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The Message
The Message

Chapter I · Chapter 1

Chapter 1 of The Message is here in full — 233 sentences across 47 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/46 · 5 lines
English subtitles · tap any word to listen 1 / 5
To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.
At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.
I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.
Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.
In 1819 I was traveling from Paris to Moulins.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Message

Chapter I · Chapter 1

Chapter 1 of The Message is here in full — 233 sentences across 47 reading sections, with audio for every sentence and word.

Reading 1/46 · 5 reading units · Lines 1–5

Line 1
To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.
Line 2
At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.
Line 3
I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.
/aɪ ˌmaɪˈself pleɪd ə pɑːrt ɪn ðɪs ˈɔːlmoʊst ˈkɑːmənpleɪs ˈtrædʒədi soʊ ɪf ɪt feɪlz tuː ˈɪntrəst juː ðə ˈfeɪljər wɪl biː ɪn pɑːrt maɪ oʊn fɔːlt ɪn pɑːrt ˈoʊɪŋ tuː hɪˈstɔːrɪkəl vərˈæsɪti/
Line 4
Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.
Line 5
In 1819 I was traveling from Paris to Moulins.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cling verb US /klɪŋ/

come or be in close contact with; stick or hold together and resist separation

From this reading “To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.”

fails verb US /feɪlz/

third-person singular of “fail” — fail to do something; leave something undone

From this reading “I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.”

outset noun US /ˈaʊtset/

the time at which something is supposed to begin

From this reading “At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.”

Pareto noun US /ˌpɑːˈretoʊ/

Italian sociologist and economist whose theories influenced the development of fascism in Italy (1848-1923)

From this reading “To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.”

realities noun US /ˌriːˈælətiːz/

plural of “reality” — all of your experiences that determine how things appear to you

From this reading “Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.”

spoiling noun US /ˈspɔɪlɪŋ/

the process of becoming spoiled

From this reading “At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.”

uninteresting adjective US /əˈnɪntrəstɪŋ/

arousing no interest or attention or curiosity or excitement

From this reading “Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.”

veracity noun US /vərˈæsɪti/

unwillingness to tell lies

From this reading “I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.”

All words in this reading · 97

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1819

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In 1819 I was traveling from Paris to Moulins.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

atprepositionUS /æt/

in or near a particular place or position

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

byprepositionUS /baɪ/

showing who or what does the action

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

childrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

clingverbUS /klɪŋ/

come or be in close contact with; stick or hold together and resist separation

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

commonplaceadjectiveUS /ˈkɑːmənpleɪs/

completely ordinary and unremarkable

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

containverbUS /kənˈteɪn/

include or contain; have as a component

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

coxcombnoun

a conceited dandy who is overly impressed by his own accomplishments

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

Damaso

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

driveverbUS /draɪv/

operate or control a vehicle

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

failsverbUS /feɪlz/

third-person singular of “fail” — fail to do something; leave something undone

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

failurenounUS /ˈfeɪljər/

an act that fails

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

faultnounUS /fɔːlt/

a wrong action attributable to bad judgment or ignorance or inattention

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

historicaladjectiveUS /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

intentionnounUS /ˌɪnˈtentʃən/

an anticipated outcome that is intended or that guides your planned actions

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

lenounUS /lə/

a chronic inflammatory collagen disease affecting connective tissue (skin or joints)

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

longedverbUS /lɔːŋd/

past form of “long” — desire strongly or persistently

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

loversnounUS /ˈlʌvərz/

plural of “lover” — a person who loves someone or is loved by someone

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

MnounUS /em/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

MarquisnounUS /ˌmɑːrˈkiː/

humorist who wrote about the imaginary life of cockroaches (1878-1937)

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

Moulins

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In 1819 I was traveling from Paris to Moulins.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

one-halfnoun

one of two equal parts of a divisible whole

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

other's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

outsetnounUS /ˈaʊtset/

the time at which something is supposed to begin

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

owingadjectiveUS /ˈoʊɪŋ/

owed as a debt

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

ownverbUS /oʊn/

have ownership or possession of

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

ParetonounUS /ˌpɑːˈretoʊ/

Italian sociologist and economist whose theories influenced the development of fascism in Italy (1848-1923)

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

ParisnounUS /ˈperɪs/

the capital and largest city of France; and international center of culture and commerce

From this reading In 1819 I was traveling from Paris to Moulins.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

playedadjectiveUS /pleɪd/

(of games) engaged in

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

PlentynounUS /ˈplenti/

a full supply

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

possibilitiesnounUS /ˌpɑːsəˈbɪlətiz/

plural of “possibility” — a future prospect or potential

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

realitiesnounUS /ˌriːˈælətiːz/

plural of “reality” — all of your experiences that determine how things appear to you

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

refugenounUS /ˈrefjuːdʒ/

a safe place

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

risknounUS /rɪsk/

a source of danger; a possibility of incurring loss or misfortune

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

selectadjectiveUS /səˈlekt/

of superior grade

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

sightnounUS /saɪt/

an instance of visual perception

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

snakenounUS /sneɪk/

limbless scaly elongate reptile; some are venomous

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

spoilingnounUS /ˈspɔɪlɪŋ/

the process of becoming spoiled

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

statenounUS /steɪt/

the territory occupied by one of the constituent administrative districts of a nation

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

strikeverbUS /straɪk/

deliver a sharp blow, as with the hand, fist, or weapon

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

superlativelyadverb

to a superlative degree

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

takeverbUS /teɪk/

carry out

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

takenadjectiveUS /ˈteɪkən/

understood in a certain way; made sense of

From this reading At the risk of spoiling my story and of being taken for a coxcomb, I state my intention at the outset.

tellverbUS /tel/

express in words

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

terrornounUS /ˈterər/

an overwhelming feeling of fear and anxiety

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

travelingnounUS /ˈtrævəlɪŋ/

the act of going from one place to another

From this reading In 1819 I was traveling from Paris to Moulins.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

uninterestingadjectiveUS /əˈnɪntrəstɪŋ/

arousing no interest or attention or curiosity or excitement

From this reading Plenty of things in real life are superlatively uninteresting; so that it is one-half of art to select from realities those which contain possibilities of poetry.

veracitynounUS /vərˈæsɪti/

unwillingness to tell lies

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In 1819 I was traveling from Paris to Moulins.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

woodside

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

youpronounUS /juː/

the person or people being spoken to

From this reading I myself played a part in this almost commonplace tragedy; so if it fails to interest you, the failure will be in part my own fault, in part owing to historical veracity.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading To M. le Marquis Damaso Pareto I have always longed to tell a simple and true story, which should strike terror into two young lovers, and drive them to take refuge each in the other's heart, as two children cling together at the sight of a snake by a woodside.

Chapter 1 of The Message by Honoré de Balzac holds 233 sentences, grouped into 47 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Message contain?

Chapter 1 holds 233 sentences of The Message, unabridged, divided into 47 reading sections.

This page carries chapter 1 of The Message by Honoré de Balzac exactly as it stands in the public-domain source edition, without abridgement. It runs to 233 sentences, grouped into 47 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Message?

Work through the 47 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 47 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Message

Common questions about reading The Message by Honoré de Balzac on this page, its source edition and its audio.

Is this the complete text of The Message?

Yes. All 233 sentences of Project Gutenberg eBook #1189 are kept, with a record of which sentences cover which part.

Which edition of The Message is used?

Project Gutenberg eBook #1189, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Message take to read?

About 19 minutes of reading across 47 sections of 5 sentences each, at an unhurried pace.

How to read The Message section by section

How to work through The Message section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of The Message to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Message

Words and structures a reader meets early in The Message, each tappable for pronunciation and meaning.

Marquis
A word that appears in the opening chapter of The Message; the reader can tap it to hear it and see its dictionary entry.
Damaso
A word that appears in the opening chapter of The Message; the reader can tap it to hear it and see its dictionary entry.
Pareto
A word that appears in the opening chapter of The Message; the reader can tap it to hear it and see its dictionary entry.
Always
A word that appears in the opening chapter of The Message; the reader can tap it to hear it and see its dictionary entry.