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The Miller Of Old Church
The Miller Of Old Church

Chapter II · Chapter 2

Chapter 2 of The Miller Of Old Church is here in full — 123 sentences across 25 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/24 · 5 lines
English subtitles · tap any word to listen 1 / 5
IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.
His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.
Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.
The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.
The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Miller Of Old Church

Chapter II · Chapter 2

Chapter 2 of The Miller Of Old Church is here in full — 123 sentences across 25 reading sections, with audio for every sentence and word.

Reading 1/24 · 5 reading units · Lines 1–5

Line 1
IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.
/ɪn wɪtʃ ˈdestəni werz ðə ˈkɑːmɪk mæsk ˈpʌtɪŋ hɪz hɔːrs tuː ə ˈkæntər ˈmɪstər ˈdʒɑːnəθən ɡeɪ roʊd θruː ðə oʊld ɡeɪt ˈɪntuː ðə ˈtɜːrnpaɪk/
Line 2
His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.
Line 3
Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.
/siːn kloʊs æt hænd hɪz feɪs wɪtʃ wɑːz ˌɪmˈpresɪv æt ə ˈdɪstəns lɔːst ə ˈsɜːrtən dɪˈstɪŋkʃən ʌv ˈkɑːntʊr æz ðoʊ ðə mɑːrks ʌv ɪkˈspɪriəns hæd blɜːrd ˈræðər ðæn ækˈsentʃuːeɪtɪd ðə ərˈɪdʒənəl taɪp/
Line 4
The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.
/ðə boʊnz ʌv ˈfɔːrhed ənd noʊz stɪl ʃoʊd ˈklæsɪk ɪn ˈaʊtlaɪn bʌt ɪn ˈmoʊldɪŋ ðə maʊθ ənd tʃɪn ˈneɪtʃər hæd nɑːt ædˈhɪrd ˈkloʊsli tuː ðə ərˌɪstəˈkrætɪk ˈstrʌktʃər bɪˈniːθ/
Line 5
The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.
/ðə fleʃ sæɡd ə ˈlɪtəl ɪn ˈpleɪsəz ðə braʊ wɑːz ə ˈtraɪfəl tuː ˈhevi ðə dʒɔː ə ˈtraɪfəl tuː ˈprɑːmənənt ðə lɪps ˈʌndər ðə ʃɔːrt dɑːrk ˈmʌstæʃ wɜːr ə ˈtraɪfəl tuː fʊl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accentuated verb US /ækˈsentʃuːeɪtɪd/

past form of “accentuate” — to stress, single out as important

From this reading “Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.”

adhered verb US /ædˈhɪrd/

past form of “adhere” — be compatible or in accordance with

From this reading “The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.”

canter verb US /ˈkæntər/

ride at a canter

From this reading “IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.”

contour noun US /ˈkɑːntʊr/

a line drawn on a map connecting points of equal height

From this reading “Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.”

fleshy adjective US /ˈfleʃi/

usually describes a large person who is fat but has a large frame to carry it

From this reading “His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.”

moulding noun US /ˈmoʊldɪŋ/

a decorative strip used for ornamentation or finishing

From this reading “The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.”

sagged verb US /sæɡd/

inflected form of “sag” — droop, sink, or settle from or as if from pressure or loss of tautness

From this reading “The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.”

turnpike noun US /ˈtɜːrnpaɪk/

(from 16th to 19th centuries) gates set across a road to prevent passage until a toll had been paid

From this reading “IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.”

All words in this reading · 99

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

accentuatedverbUS /ækˈsentʃuːeɪtɪd/

past form of “accentuate” — to stress, single out as important

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

adheredverbUS /ædˈhɪrd/

past form of “adhere” — be compatible or in accordance with

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

afterprepositionUS /ˈæftər/

later than; following

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

aheadadverbUS /əˈhed/

at or in the front

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

aristocraticadjectiveUS /ərˌɪstəˈkrætɪk/

belonging to or characteristic of the nobility or aristocracy

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

atprepositionUS /æt/

in or near a particular place or position

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

beneathprepositionUS /bɪˈniːθ/

Directly under; in or to a lower position than.

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

blurredadjectiveUS /blɜːrd/

indistinct or hazy in outline

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

bonesnounUS /boʊnz/

(used in the plural) a percussion instrument consisting of a pair of hollow pieces of wood or bone (usually held between the thumb and fingers) that are made to click together (as by Spanish dancers) in rhythm with the dance

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

brownounUS /braʊ/

the part of the face above the eyes

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

canterverbUS /ˈkæntər/

ride at a canter

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

chinnounUS /tʃɪn/

the protruding part of the lower jaw

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

classicnounUS /ˈklæsɪk/

a creation of the highest excellence

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

closelyadverbUS /ˈkloʊsli/

in a close relation or position in time or space

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

COMICadjectiveUS /ˈkɑːmɪk/

arousing or provoking laughter

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

contournounUS /ˈkɑːntʊr/

a line drawn on a map connecting points of equal height

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

darknounUS /dɑːrk/

absence of light or illumination

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

DESTINYnounUS /ˈdestəni/

an event (or a course of events) that will inevitably happen in the future

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

distancenounUS /ˈdɪstəns/

the property created by the space between two objects or points

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

distinctionnounUS /dɪˈstɪŋkʃən/

a discrimination between things as different and distinct on the basis of their characteristics or attributes

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

fashionnounUS /ˈfæʃən/

how something is done or how it happens

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

figurenounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

fixedadjectiveUS /fɪkst/

(of a number) having a fixed and unchanging value

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

fleshnounUS /fleʃ/

the soft tissue of the body of a vertebrate: mainly muscle tissue and fat

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

fleshyadjectiveUS /ˈfleʃi/

usually describes a large person who is fat but has a large frame to carry it

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

foreheadnounUS /ˈfɔːrhed/

the part of the face above the eyes

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

foreignadjectiveUS /ˈfɔːrən/

of concern to or concerning the affairs of other nations (other than your own)

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

forwardadverbUS /ˈfɔːrwərd/

at or to or toward the front

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

gatenounUS /ɡeɪt/

a movable barrier in a fence or wall

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

GayadjectiveUS /ɡeɪ/

bright and pleasant; promoting a feeling of cheer

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

handsomeadjectiveUS /ˈhænsəm/

pleasing in appearance especially by reason of conformity to ideals of form and proportion

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

heavyadjectiveUS /ˈhevi/

of comparatively great physical weight or density

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

horsenounUS /hɔːrs/

solid-hoofed herbivorous quadruped domesticated since prehistoric times

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

impressiveadjectiveUS /ˌɪmˈpresɪv/

making a strong or vivid impression

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

inclinedadjectiveUS /ˌɪnˈklaɪnd/

(often followed by “to”) having a preference, disposition, or tendency

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

indignantadjectiveUS /ˌɪnˈdɪɡnənt/

angered at something unjust or wrong

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

jawverbUS /dʒɔː/

talk socially without exchanging too much information

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

JonathannounUS /ˈdʒɑːnəθən/

red late-ripening apple; primarily eaten raw

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

lipsnounUS /lɪps/

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

marksnounUS /mɑːrks/

English businessman who created a retail chain (1888-1964)

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

MASKverbUS /mæsk/

hide under a false appearance

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

mouldingnounUS /ˈmoʊldɪŋ/

a decorative strip used for ornamentation or finishing

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

moustachenounUS /ˈmʌstæʃ/

an unshaved growth of hair on the upper lip

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

mouthnounUS /maʊθ/

the opening through which food is taken in and vocalizations emerge

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

nosenounUS /noʊz/

the organ of smell and entrance to the respiratory tract; the prominent part of the face of man or other mammals

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

outlinenounUS /ˈaʊtlaɪn/

the line that appears to bound an object

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

placesnounUS /ˈpleɪsəz/

plural of “place” — a point located with respect to surface features of some region

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

prominentadjectiveUS /ˈprɑːmənənt/

having a quality that thrusts itself into attention

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

PuttingnounUS /ˈpʌtɪŋ/

hitting a golf ball that is on the green using a putter

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

ratheradverbUS /ˈræðər/

on the contrary

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

rodeverbUS /roʊd/

inflected form of “ride” — sit and travel on the back of animal, usually while controlling its motions

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

saddleverbUS /ˈsædəl/

put a saddle on

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

saggedverbUS /sæɡd/

inflected form of “sag” — droop, sink, or settle from or as if from pressure or loss of tautness

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

SeenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

showedverbUS /ʃoʊd/

past form of “show” — give an exhibition of to an interested audience

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

slightlyadverbUS /ˈslaɪtli/

to a small degree or extent

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

stilladjectiveUS /stɪl/

not in physical motion

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

structurenounUS /ˈstrʌktʃər/

a thing constructed; a complex entity constructed of many parts

From this reading The bones of forehead and nose still showed classic in outline, but in moulding the mouth and chin nature had not adhered closely to the aristocratic structure beneath.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

triflenounUS /ˈtraɪfəl/

a cold pudding made of layers of sponge cake spread with fruit or jelly; may be decorated with nuts, cream, or chocolate

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

turnpikenounUS /ˈtɜːrnpaɪk/

(from 16th to 19th centuries) gates set across a road to prevent passage until a toll had been paid

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading Seen close at hand his face, which was impressive at a distance, lost a certain distinction of contour, as though the marks of experience had blurred, rather than accentuated, the original type.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

WEARSnounUS /werz/

plural of “wear” — impairment resulting from long use

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The flesh sagged a little in places; the brow was a trifle too heavy, the jaw a trifle too prominent, the lips under the short dark moustache were a trifle too full.

wheelruts

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

WHICHpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading IN WHICH DESTINY WEARS THE COMIC MASK Putting his horse to a canter, Mr. Jonathan Gay rode through the old gate into the turnpike.

whileconjunctionUS /waɪl/

during the time that

From this reading His still indignant look was fixed on the heavy wheelruts ahead, while his handsome though fleshy figure inclined slightly forward in the saddle after a foreign fashion.

Chapter 2 of The Miller Of Old Church by Ellen Anderson Gholson Glasgow holds 123 sentences, grouped into 25 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Miller Of Old Church contain?

Chapter 2 holds 123 sentences of The Miller Of Old Church, unabridged, divided into 25 reading sections.

This page carries chapter 2 of The Miller Of Old Church by Ellen Anderson Gholson Glasgow exactly as it stands in the source edition, without abridgement. It runs to 123 sentences, grouped into 25 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Miller Of Old Church?

Work through the 25 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 25 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Miller Of Old Church

Common questions about reading The Miller Of Old Church by Ellen Anderson Gholson Glasgow on this page, its source edition and its audio.

Is this the complete text of The Miller Of Old Church?

Yes. All 5595 sentences of Project Gutenberg eBook #18286 are kept, with a record of which sentences cover which part.

Which edition of The Miller Of Old Church is used?

Project Gutenberg eBook #18286, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Miller Of Old Church take to read?

About 466 minutes of reading across 1119 sections of 5 sentences each, at an unhurried pace.

How to read The Miller Of Old Church section by section

How to work through The Miller Of Old Church section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 37 chapters of The Miller Of Old Church to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Miller Of Old Church

Words and structures a reader meets early in The Miller Of Old Church, each tappable for pronunciation and meaning.

O'clock
A word that appears in the opening chapter of The Miller Of Old Church; the reader can tap it to hear it and see its dictionary entry.
Sunny
A word that appears in the opening chapter of The Miller Of Old Church; the reader can tap it to hear it and see its dictionary entry.
October
A word that appears in the opening chapter of The Miller Of Old Church; the reader can tap it to hear it and see its dictionary entry.
Stranger
A word that appears in the opening chapter of The Miller Of Old Church; the reader can tap it to hear it and see its dictionary entry.