Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Malefactor
The Malefactor

Chapter IX

Chapter 9 of The Malefactor is here in full — 400 sentences across 80 reading sections, with audio for every sentence and word.

Cover illustration for The Malefactor
Context Illustration Reading 1/80 · 5 lines
English subtitles · tap any word to listen 1 / 5
“Please don’t!” she exclaimed.
“I have come to see you--on business!”
Mr. Pengarth, after his first gasp of astonishment, was a different man.
He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.
“On business, my dear!” he repeated.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Malefactor

Chapter IX

Chapter 9 of The Malefactor is here in full — 400 sentences across 80 reading sections, with audio for every sentence and word.

Reading 1/80 · 5 reading units · Lines 1–5

Line 1
“Please don’t!” she exclaimed.
Line 2
“I have come to see you--on business!”
Line 3
Mr. Pengarth, after his first gasp of astonishment, was a different man.
Line 4
He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.
/hiː ˈfʌmbəld əˈbaʊt ɑːn ðə desk ənd prəˈduːst ə per ʌv ɡoʊld ˈspektəkəlz wɪtʃ hiː əˈdʒʌstɪd wɪð ɡreɪt ˈnaɪsɪti ɑːn ðə edʒ ʌv hɪz ˈveri ʃɔːrt noʊz/
Line 5
“On business, my dear!” he repeated.
/ɑːn ˈbɪznəs maɪ dɪr hiː rɪˈpiːtɪd/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adjusted adjective US /əˈdʒʌstɪd/

altered to accommodate to certain requirements or bring into a proper relation

From this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

astonishment noun US /əˈstɑːnɪʃmənt/

the feeling that accompanies something extremely surprising

From this reading “Mr. Pengarth, after his first gasp of astonishment, was a different man.”

desk noun US /desk/

a piece of furniture with a writing surface and usually drawers or other compartments

From this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

fumbled verb US /ˈfʌmbəld/

past form of “fumble” — feel about uncertainly or blindly

From this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

gasp noun US /ɡæsp/

a short labored intake of breath with the mouth open

From this reading “Mr. Pengarth, after his first gasp of astonishment, was a different man.”

nicety noun US /ˈnaɪsɪti/

conformity with some esthetic standard of correctness or propriety

From this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

produced verb US /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

spectacles noun US /ˈspektəkəlz/

(plural) optical instrument consisting of a frame that holds a pair of lenses for correcting defective vision

From this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

gold spectacles noun + noun

In this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

on the edge preposition + article + noun counted as “on … edge”

In this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

fumbled about verb + particle counted as “fumble about”

In this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

on the desk preposition + article + noun counted as “on … desk”

In this reading “He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.”

All words in this reading · 46

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

adjustedadjectiveUS /əˈdʒʌstɪd/

altered to accommodate to certain requirements or bring into a proper relation

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

afterprepositionUS /ˈæftər/

later than; following

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

astonishmentnounUS /əˈstɑːnɪʃmənt/

the feeling that accompanies something extremely surprising

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

businessnounUS /ˈbɪznəs/

a commercial or industrial enterprise and the people who constitute it

From this reading “I have come to see you--on business!”

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading “I have come to see you--on business!”

dearadjectiveUS /dɪr/

dearly loved

From this reading “On business, my dear!” he repeated.

desknounUS /desk/

a piece of furniture with a writing surface and usually drawers or other compartments

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Please don’t!” she exclaimed.

edgenounUS /edʒ/

the boundary of a surface

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

exclaimedverbUS /ɪkˈskleɪmd/

past form of “exclaim” — utter aloud; often with surprise, horror, or joy

From this reading “Please don’t!” she exclaimed.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

fumbledverbUS /ˈfʌmbəld/

past form of “fumble” — feel about uncertainly or blindly

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

gaspnounUS /ɡæsp/

a short labored intake of breath with the mouth open

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

goldnounUS /ɡoʊld/

coins made of gold

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading “I have come to see you--on business!”

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “I have come to see you--on business!”

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading “On business, my dear!” he repeated.

nicetynounUS /ˈnaɪsɪti/

conformity with some esthetic standard of correctness or propriety

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

nosenounUS /noʊz/

the organ of smell and entrance to the respiratory tract; the prominent part of the face of man or other mammals

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading “I have come to see you--on business!”

pairnounUS /per/

a set of two similar things considered as a unit

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

Pengarth

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

PleaseverbUS /pliːz/

give pleasure to or be pleasing to

From this reading “Please don’t!” she exclaimed.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

repeatedadjectiveUS /rɪˈpiːtɪd/

recurring again and again

From this reading “On business, my dear!” he repeated.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading “I have come to see you--on business!”

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading “Please don’t!” she exclaimed.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

spectaclesnounUS /ˈspektəkəlz/

(plural) optical instrument consisting of a frame that holds a pair of lenses for correcting defective vision

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “I have come to see you--on business!”

veryadjectiveUS /ˈveri/

precisely as stated

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Mr. Pengarth, after his first gasp of astonishment, was a different man.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

withprepositionUS /wɪð/

in the company of; together with

From this reading He fumbled about on the desk, and produced a pair of gold spectacles, which he adjusted with great nicety on the edge of his very short nose.

youpronounUS /juː/

the person or people being spoken to

From this reading “I have come to see you--on business!”

Chapter 9 of The Malefactor by E. Phillips (Edward Phillips) Oppenheim holds 400 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of The Malefactor contain?

Chapter 9 holds 400 sentences of The Malefactor, unabridged, divided into 80 reading sections.

This page carries chapter 9 of The Malefactor by E. Phillips (Edward Phillips) Oppenheim exactly as it stands in the source edition, without abridgement. It runs to 400 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of The Malefactor?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 80 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Malefactor

Common questions about reading The Malefactor by E. Phillips (Edward Phillips) Oppenheim on this page, its source edition and its audio.

Is this the complete text of The Malefactor?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The Malefactor is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Malefactor take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The Malefactor section by section

How to work through The Malefactor section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of The Malefactor to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Malefactor

Words and structures a reader meets early in The Malefactor, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The Malefactor, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The Malefactor, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The Malefactor, divided into 5-sentence reading sections.