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The Man: A Story of To-day
The Man: A Story of To-day

Chapter XVI · Shakespeariana--“Truth, Lord.”

Chapter XVI of The Man: A Story of To-day, “Shakespeariana--“Truth, Lord.”,” is here in full — 64 sentences across 13 reading sections, with audio for every sentence and word.

Cover illustration for The Man: A Story of To-day
Context Illustration Reading 1/12 · 5 lines
English subtitles · tap any word to listen 1 / 5
After dinner in the cabin we moved our chairs out under the trees, and The Man said:
“Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.
First, you know he was not technically a scholar.
Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.
He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Man: A Story of To-day

Chapter XVI · Shakespeariana--“Truth, Lord.”

Chapter XVI of The Man: A Story of To-day, “Shakespeariana--“Truth, Lord.”,” is here in full — 64 sentences across 13 reading sections, with audio for every sentence and word.

Reading 1/12 · 5 reading units · Lines 1–5

Line 1
After dinner in the cabin we moved our chairs out under the trees, and The Man said:
/ˈæftər ˈdɪnər ɪn ðə ˈkæbən wiː muːvd ˈaʊər tʃerz aʊt ˈʌndər ðə triːz ənd ðə mæn sed/
Line 2
“Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.
/jes aɪ noʊ juː wɪʃ tuː hiːr mɔːr əˈbaʊt ˈʃeɪkspiːr bʌt bɪˈfɔːr aɪ tel juː mɔːr ʌv hɪz ˈpɜːrsɪnəl ˈhɪstəri let ʌs kənˈsɪdər tuː ɔːr θriː fækts ɪn ˈrefərəns tuː hɪm/
Line 3
First, you know he was not technically a scholar.
/fɜːrst juː noʊ hiː wɑːz nɑːt ˈteknɪkəli ə ˈskɒl.ər/
Line 4
Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.
Line 5
He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adjust verb US /əˈdʒʌst/

alter or regulate so as to achieve accuracy or conform to a standard

From this reading “He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.”

asunder adjective US /əˈsʌndər/

widely separated especially in space

From this reading “He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.”

clip noun US /klɪp/

a metal frame or container holding cartridges; can be inserted into an automatic gun

From this reading “He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.”

frosty adjective US /ˈfrɔːsti/

devoid of warmth and cordiality; expressive of unfriendliness or disdain

From this reading “Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.”

intervened verb US /ˌɪntərˈviːnd/

past form of “intervene” — get involved, so as to alter or hinder an action, or through force or threat of force

From this reading “Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.”

lore noun US /lɔːr/

knowledge gained through tradition or anecdote

From this reading “Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.”

technically adverb US /ˈteknɪkəli/

with regard to technique

From this reading “First, you know he was not technically a scholar.”

undertone noun US /ˈʌndərtoʊn/

a quiet or hushed tone of voice

From this reading “He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

After dinner preposition + noun

In this reading “After dinner in the cabin we moved our chairs out under the trees, and The Man said:”

personal history adjective + noun

In this reading ““Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.”

under the trees preposition + article + noun counted as “under … tree”

In this reading “After dinner in the cabin we moved our chairs out under the trees, and The Man said:”

human emotion adjective + noun

In this reading “He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.”

human heart adjective + noun

In this reading “He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.”

in reference preposition + noun

In this reading ““Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.”

all times adjective + noun

In this reading “He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.”

in the cabin preposition + article + noun counted as “in … cabin”

In this reading “After dinner in the cabin we moved our chairs out under the trees, and The Man said:”

All words in this reading · 97

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading First, you know he was not technically a scholar.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

adjustverbUS /əˈdʒʌst/

alter or regulate so as to achieve accuracy or conform to a standard

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

AfterprepositionUS /ˈæftər/

later than; following

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

amidprepositionUS /əˈmɪd/

in the middle of; surrounded by

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

antiquarianadjective

of or relating to persons who study or deal in antiques or antiquities

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

armornounUS /ˈɑːrmər/

protective covering made of metal and used in combat

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

asunderadjectiveUS /əˈsʌndər/

widely separated especially in space

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

BetweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

byprepositionUS /baɪ/

showing who or what does the action

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

cabinnounUS /ˈkæbən/

small room on a ship or boat where people sleep

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

castverbUS /kæst/

put or send forth

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

cerements

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

chairsnounUS /tʃerz/

plural of “chair” — a seat for one person, with a support for the back

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

clipnounUS /klɪp/

a metal frame or container holding cartridges; can be inserted into an automatic gun

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

considerverbUS /kənˈsɪdər/

deem to be

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

deathlessadjective

never dying

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

dinnernounUS /ˈdɪnər/

the main meal of the day served in the evening or at midday

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

emotionnounUS /ɪˈmoʊʃən/

any strong feeling

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

exteriornounUS /ɪkˈstɪriər/

the region that is outside of something

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

fashionnounUS /ˈfæʃən/

how something is done or how it happens

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

FirstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading First, you know he was not technically a scholar.

forthadverbUS /fɔːrθ/

from a particular thing or place or position (“forth” is obsolete)

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

frostyadjectiveUS /ˈfrɔːsti/

devoid of warmth and cordiality; expressive of unfriendliness or disdain

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

gatesnounUS /ɡeɪts/

United States computer entrepreneur whose software company made him the youngest multi-billionaire in the history of the United States (born in 1955)

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

goneadjectiveUS /ɡɔːn/

destroyed or killed

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading First, you know he was not technically a scholar.

hearverbUS /hiːr/

perceive (sound) via the auditory sense

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

heartsnounUS /hɑːrts/

a form of whist in which players avoid winning tricks containing hearts or the queen of spades

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

intervenedverbUS /ˌɪntərˈviːnd/

past form of “intervene” — get involved, so as to alter or hinder an action, or through force or threat of force

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

lorenounUS /lɔːr/

knowledge gained through tradition or anecdote

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

MannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

measurenounUS /ˈmeʒər/

any maneuver made as part of progress toward a goal

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

moth-eatenadjective

showing signs of wear and tear

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

movedadjectiveUS /muːvd/

being excited or provoked to the expression of an emotion

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

nodeterminerUS /noʊ/

not any; not one

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading First, you know he was not technically a scholar.

notesnounUS /noʊts/

plural of “note” — a brief written record

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

personaladjectiveUS /ˈpɜːrsɪnəl/

concerning or affecting a particular person or his or her private life and personality

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

readverbUS /red/

interpret something that is written or printed

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

referencenounUS /ˈrefərəns/

a remark that calls attention to something or someone

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

rustyadjectiveUS /ˈrʌsti/

covered with or consisting of rust

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

scholarnounUS /ˈskɒl.ər/

A specialist in a particular branch of study; a distinguished student.

From this reading First, you know he was not technically a scholar.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

shellnounUS /ʃel/

ammunition consisting of a cylindrical metal casing containing an explosive charge and a projectile; fired from a large gun

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

technicallyadverbUS /ˈteknɪkəli/

with regard to technique

From this reading First, you know he was not technically a scholar.

tellverbUS /tel/

express in words

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

thereadverbUS /ðer/

in or at that place or location

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

treesnounUS /triːz/

plural of “tree” — a tall perennial woody plant having a main trunk and branches forming a distinct elevated crown; includes both gymnosperms and angiosperms

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

twilightnounUS /ˈtwaɪlaɪt/

the time of day immediately following sunset

From this reading Between him and the great ancient hearts he was to read there intervened no frosty twilight of antiquarian lore.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

undertonenounUS /ˈʌndərtoʊn/

a quiet or hushed tone of voice

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading First, you know he was not technically a scholar.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading After dinner in the cabin we moved our chairs out under the trees, and The Man said:

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He had not to clip and measure and adjust amid moth-eaten cerements and rusty armor that he might be able to fashion forth the exterior and shell of times long since gone by, but only to cast asunder the gates of the human heart, that those deathless notes might be heard which are the undertone of human emotion in all times.

wishverbUS /wɪʃ/

hope for; have a wish

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

YesnounUS /jes/

an affirmative

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

youpronounUS /juː/

the person or people being spoken to

From this reading “Yes, I know you wish to hear more about Shakespeare, but before I tell you more of his personal history, let us consider two or three facts in reference to him.

Chapter 16 of The Man: A Story of To-day by Elbert Hubbard holds 64 sentences, grouped into 13 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of The Man: A Story of To-day contain?

Chapter 16 holds 64 sentences of The Man: A Story of To-day, unabridged, divided into 13 reading sections.

This page carries chapter 16 of The Man: A Story of To-day by Elbert Hubbard exactly as it stands in the source edition, without abridgement. It runs to 64 sentences, grouped into 13 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of The Man: A Story of To-day?

Work through the 13 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 13 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Man: A Story of To-day

Common questions about reading The Man: A Story of To-day by Elbert Hubbard on this page, its source edition and its audio.

Is this the complete text of The Man: A Story of To-day?

Yes. All 1785 sentences of Project Gutenberg eBook #52049 are kept, with a record of which sentences cover which part.

Which edition of The Man: A Story of To-day is used?

Project Gutenberg eBook #52049, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Man: A Story of To-day take to read?

About 148 minutes of reading across 357 sections of 5 sentences each, at an unhurried pace.

How to read The Man: A Story of To-day section by section

How to work through The Man: A Story of To-day section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of The Man: A Story of To-day to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Man: A Story of To-day

Words and structures a reader meets early in The Man: A Story of To-day, each tappable for pronunciation and meaning.

Enclosed
A word that appears in the opening chapter of The Man: A Story of To-day; the reader can tap it to hear it and see its dictionary entry.
Underscores
A word that appears in the opening chapter of The Man: A Story of To-day; the reader can tap it to hear it and see its dictionary entry.
Italics
A word that appears in the opening chapter of The Man: A Story of To-day; the reader can tap it to hear it and see its dictionary entry.
Equal
A word that appears in the opening chapter of The Man: A Story of To-day; the reader can tap it to hear it and see its dictionary entry.