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The Lost Girl
The Lost Girl

Chapter II · Chapter 2

Chapter 2 of The Lost Girl is here in full — 258 sentences across 52 reading sections, with audio for every sentence and word.

Cover illustration for The Lost Girl
Context Illustration Reading 1/51 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.
If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.
She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.
In Manchester House, every voice lowered its tone.
And so from the first Alvina spoke with a quiet, refined, almost convent voice.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Lost Girl

Chapter II · Chapter 2

Chapter 2 of The Lost Girl is here in full — 258 sentences across 52 reading sections, with audio for every sentence and word.

Reading 1/51 · 5 reading units · Lines 1–5

Line 1
THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.
Line 2
If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.
/ɪf wiː liːv hɜːr aʊt ʌv ðə fɜːrst ˈtʃæptər ʌv hɜːr oʊn ˈstɔːri ɪt ɪz bɪˈkɔːz ˈdʊrɪŋ ðə fɜːrst ˈtwentifaɪv jɪrz ʌv hɜːr laɪf ʃiː ˈrɪli wɑːz left aʊt ʌv kaʊnt ɔːr soʊ ˌoʊvərˈʃædoʊd æz tuː biː ˈneɡlədʒəbəl/
Line 3
She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.
/ʃiː ənd hɜːr ˈmʌðər wɜːr ðə ˈfæn.təm ˈpæsəndʒərz ɪn ðə ʃɪp ʌv dʒeɪmz ˈhɔːtənz ˈfɔːrtʃənz/
Line 4
In Manchester House, every voice lowered its tone.
/ɪn ˈmæntʃestər haʊs ˈevəri vɔɪs ˈloʊərd ɪts toʊn/
Line 5
And so from the first Alvina spoke with a quiet, refined, almost convent voice.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

heroine noun US /ˈheroʊən/

the main good female character in a work of fiction

From this reading “THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.”

houghton noun US /ˈhɔːtən/

United States publisher who founded a printing shop that became an important book publisher (1823-1895)

From this reading “THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.”

Houghton's noun US /ˈhɔːtənz/

possessive form of “houghton” — United States publisher who founded a printing shop that became an important book publisher (1823-1895)

Manchester noun US /ˈmæntʃestər/

largest city in New Hampshire; located in southeastern New Hampshire on the Merrimack river

From this reading “In Manchester House, every voice lowered its tone.”

negligible adjective US /ˈneɡlədʒəbəl/

so small as to be meaningless; insignificant

From this reading “If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.”

overshadowed verb US /ˌoʊvərˈʃædoʊd/

past form of “overshadow” — be greater in significance than

From this reading “If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.”

phantom noun US /ˈfæn.təm/

A ghost or apparition; a figment of the imagination or a hidden dweller.

From this reading “She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.”

refined adjective US /rəˈfaɪnd/

(used of persons and their behavior) cultivated and genteel

From this reading “And so from the first Alvina spoke with a quiet, refined, almost convent voice.”

All words in this reading · 60

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading And so from the first Alvina spoke with a quiet, refined, almost convent voice.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading And so from the first Alvina spoke with a quiet, refined, almost convent voice.

ALVINA

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

conventnounUS /ˈkɑːnvənt/

a religious residence especially for nuns

From this reading And so from the first Alvina spoke with a quiet, refined, almost convent voice.

countverbUS /kaʊnt/

determine the number or amount of

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading In Manchester House, every voice lowered its tone.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

fortunesnounUS /ˈfɔːrtʃənz/

plural of “fortune” — an unknown and unpredictable phenomenon that causes an event to result one way rather than another

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading And so from the first Alvina spoke with a quiet, refined, almost convent voice.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

heroinenounUS /ˈheroʊən/

the main good female character in a work of fiction

From this reading THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.

HOUGHTONnounUS /ˈhɔːtən/

United States publisher who founded a printing shop that became an important book publisher (1823-1895)

From this reading THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.

Houghton'snounUS /ˈhɔːtənz/

possessive form of “houghton” — United States publisher who founded a printing shop that became an important book publisher (1823-1895)

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

HousenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading In Manchester House, every voice lowered its tone.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading In Manchester House, every voice lowered its tone.

JamesnounUS /dʒeɪmz/

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

leaveverbUS /liːv/

go away from a place

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

loweredadjectiveUS /ˈloʊərd/

below the surround or below the normal position

From this reading In Manchester House, every voice lowered its tone.

ManchesternounUS /ˈmæntʃestər/

largest city in New Hampshire; located in southeastern New Hampshire on the Merrimack river

From this reading In Manchester House, every voice lowered its tone.

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

negligibleadjectiveUS /ˈneɡlədʒəbəl/

so small as to be meaningless; insignificant

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

overshadowedverbUS /ˌoʊvərˈʃædoʊd/

past form of “overshadow” — be greater in significance than

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

ownverbUS /oʊn/

have ownership or possession of

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

passengersnounUS /ˈpæsəndʒərz/

plural of “passenger” — a traveler riding in a vehicle (a boat or bus or car or plane or train etc) who is not operating it

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

phantomnounUS /ˈfæn.təm/

A ghost or apparition; a figment of the imagination or a hidden dweller.

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading And so from the first Alvina spoke with a quiet, refined, almost convent voice.

reallyadverbUS /ˈrɪli/

in accordance with truth or fact or reality

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

refinedadjectiveUS /rəˈfaɪnd/

(used of persons and their behavior) cultivated and genteel

From this reading And so from the first Alvina spoke with a quiet, refined, almost convent voice.

RISEverbUS /raɪz/

move upward

From this reading THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

shipverbUS /ʃɪp/

transport commercially

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

spokenounUS /spoʊk/

support consisting of a radial member of a wheel joining the hub to the rim

From this reading And so from the first Alvina spoke with a quiet, refined, almost convent voice.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading THE RISE OF ALVINA HOUGHTON The heroine of this story is Alvina Houghton.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

tonenounUS /toʊn/

the quality of a person's voice

From this reading In Manchester House, every voice lowered its tone.

twenty-fiveadjectiveUS /ˈtwentifaɪv/

being five more than twenty

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading In Manchester House, every voice lowered its tone.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading She and her mother were the phantom passengers in the ship of James Houghton’s fortunes.

withprepositionUS /wɪð/

in the company of; together with

From this reading And so from the first Alvina spoke with a quiet, refined, almost convent voice.

yearsnounUS /jɪrz/

a late time of life

From this reading If we leave her out of the first chapter of her own story it is because, during the first twenty-five years of her life, she really was left out of count, or so overshadowed as to be negligible.

Chapter 2 of The Lost Girl by D. H. (David Herbert) Lawrence holds 258 sentences, grouped into 52 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Lost Girl contain?

Chapter 2 holds 258 sentences of The Lost Girl, unabridged, divided into 52 reading sections.

This page carries chapter 2 of The Lost Girl by D. H. (David Herbert) Lawrence exactly as it stands in the source edition, without abridgement. It runs to 258 sentences, grouped into 52 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Lost Girl?

Work through the 52 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 52 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Lost Girl

Common questions about reading The Lost Girl by D. H. (David Herbert) Lawrence on this page, its source edition and its audio.

Is this the complete text of The Lost Girl?

Yes. All 12574 sentences of Project Gutenberg eBook #23727 are kept, with a record of which sentences cover which part.

Which edition of The Lost Girl is used?

Project Gutenberg eBook #23727, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Lost Girl take to read?

About 600 minutes of reading across 2515 sections of 5 sentences each, at an unhurried pace.

How to read The Lost Girl section by section

How to work through The Lost Girl section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 16 chapters of The Lost Girl to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Lost Girl

Words and structures a reader meets early in The Lost Girl, each tappable for pronunciation and meaning.

Mining
A word that appears in the opening chapter of The Lost Girl; the reader can tap it to hear it and see its dictionary entry.
Townlet
A word that appears in the opening chapter of The Lost Girl; the reader can tap it to hear it and see its dictionary entry.
Woodhouse
A word that appears in the opening chapter of The Lost Girl; the reader can tap it to hear it and see its dictionary entry.
Population
A word that appears in the opening chapter of The Lost Girl; the reader can tap it to hear it and see its dictionary entry.