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The Middle of the Road: A Novel
The Middle of the Road: A Novel

Chapter XVIII

Chapter 18 of The Middle of the Road: A Novel is here in full — 411 sentences across 83 reading sections, with audio for every sentence and word.

Cover illustration for The Middle of the Road: A Novel
Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.
He hadn’t meant, then, to be as rough as that.
He made his way through the glade, and turned a moment to look back.
Joyce was standing again with her face towards him.
He raised his hand with a tragic gesture of farewell, to which she made no answer.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Middle of the Road: A Novel

Chapter XVIII

Chapter 18 of The Middle of the Road: A Novel is here in full — 411 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.
Line 2
He hadn’t meant, then, to be as rough as that.
Line 3
He made his way through the glade, and turned a moment to look back.
/hiː meɪd hɪz weɪ θruː ðə ɡleɪd ənd tɜːrnd ə ˈmoʊmənt tuː lʊk bæk/
Line 4
Joyce was standing again with her face towards him.
/dʒɔɪs wɑːz ˈstændɪŋ əˈɡen wɪð hɜːr feɪs təˈwɔːrdz hɪm/
Line 5
He raised his hand with a tragic gesture of farewell, to which she made no answer.
/hiː reɪzd hɪz hænd wɪð ə ˈtrædʒɪk ˈdʒestʃər ʌv ˌferˈwel tuː wɪtʃ ʃiː meɪd noʊ ˈænsər/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

brutality noun US /bruːˈtæləti/

the trait of extreme cruelty

From this reading “Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.”

flinging verb US /ˈflɪŋɪŋ/

-ing form of “fling” — throw with force or recklessness

From this reading “Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.”

gesture noun US /ˈdʒestʃər/

motion of hands or body to emphasize or help to express a thought or feeling

From this reading “He raised his hand with a tragic gesture of farewell, to which she made no answer.”

glade noun US /ɡleɪd/

a tract of land with few or no trees in the middle of a wooded area

From this reading “He made his way through the glade, and turned a moment to look back.”

Joyce noun US /dʒɔɪs/

influential Irish writer noted for his many innovations (such as stream of consciousness writing) (1882-1941)

From this reading “Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.”

passionate adjective US /ˈpæʃənət/

having or expressing strong emotions

From this reading “Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.”

released verb US /riˈliːst/

past form of “release” — release, as from one's grip

From this reading “Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.”

tragic adjective US /ˈtrædʒɪk/

very sad; especially involving grief or death or destruction

From this reading “He raised his hand with a tragic gesture of farewell, to which she made no answer.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

fell on verb + particle

In this reading “Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.”

look back verb + particle

look towards one's back

In this reading “He made his way through the glade, and turned a moment to look back.”

hold of verb + particle

In this reading “Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.”

All words in this reading · 56

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading He made his way through the glade, and turned a moment to look back.

againadverbUS /əˈɡen/

anew

From this reading Joyce was standing again with her face towards him.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

answerverbUS /ˈænsər/

react verbally

From this reading He raised his hand with a tragic gesture of farewell, to which she made no answer.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading He hadn’t meant, then, to be as rough as that.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

backadverbUS /bæk/

in or to or toward a former location

From this reading He made his way through the glade, and turned a moment to look back.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading He hadn’t meant, then, to be as rough as that.

Bertram

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

brutalitynounUS /bruːˈtæləti/

the trait of extreme cruelty

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Joyce was standing again with her face towards him.

farewellnounUS /ˌferˈwel/

an acknowledgment or expression of goodwill at parting

From this reading He raised his hand with a tragic gesture of farewell, to which she made no answer.

fellverbUS /fel/

cause to fall by or as if by delivering a blow

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

flingingverbUS /ˈflɪŋɪŋ/

-ing form of “fling” — throw with force or recklessness

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

gesturenounUS /ˈdʒestʃər/

motion of hands or body to emphasize or help to express a thought or feeling

From this reading He raised his hand with a tragic gesture of farewell, to which she made no answer.

gladenounUS /ɡleɪd/

a tract of land with few or no trees in the middle of a wooded area

From this reading He made his way through the glade, and turned a moment to look back.

grassverbUS /ɡræs/

shoot down, of birds

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

hadn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He hadn’t meant, then, to be as rough as that.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading He raised his hand with a tragic gesture of farewell, to which she made no answer.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He hadn’t meant, then, to be as rough as that.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He made his way through the glade, and turned a moment to look back.

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

JoycenounUS /dʒɔɪs/

influential Irish writer noted for his many innovations (such as stream of consciousness writing) (1882-1941)

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

kissedverbUS /kɪst/

past form of “kiss” — touch with the lips or press the lips (against someone's mouth or other body part) as an expression of love, greeting, etc.

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

lipsnounUS /lɪps/

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading He made his way through the glade, and turned a moment to look back.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading He made his way through the glade, and turned a moment to look back.

meantverbUS /ment/

inflected form of “mean” — mean or intend to express or convey

From this reading He hadn’t meant, then, to be as rough as that.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading He made his way through the glade, and turned a moment to look back.

nodeterminerUS /noʊ/

not any; not one

From this reading He raised his hand with a tragic gesture of farewell, to which she made no answer.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

passionateadjectiveUS /ˈpæʃənət/

having or expressing strong emotions

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

raisedadjectiveUS /reɪzd/

located or moved above the surround or above the normal position

From this reading He raised his hand with a tragic gesture of farewell, to which she made no answer.

releasedverbUS /riˈliːst/

past form of “release” — release, as from one's grip

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

roughadjectiveUS /rʌf/

having or caused by an irregular surface

From this reading He hadn’t meant, then, to be as rough as that.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

standingadjectiveUS /ˈstændɪŋ/

having a supporting base

From this reading Joyce was standing again with her face towards him.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading He made his way through the glade, and turned a moment to look back.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading He hadn’t meant, then, to be as rough as that.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading Joyce was standing again with her face towards him.

tragicadjectiveUS /ˈtrædʒɪk/

very sad; especially involving grief or death or destruction

From this reading He raised his hand with a tragic gesture of farewell, to which she made no answer.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading He made his way through the glade, and turned a moment to look back.

twiceadverbUS /twaɪs/

two times

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Joyce was standing again with her face towards him.

waynounUS /weɪ/

how something is done or how it happens

From this reading He made his way through the glade, and turned a moment to look back.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He raised his hand with a tragic gesture of farewell, to which she made no answer.

withprepositionUS /wɪð/

in the company of; together with

From this reading Bertram took hold of Joyce, and kissed her twice on the lips, with passionate brutality, and then released her, flinging her away from him so that she fell on the grass.

Chapter 18 of The Middle of the Road: A Novel by Philip Gibbs holds 411 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 18 of The Middle of the Road: A Novel contain?

Chapter 18 holds 411 sentences of The Middle of the Road: A Novel, unabridged, divided into 83 reading sections.

This page carries chapter 18 of The Middle of the Road: A Novel by Philip Gibbs exactly as it stands in the source edition, without abridgement. It runs to 411 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 18 of The Middle of the Road: A Novel?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 18 be read aloud to me?

Yes — every sentence and every individual word in chapter 18 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Middle of the Road: A Novel

Common questions about reading The Middle of the Road: A Novel by Philip Gibbs on this page, its source edition and its audio.

Is this the complete text of The Middle of the Road: A Novel?

Yes. All 9816 sentences of Project Gutenberg eBook #59960 are kept, with a record of which sentences cover which part.

Which edition of The Middle of the Road: A Novel is used?

Project Gutenberg eBook #59960, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Middle of the Road: A Novel take to read?

About 600 minutes of reading across 1964 sections of 5 sentences each, at an unhurried pace.

How to read The Middle of the Road: A Novel section by section

How to work through The Middle of the Road: A Novel section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 24 chapters of The Middle of the Road: A Novel to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Middle of the Road: A Novel

Words and structures a reader meets early in The Middle of the Road: A Novel, each tappable for pronunciation and meaning.

Twentieth
A word that appears in the opening chapter of The Middle of the Road: A Novel; the reader can tap it to hear it and see its dictionary entry.
Bertram
A word that appears in the opening chapter of The Middle of the Road: A Novel; the reader can tap it to hear it and see its dictionary entry.
Pollard
A word that appears in the opening chapter of The Middle of the Road: A Novel; the reader can tap it to hear it and see its dictionary entry.
Little
A word that appears in the opening chapter of The Middle of the Road: A Novel; the reader can tap it to hear it and see its dictionary entry.