Chapter V
Chapter 5 of The Master of Man: The Story of a Sin is here in full — 427 sentences across 86 reading sections, with audio for every sentence and word.
"Who? The gentlemen?" "Yes, in the front row. Be quiet, girl. They see us.
Chapter 5 of The Master of Man: The Story of a Sin is here in full — 427 sentences across 86 reading sections, with audio for every sentence and word.
Chapter V
Chapter 5 of The Master of Man: The Story of a Sin is here in full — 427 sentences across 86 reading sections, with audio for every sentence and word.
"Who? The gentlemen?" "Yes, in the front row. Be quiet, girl. They see us.
Chapter 5 of The Master of Man: The Story of a Sin is here in full — 427 sentences across 86 reading sections, with audio for every sentence and word.
Reading 1/85 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
the side that is forward or prominent
From this reading “"Yes, in the front row.”
plural of “gentleman” — a man of refinement
From this reading “The gentlemen?"”
a young female
From this reading “Be quiet, girl.”
characterized by an absence or near absence of agitation or activity
From this reading “Be quiet, girl.”
an arrangement of objects or people side by side in a line
From this reading “"Yes, in the front row.”
perceive by sight or have the power to perceive by sight
From this reading “They see us.”
an affirmative
From this reading “"Yes, in the front row.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
In this reading “"Yes, in the front row.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used with a past participle to form the passive, or with -ing for continuous tenses
From this reading Be quiet, girl.
the side that is forward or prominent
From this reading "Yes, in the front row.
plural of “gentleman” — a man of refinement
From this reading The gentlemen?"
a young female
From this reading Be quiet, girl.
inside something, or within a place, period, or state
From this reading "Yes, in the front row.
characterized by an absence or near absence of agitation or activity
From this reading Be quiet, girl.
an arrangement of objects or people side by side in a line
From this reading "Yes, in the front row.
perceive by sight or have the power to perceive by sight
From this reading They see us.
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading The gentlemen?"
the people, animals, or things already mentioned, as the subject
From this reading They see us.
the speaker and others, as the object of a verb or preposition
From this reading They see us.
which person or people
From this reading "Who?
an affirmative
From this reading "Yes, in the front row.
Chapter 5 of The Master of Man: The Story of a Sin by Hall, Sir Caine holds 427 sentences, grouped into 86 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 5 holds 427 sentences of The Master of Man: The Story of a Sin, unabridged, divided into 86 reading sections.
This page carries chapter 5 of The Master of Man: The Story of a Sin by Hall, Sir Caine exactly as it stands in the source edition, without abridgement. It runs to 427 sentences, grouped into 86 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 86 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 86 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading The Master of Man: The Story of a Sin by Hall, Sir Caine on this page, its source edition and its audio.
Yes. All 11947 sentences of Project Gutenberg eBook #61865 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #61865, unabridged. The Project Gutenberg header, footer and licence are removed.
About 600 minutes of reading across 2390 sections of 5 sentences each, at an unhurried pace.
How to work through The Master of Man: The Story of a Sin section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 29 chapters of The Master of Man: The Story of a Sin to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in The Master of Man: The Story of a Sin, each tappable for pronunciation and meaning.