Mercury — Vol. I

Common questions about reading The London Mercury — Vol. I by Various on this page, its source edition and its audio.

Is this the complete text of The London Mercury — Vol. I?

Yes. All 19107 sentences of Project Gutenberg eBook #45116 are kept, with a record of which sentences cover which part.

Which edition of The London Mercury — Vol. I is used?

Project Gutenberg eBook #45116, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The London Mercury — Vol. I take to read?

About 600 minutes of reading across 3822 sections of 5 sentences each, at an unhurried pace.

How to read The London Mercury — Vol. I section by section

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Vocabulary met early in The London Mercury — Vol. I

Words and structures a reader meets early in The London Mercury — Vol. I, each tappable for pronunciation and meaning.

America
A word that appears in the opening chapter of The London Mercury — Vol. I; the reader can tap it to hear it and see its dictionary entry.
Letter
A word that appears in the opening chapter of The London Mercury — Vol. I; the reader can tap it to hear it and see its dictionary entry.
Bibliographical
A word that appears in the opening chapter of The London Mercury — Vol. I; the reader can tap it to hear it and see its dictionary entry.
Notes
A word that appears in the opening chapter of The London Mercury — Vol. I; the reader can tap it to hear it and see its dictionary entry.