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The Mentor — No. 44
The Mentor — No. 44

Chapter I

Chapter 1 of The Mentor — No. 44 is here in full — 340 sentences across 68 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/68 · 5 lines
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_By_ HAMILTON W. MABIE, _Author and Critic_.
Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.
The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.
The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.
Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.
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The Mentor — No. 44

Chapter I

Chapter 1 of The Mentor — No. 44 is here in full — 340 sentences across 68 reading sections, with audio for every sentence and word.

Reading 1/68 · 5 reading units · Lines 1–5

Line 1
_By_ HAMILTON W. MABIE, _Author and Critic_.
Line 2
Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.
/ˈmɑːdərn ˈɪŋɡlɪʃ ˈpoʊətri ɪz rɪtʃ nɑːt ˈoʊnli ɪn ɪts ˈkwɑːləti bʌt ɪn ɪts vərˈaɪəti boʊθ ʌv θiːm ənd ʌv ˈmænər/
Line 3
The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.
Line 4
The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.
Line 5
Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.
/əˈmʌŋ ðə θrɔːŋ ʌv ˈpoʊəts huː meɪd ˈlæstɪŋ ˌkɑːntrəˈbjuːʃənz tuː ˈɪŋɡlɪʃ ˈlɪtərətʃər ˈdʊrɪŋ ðə ˈnaɪnˈtiːnθ ˈsentʃəri sɪks meɪ biː rɪˈɡɑːrdɪd æz moʊst ˌreprəˈzentətɪv/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

contributions noun US /ˌkɑːntrəˈbjuːʃənz/

plural of “contribution” — the effort contributed by a person in bringing about a result

From this reading “Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.”

etched adjective US /etʃt/

cut or impressed into a surface

From this reading “The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.”

exuberant adjective US /ɪɡˈzuːbərənt/

joyously unrestrained

From this reading “The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.”

fluency noun US /ˈfluːənsi/

powerful and effective language

From this reading “The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.”

Kipling noun US /ˈkɪplɪŋ/

English author of novels and poetry who was born in India (1865-1936)

From this reading “The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.”

phrased verb US /freɪzd/

past form of “phrase” — put into words or an expression

From this reading “The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.”

pictorial adjective US /pɪkˈtɔːriəl/

pertaining to or consisting of pictures

From this reading “The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.”

Rossetti noun US /roʊˈseti/

English poet and painter who was a leader of the Pre-Raphaelites (1828-1882)

From this reading “The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

nineteenth century adjective + noun

In this reading “Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.”

striking contrast adjective + noun

In this reading “The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.”

Among the throng preposition + article + noun counted as “among … throng”

In this reading “Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.”

All words in this reading · 96

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

agenounUS /eɪdʒ/

how long something has existed

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

AmongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _By_ HAMILTON W. MABIE, _Author and Critic_.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

ArnoldnounUS /ˈɑːrnəld/

English poet and literary critic (1822-1888)

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

AuthornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading _By_ HAMILTON W. MABIE, _Author and Critic_.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

bothdeterminerUS /boʊθ/

the two together, not just one

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

ByprepositionUS /baɪ/

showing who or what does the action

From this reading _By_ HAMILTON W. MABIE, _Author and Critic_.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

classicaladjectiveUS /ˈklæsɪkəl/

of or relating to the first significant period of a civilization, culture, area of study, etc.

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

clearnessnounUS /ˈklɪrnəs/

free from obscurity and easy to understand; the comprehensibility of clear expression

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

Clough

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

contrastnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

contributionsnounUS /ˌkɑːntrəˈbjuːʃənz/

plural of “contribution” — the effort contributed by a person in bringing about a result

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

CriticnounUS /ˈkrɪtɪk/

a person who is professionally engaged in the analysis and interpretation of works of art

From this reading _By_ HAMILTON W. MABIE, _Author and Critic_.

dignitynounUS /ˈdɪɡnəti/

the quality of being worthy of esteem or respect

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

etchedadjectiveUS /etʃt/

cut or impressed into a surface

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

exuberantadjectiveUS /ɪɡˈzuːbərənt/

joyously unrestrained

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

facultynounUS /ˈfækəlti/

one of the inherent cognitive or perceptual powers of the mind

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

fluencynounUS /ˈfluːənsi/

powerful and effective language

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

Francis

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

freshadjectiveUS /freʃ/

recently made, produced, or harvested

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

HAMILTONnounUS /ˈhæməltən/

Irish mathematician (1806-1865)

From this reading _By_ HAMILTON W. MABIE, _Author and Critic_.

Henley

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

HoodnounUS /hʊd/

an aggressive and violent young criminal

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

humornounUS /ˈhjuːmər/

a message whose ingenuity or verbal skill or incongruity has the power to evoke laughter

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

inventionnounUS /ˌɪnˈvenʃən/

the creation of something in the mind

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

KiplingnounUS /ˈkɪplɪŋ/

English author of novels and poetry who was born in India (1865-1936)

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

kluff

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

Landor

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

lastingadjectiveUS /ˈlæstɪŋ/

continuing or enduring without marked change in status or condition or place

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

MABIE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _By_ HAMILTON W. MABIE, _Author and Critic_.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

matchedadjectiveUS /mætʃt/

provided with a worthy adversary or competitor

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

MatthewnounUS /ˈmæθjuː/

(New Testament) disciple of Jesus; traditionally considered to be the author of the first Gospel

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

ModernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

moodnounUS /muːd/

a characteristic (habitual or relatively temporary) state of feeling

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

MorrisnounUS /ˈmɔːrəs/

United States suffragist in Wyoming (1814-1902)

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

mostadverbUS /moʊst/

used to form the superlative

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

nineteenthadjectiveUS /ˈnaɪnˈtiːnθ/

coming next after the eighteenth in position

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

phrasedverbUS /freɪzd/

past form of “phrase” — put into words or an expression

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

pictorialadjectiveUS /pɪkˈtɔːriəl/

pertaining to or consisting of pictures

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

poeticadjectiveUS /poʊˈetɪk/

of or relating to poetry

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

poetsnounUS /ˈpoʊəts/

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

powerfullyadverbUS /ˈpaʊərfli/

in a powerful manner

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

productionnounUS /prəˈdʌkʃən/

the act or process of producing something

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

profusionnounUS /prəˈfjuːʒən/

the property of being extremely abundant

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

qualitynounUS /ˈkwɑːləti/

an essential and distinguishing attribute of something or someone

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

rangenounUS /reɪndʒ/

an area in which something acts or operates or has power or control: "the range of a supersonic jet"

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

representativenounUS /ˌreprəˈzentətɪv/

a person who represents others

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

restraintnounUS /rɪˈstreɪnt/

the act of controlling by restraining someone or something

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

richadjectiveUS /rɪtʃ/

possessing material wealth

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

RossettinounUS /roʊˈseti/

English poet and painter who was a leader of the Pre-Raphaelites (1828-1882)

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

seriousnessnounUS /ˈsɪriəsnəs/

an earnest and sincere feeling

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

sixnounUS /sɪks/

the cardinal number that is the sum of five and one

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

splendidadjectiveUS /ˈsplendɪd/

having great beauty and splendor

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

StevensonnounUS /ˈstiːvənsən/

Scottish author (1850-1894)

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

strikingadjectiveUS /ˈstraɪkɪŋ/

sensational in appearance or thrilling in effect

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

stronglyadverbUS /ˈstrɔːŋli/

with strength or in a strong manner

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

stylenounUS /staɪl/

how something is done or how it happens

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

suggestverbUS /səˈdʒest/

make a proposal, declare a plan for something

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

Swinburnenoun

English poet (1837-1909)

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

themenounUS /θiːm/

the subject matter of a conversation or discussion

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

ThompsonnounUS /ˈtɑːmpsən/

United States classical archaeologist (born in Canada) noted for leading the excavation of the Athenian agora (1906-2000)

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

throngnounUS /θrɔːŋ/

a large gathering of people

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

varietynounUS /vərˈaɪəti/

a collection containing a variety of sorts of things

From this reading Modern English poetry is rich not only in its quality, but in its variety, both of theme and of manner.

WnounUS /ˈdʌbəljuː/

a heavy grey-white metallic element; the pure form is used mainly in electrical applications; it is found in several ores including wolframite and scheelite

From this reading _By_ HAMILTON W. MABIE, _Author and Critic_.

wealthnounUS /welθ/

the state of being rich and affluent; having a plentiful supply of material goods and money

From this reading The classical dignity of Landor, the humor of Hood, the seriousness of mood of Clough (kluff), the pictorial genius of Rossetti, the fresh invention of Stevenson and Kipling, suggest the range of poetic production of an age not matched in wealth of genius since the age of Shakespeare.

whopronounUS /huː/

which person or people

From this reading Among the throng of poets who made lasting contributions to English literature during the nineteenth century, six may be regarded as most representative.

William

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

withprepositionUS /wɪð/

in the company of; together with

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading The exuberant imagination and splendid profusion of Swinburne are in striking contrast with the restraint and clearness of style of Matthew Arnold; the fluency and narrative faculty of William Morris, with the strongly etched and powerfully phrased work of Francis Thompson and Henley.

Chapter 1 of The Mentor — No. 44 by Hamilton Wright Mabie holds 340 sentences, grouped into 68 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Mentor — No. 44 contain?

Chapter 1 holds 340 sentences of The Mentor — No. 44, unabridged, divided into 68 reading sections.

This page carries chapter 1 of The Mentor — No. 44 by Hamilton Wright Mabie exactly as it stands in the source edition, without abridgement. It runs to 340 sentences, grouped into 68 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Mentor — No. 44?

Work through the 68 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 68 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Mentor — No. 44

Common questions about reading The Mentor — No. 44 by Hamilton Wright Mabie on this page, its source edition and its audio.

Is this the complete text of The Mentor — No. 44?

Yes. All 340 sentences of Project Gutenberg eBook #49805 are kept, with a record of which sentences cover which part.

Which edition of The Mentor — No. 44 is used?

Project Gutenberg eBook #49805, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Mentor — No. 44 take to read?

About 28 minutes of reading across 68 sections of 5 sentences each, at an unhurried pace.

How to read The Mentor — No. 44 section by section

How to work through The Mentor — No. 44 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Mentor — No. 44

Words and structures a reader meets early in The Mentor — No. 44, each tappable for pronunciation and meaning.

Hamilton
A word that appears in the opening chapter of The Mentor — No. 44; the reader can tap it to hear it and see its dictionary entry.
Mabie
A word that appears in the opening chapter of The Mentor — No. 44; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of The Mentor — No. 44; the reader can tap it to hear it and see its dictionary entry.
Critic
A word that appears in the opening chapter of The Mentor — No. 44; the reader can tap it to hear it and see its dictionary entry.