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The Money Master, Complete
The Money Master, Complete

Chapter XIV · Chapter 14

Chapter 14 of The Money Master, Complete is here in full — 152 sentences across 31 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/30 · 5 lines
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It is a bad thing to call down a crisis in the night-time.
A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.
He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.
There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.
The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Money Master, Complete

Chapter XIV · Chapter 14

Chapter 14 of The Money Master, Complete is here in full — 152 sentences across 31 reading sections, with audio for every sentence and word.

Reading 1/30 · 5 reading units · Lines 1–5

Line 1
It is a bad thing to call down a crisis in the night-time.
Line 2
A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.
/ə siːn æt ˈmɪdnaɪt ɪz ə ˈsævədʒ ˈenəmi ʌv ˈʌltəmət ˌʌndərˈstændɪŋ ənd ðæt ˈdevəl kɔːld ɪˈstreɪndʒmənt læfs æz hiː əbˈzɜːrvz ðə ˈɑːbdʒekts ʌv hɪz əˈtenʃən ɪn ˈkɑːnflɪkt wen ðə ˈmɪdnaɪt ˈkændəl bɜːrnz/
Line 3
He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.
Line 4
There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.
/ðer ɪz ˈnʌθɪŋ wɪtʃ fɔːr ˈpeɪθɑːs ənd fɔːr ˈtrædʒədi kæn kəmˈper wɪð ə ˈstrʌɡəl bɪˈtwiːn ðə jʌŋ ənd ðə oʊld/
Line 5
The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Cartier noun US /ˈkɑːrtiər/

French explorer who explored the St. Lawrence river and laid claim to the region for France (1491-1557)

From this reading “He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.”

Estrangement noun US /ɪˈstreɪndʒmənt/

separation resulting from hostility

From this reading “A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.”

fiftieth adjective US /ˈfɪftiɪθ/

the ordinal number of fifty in counting order

From this reading “He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.”

laughs noun US /læfs/

plural of “laugh” — the sound of laughing

From this reading “A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.”

Manor noun US /ˈmænər/

the mansion of a lord or wealthy person

From this reading “He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.”

observes verb US /əbˈzɜːrvz/

third-person singular of “observe” — discover or determine the existence, presence, or fact of

From this reading “A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.”

pathos noun US /ˈpeɪθɑːs/

a quality that arouses emotions (especially pity or sorrow)

From this reading “There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.”

ultimate adjective US /ˈʌltəmət/

furthest or highest in degree or order; utmost or extreme

From this reading “A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.”

All words in this reading · 95

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It is a bad thing to call down a crisis in the night-time.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

anvils

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

atprepositionUS /æt/

in or near a particular place or position

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

attentionnounUS /əˈtenʃən/

the process whereby a person concentrates on some features of the environment to the (relative) exclusion of others

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading It is a bad thing to call down a crisis in the night-time.

Barbille

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

breakverbUS /breɪk/

terminate

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

burnsnounUS /bɜːrnz/

United States comedian and film actor (1896-1996)

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading It is a bad thing to call down a crisis in the night-time.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

candlenounUS /ˈkændəl/

stick of wax with a wick in the middle

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

CartiernounUS /ˈkɑːrtiər/

French explorer who explored the St. Lawrence river and laid claim to the region for France (1491-1557)

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

compareverbUS /kəmˈper/

examine and note the similarities or differences of

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

conflictnounUS /ˈkɑːnflɪkt/

an open clash between two opposing groups (or individuals)

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

crisisnounUS /ˈkraɪsəs/

an unstable situation of extreme danger or difficulty

From this reading It is a bad thing to call down a crisis in the night-time.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

DevilnounUS /ˈdevəl/

(Judeo-Christian and Islamic religions) chief spirit of evil and adversary of God; tempter of mankind; master of Hell

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading It is a bad thing to call down a crisis in the night-time.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

enemynounUS /ˈenəmi/

an opposing military force

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

EstrangementnounUS /ɪˈstreɪndʒmənt/

separation resulting from hostility

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

fiftiethadjectiveUS /ˈfɪftiɪθ/

the ordinal number of fifty in counting order

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

fitverbUS /fɪt/

be agreeable or acceptable to

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

heartsnounUS /hɑːrts/

a form of whist in which players avoid winning tricks containing hearts or the queen of spades

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading It is a bad thing to call down a crisis in the night-time.

indulgeverbUS /ˌɪnˈdʌldʒ/

give free rein to

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading It is a bad thing to call down a crisis in the night-time.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is a bad thing to call down a crisis in the night-time.

Jacques

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

JeannounUS /dʒiːn/

a coarse durable twill-weave cotton fabric

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

laughsnounUS /læfs/

plural of “laugh” — the sound of laughing

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

lightsnounUS /laɪts/

plural of “light” — (physics) electromagnetic radiation that can produce a visual sensation

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

lowadjectiveUS /loʊ/

less than normal in degree or intensity or amount

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

ManornounUS /ˈmænər/

the mansion of a lord or wealthy person

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

midnightnounUS /ˈmɪdnaɪt/

12 o'clock at night; the middle of the night

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

night-time

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is a bad thing to call down a crisis in the night-time.

nodeterminerUS /noʊ/

not any; not one

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

objectsnounUS /ˈɑːbdʒekts/

plural of “object” — a tangible and visible entity; an entity that can cast a shadow

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

observesverbUS /əbˈzɜːrvz/

third-person singular of “observe” — discover or determine the existence, presence, or fact of

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

other's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

pathosnounUS /ˈpeɪθɑːs/

a quality that arouses emotions (especially pity or sorrow)

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

reachedverbUS /riːtʃt/

past form of “reach” — reach a destination, either real or abstract

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

remorsenounUS /rɪˈmɔːrs/

a feeling of deep regret (usually for some misdeed)

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

savageadjectiveUS /ˈsævədʒ/

(of persons or their actions) able or disposed to inflict pain or suffering

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

sawverbUS /sɔː/

cut with a saw

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

scenenounUS /siːn/

the place where some action occurs

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

seesnounUS /siːz/

plural of “see” — the seat within a bishop's diocese where his cathedral is located

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

seizedverbUS /siːzd/

past form of “seize” — take hold of; grab

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

sightnounUS /saɪt/

an instance of visual perception

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

sleepnounUS /sliːp/

a natural and periodic state of rest during which consciousness of the world is suspended

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

struggleverbUS /ˈstrʌɡəl/

make a strenuous or labored effort

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading It is a bad thing to call down a crisis in the night-time.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

thingnounUS /θɪŋ/

a special situation

From this reading It is a bad thing to call down a crisis in the night-time.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

tillprepositionUS /tɪl/

up to a particular time

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading It is a bad thing to call down a crisis in the night-time.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

ultimateadjectiveUS /ˈʌltəmət/

furthest or highest in degree or order; utmost or extreme

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

understandingnounUS /ˌʌndərˈstændɪŋ/

the cognitive condition of someone who understands

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

whenconjunctionUS /wen/

at the time that

From this reading A "scene" at midnight is a savage enemy of ultimate understanding, and that Devil, called Estrangement, laughs as he observes the objects of his attention in conflict when the midnight candle burns.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

whopronounUS /huː/

which person or people

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading The Devil of Estrangement when he sees it, may go away and indulge himself in sleep; for there will be no sleep for those who, one young and the other old, break their hearts on each other's anvils, when the lights are low and it is long till morning.

withprepositionUS /wɪð/

in the company of; together with

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading He should have been seized with a fit of remorse, however, at the sight he saw in the Manor Cartier at midnight of the day when Jean Jacques Barbille had reached his fiftieth year.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading There is nothing which, for pathos and for tragedy, can compare with a struggle between the young and the old.

Chapter 14 of The Money Master, Complete by Gilbert Parker holds 152 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 14 of The Money Master, Complete contain?

Chapter 14 holds 152 sentences of The Money Master, Complete, unabridged, divided into 31 reading sections.

This page carries chapter 14 of The Money Master, Complete by Gilbert Parker exactly as it stands in the source edition, without abridgement. It runs to 152 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 14 of The Money Master, Complete?

Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 31 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 14 be read aloud to me?

Yes — every sentence and every individual word in chapter 14 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Money Master, Complete

Common questions about reading The Money Master, Complete by Gilbert Parker on this page, its source edition and its audio.

Is this the complete text of The Money Master, Complete?

Yes. All 4763 sentences of Project Gutenberg eBook #6280 are kept, with a record of which sentences cover which part.

Which edition of The Money Master, Complete is used?

Project Gutenberg eBook #6280, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Money Master, Complete take to read?

About 396 minutes of reading across 953 sections of 5 sentences each, at an unhurried pace.

How to read The Money Master, Complete section by section

How to work through The Money Master, Complete section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of The Money Master, Complete to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Money Master, Complete

Words and structures a reader meets early in The Money Master, Complete, each tappable for pronunciation and meaning.

Peace
A word that appears in the opening chapter of The Money Master, Complete; the reader can tap it to hear it and see its dictionary entry.
Plenty
A word that appears in the opening chapter of The Money Master, Complete; the reader can tap it to hear it and see its dictionary entry.
Phrase
A word that appears in the opening chapter of The Money Master, Complete; the reader can tap it to hear it and see its dictionary entry.
Jacques
A word that appears in the opening chapter of The Money Master, Complete; the reader can tap it to hear it and see its dictionary entry.