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The Magic Curtain: A Mystery Story for Girls
The Magic Curtain: A Mystery Story for Girls

Chapter I

Chapter 1 of The Magic Curtain: A Mystery Story for Girls is here in full — 123 sentences across 25 reading sections, with audio for every sentence and word.

Cover illustration for The Magic Curtain: A Mystery Story for Girls
Context Illustration Reading 1/24 · 5 lines
English subtitles · tap any word to listen 1 / 5
The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.
The vast auditorium of the Civic Opera House was a well of darkness and silence.
Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.
This grandest of all auditoriums is deserted."
But you would have been mistaken.
0:00 / 0:00
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Magic Curtain: A Mystery Story for Girls

Chapter I

Chapter 1 of The Magic Curtain: A Mystery Story for Girls is here in full — 123 sentences across 25 reading sections, with audio for every sentence and word.

Reading 1/24 · 5 reading units · Lines 1–5

Line 1
The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.
Line 2
The vast auditorium of the Civic Opera House was a well of darkness and silence.
/ðə væst ˌɔːdəˈtɔːriəm ʌv ðə ˈsɪvɪk ˈɑːprə haʊs wɑːz ə wel ʌv ˈdɑːrknəs ənd ˈsaɪ.ləns/
Line 3
Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.
/hæd juː lʊkt ɪn əˈpɑːn ðɪs siːn æt ðɪs ˈɪri ˈaʊər juː wʊd moʊst ˈsɜːrtənli hæv sed ðer ɪz noʊ wʌn hiːr/
Line 4
This grandest of all auditoriums is deserted."
/ðɪs ˈɡrændəst ʌv ɔːl ˌɔːdɪˈtɔːriəmz ɪz dɪˈzɜːrtɪd/
Line 5
But you would have been mistaken.
/bʌt juː wʊd hæv bɪn mɪˈsteɪkən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

auditorium noun US /ˌɔːdəˈtɔːriəm/

the area of a theater or concert hall where the audience sits

From this reading “The vast auditorium of the Civic Opera House was a well of darkness and silence.”

auditoriums noun US /ˌɔːdɪˈtɔːriəmz/

plural of “auditorium” — the area of a theater or concert hall where the audience sits

From this reading “This grandest of all auditoriums is deserted."”

Civic adjective US /ˈsɪvɪk/

of or relating or belonging to a city

From this reading “The vast auditorium of the Civic Opera House was a well of darkness and silence.”

eerie adjective US /ˈɪri/

suggestive of the supernatural; mysterious

From this reading “Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.”

grandest adjective US /ˈɡrændəst/

superlative of “grand” — of behavior that is impressive and ambitious in scale or scope

From this reading “This grandest of all auditoriums is deserted."”

mystic adjective US /ˈmɪstɪk/

having an import not apparent to the senses nor obvious to the intelligence; beyond ordinary understanding

From this reading “The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.”

Opera noun US /ˈɑːprə/

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading “The vast auditorium of the Civic Opera House was a well of darkness and silence.”

witches noun US /ˈwɪtʃəz/

plural of “witch” — a female sorcerer or magician

From this reading “The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

in the morning preposition + article + noun counted as “in … morning”

In this reading “The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.”

All words in this reading · 54

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

abroadadverbUS /əˈbrɔːd/

to or in a foreign country

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading This grandest of all auditoriums is deserted."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

atprepositionUS /æt/

in or near a particular place or position

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

auditoriumnounUS /ˌɔːdəˈtɔːriəm/

the area of a theater or concert hall where the audience sits

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

auditoriumsnounUS /ˌɔːdɪˈtɔːriəmz/

plural of “auditorium” — the area of a theater or concert hall where the audience sits

From this reading This grandest of all auditoriums is deserted."

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading But you would have been mistaken.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But you would have been mistaken.

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

ChicagonounUS /ʃəˈkɑːɡoʊ/

largest city in Illinois; a bustling Great Lakes port that extends 26 miles along the southwestern shoreline of Lake Michigan

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

CivicadjectiveUS /ˈsɪvɪk/

of or relating or belonging to a city

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

ConounUS /koʊ/

an odorless very poisonous gas that is a product of incomplete combustion of carbon

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

darknessnounUS /ˈdɑːrknəs/

absence of light or illumination

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

desertedadjectiveUS /dɪˈzɜːrtɪd/

forsaken by owner or inhabitants

From this reading This grandest of all auditoriums is deserted."

eerieadjectiveUS /ˈɪri/

suggestive of the supernatural; mysterious

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

grandestadjectiveUS /ˈɡrændəst/

superlative of “grand” — of behavior that is impressive and ambitious in scale or scope

From this reading This grandest of all auditoriums is deserted."

Hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

hournounUS /ˈaʊər/

a period of time equal to 1/24th of a day

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

HousenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

landnounUS /lænd/

the land on which real estate is located

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

LeenounUS /liː/

United States filmmaker whose works explore the richness of black culture in America (born in 1957)

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

mistakenadjectiveUS /mɪˈsteɪkən/

wrong in e.g. opinion or judgment

From this reading But you would have been mistaken.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

mostadverbUS /moʊst/

used to form the superlative

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

mysticadjectiveUS /ˈmɪstɪk/

having an import not apparent to the senses nor obvious to the intelligence; beyond ordinary understanding

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

nodeterminerUS /noʊ/

not any; not one

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

o'clockadverbUS /əˈklɑːk/

according to the clock

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

OperanounUS /ˈɑːprə/

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

Reilly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

scenenounUS /siːn/

the place where some action occurs

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

silencenounUS /ˈsaɪ.ləns/

Complete absence of sound; a state of quietness and stillness.

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

ThereadverbUS /ðer/

in or at that place or location

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

vastadjectiveUS /væst/

unusually great in size or amount or degree or especially extent or scope

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading The vast auditorium of the Civic Opera House was a well of darkness and silence.

whenconjunctionUS /wen/

at the time that

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

witchesnounUS /ˈwɪtʃəz/

plural of “witch” — a female sorcerer or magician

From this reading The Reilly & Lee Co. Chicago It was that mystic hour when witches are abroad in the land: one o'clock in the morning.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

youpronounUS /juː/

the person or people being spoken to

From this reading Had you looked in upon this scene at this eerie hour you would most certainly have said, "There is no one here.

Chapter 1 of The Magic Curtain: A Mystery Story for Girls by Roy J. (Roy Judson) Snell holds 123 sentences, grouped into 25 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Magic Curtain: A Mystery Story for Girls contain?

Chapter 1 holds 123 sentences of The Magic Curtain: A Mystery Story for Girls, unabridged, divided into 25 reading sections.

This page carries chapter 1 of The Magic Curtain: A Mystery Story for Girls by Roy J. (Roy Judson) Snell exactly as it stands in the source edition, without abridgement. It runs to 123 sentences, grouped into 25 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Magic Curtain: A Mystery Story for Girls?

Work through the 25 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 25 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Magic Curtain: A Mystery Story for Girls

Common questions about reading The Magic Curtain: A Mystery Story for Girls by Roy J. (Roy Judson) Snell on this page, its source edition and its audio.

Is this the complete text of The Magic Curtain: A Mystery Story for Girls?

Yes. All 4618 sentences of Project Gutenberg eBook #42137 are kept, with a record of which sentences cover which part.

Which edition of The Magic Curtain: A Mystery Story for Girls is used?

Project Gutenberg eBook #42137, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Magic Curtain: A Mystery Story for Girls take to read?

About 384 minutes of reading across 924 sections of 5 sentences each, at an unhurried pace.

How to read The Magic Curtain: A Mystery Story for Girls section by section

How to work through The Magic Curtain: A Mystery Story for Girls section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 32 chapters of The Magic Curtain: A Mystery Story for Girls to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Magic Curtain: A Mystery Story for Girls

Words and structures a reader meets early in The Magic Curtain: A Mystery Story for Girls, each tappable for pronunciation and meaning.

Reilly
A word that appears in the opening chapter of The Magic Curtain: A Mystery Story for Girls; the reader can tap it to hear it and see its dictionary entry.
Chicago
A word that appears in the opening chapter of The Magic Curtain: A Mystery Story for Girls; the reader can tap it to hear it and see its dictionary entry.
Mystic
A word that appears in the opening chapter of The Magic Curtain: A Mystery Story for Girls; the reader can tap it to hear it and see its dictionary entry.
Witches
A word that appears in the opening chapter of The Magic Curtain: A Mystery Story for Girls; the reader can tap it to hear it and see its dictionary entry.