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The Moving Picture Girls in War Plays
The Moving Picture Girls in War Plays

Chapter XIII · Chapter 13

Chapter 13 of The Moving Picture Girls in War Plays is here in full — 140 sentences across 28 reading sections, with audio for every sentence and word.

Cover illustration for The Moving Picture Girls in War Plays
Context Illustration Reading 1/28 · 5 lines
English subtitles · tap any word to listen 1 / 5
FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.
Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.
But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.
"Oh, what shall we do?" cried Alice.
"I'm going to jump out!"
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Moving Picture Girls in War Plays

Chapter XIII · Chapter 13

Chapter 13 of The Moving Picture Girls in War Plays is here in full — 140 sentences across 28 reading sections, with audio for every sentence and word.

Reading 1/28 · 5 reading units · Lines 1–5

Line 1
FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.
Line 2
Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.
/ˈveri ˈɔːfən ðə dərˈektər wʊd sprɪŋ sʌm ˌʌnɪkˈspektɪd ɪˈfekt fɔːr ðə seɪk ʌv ˈkɑːzɪŋ ə ˈnætʃərəl sərˈpraɪz ðæt wʊd ˈredʒɪstər ɪn ðə ˈkæmərə ˈbetər ðæn ˈeni ˈsɪmjəleɪtɪd wʌn/
Line 3
But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.
/bʌt ðiːz wɜːr riːl kaʊz ənd ðeɪ dɪd nɑːt siːm tuː hæv riˈhɜːrst ðer pɑːrts ˈveri wel fɔːr ðeɪ rʌʃt hiːr ənd ðer ənd sərˈaʊndɪd ðə ˈkærɪdʒ tuː ðə noʊ smɔːl ˈterər ʌv ðə ˈhɔːrsəz wɪtʃ ruːθ hæd ɔːl ʃiː kʊd duː tuː hoʊld ɪn/
Line 4
"Oh, what shall we do?" cried Alice.
Line 5
"I'm going to jump out!"

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

camera noun US /ˈkæmərə/

equipment for taking photographs (usually consisting of a lightproof box with a lens at one end and light-sensitive film at the other)

From this reading “Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.”

causing noun US /ˈkɑːzɪŋ/

the act of causing something to happen

From this reading “Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.”

cows noun US /kaʊz/

domesticated bovine animals as a group regardless of sex or age

From this reading “But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.”

director noun US /dərˈektər/

someone who controls resources and expenditures

From this reading “Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.”

jump verb US /dʒʌmp/

move forward by leaps and bounds

From this reading “"I'm going to jump out!"”

register verb US /ˈredʒɪstər/

record in writing; enter into a book of names or events or transactions

From this reading “Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.”

rehearsed verb US /riˈhɜːrst/

past form of “rehearse” — engage in a rehearsal

From this reading “But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.”

simulated adjective US /ˈsɪmjəleɪtɪd/

not genuine or real; being an imitation of the genuine article

From this reading “Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.”

All words in this reading · 78

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

Alice

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

cameranounUS /ˈkæmərə/

equipment for taking photographs (usually consisting of a lightproof box with a lens at one end and light-sensitive film at the other)

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

carriagenounUS /ˈkærɪdʒ/

a railcar where passengers ride

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

causingnounUS /ˈkɑːzɪŋ/

the act of causing something to happen

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

cowsnounUS /kaʊz/

domesticated bovine animals as a group regardless of sex or age

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

criedverbUS /kraɪd/

inflected form of “cry” — utter a sudden loud cry

From this reading "Oh, what shall we do?" cried Alice.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

directornounUS /dərˈektər/

someone who controls resources and expenditures

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

FORGETFULNESSnoun

tendency to forget

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading "I'm going to jump out!"

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

horsesnounUS /ˈhɔːrsəz/

plural of “horse” — solid-hoofed herbivorous quadruped domesticated since prehistoric times

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

I'm

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I'm going to jump out!"

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

jumpverbUS /dʒʌmp/

move forward by leaps and bounds

From this reading "I'm going to jump out!"

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

nodeterminerUS /noʊ/

not any; not one

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

OhnounUS /oʊ/

a midwestern state in north central United States in the Great Lakes region

From this reading "Oh, what shall we do?" cried Alice.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading "I'm going to jump out!"

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

partsnounUS /pɑːrts/

the local environment

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

registerverbUS /ˈredʒɪstər/

record in writing; enter into a book of names or events or transactions

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

rehearsedverbUS /riˈhɜːrst/

past form of “rehearse” — engage in a rehearsal

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

rushedadjectiveUS /rʌʃt/

done under pressure

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

RuthnounUS /ruːθ/

United States professional baseball player famous for hitting home runs (1895-1948)

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

sakenounUS /seɪk/

a reason for wanting something done

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

scenenounUS /siːn/

the place where some action occurs

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading "Oh, what shall we do?" cried Alice.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

simulatedadjectiveUS /ˈsɪmjəleɪtɪd/

not genuine or real; being an imitation of the genuine article

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

springnounUS /sprɪŋ/

the season of growth

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

surroundedadjectiveUS /sərˈaʊndɪd/

confined on all sides

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

terrornounUS /ˈterər/

an overwhelming feeling of fear and anxiety

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

thereadverbUS /ðer/

in or at that place or location

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

unexpectedadjectiveUS /ˌʌnɪkˈspektɪd/

not expected or anticipated

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

VeryadjectiveUS /ˈveri/

precisely as stated

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading "Oh, what shall we do?" cried Alice.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

whatpronounUS /wʌt/

used to ask for information about something

From this reading "Oh, what shall we do?" cried Alice.

whetherconjunctionUS /ˈweðər/

used to introduce two or more possibilities

From this reading FORGETFULNESS Ruth and Alice for the moment were not quite certain whether or not this was a part of the scene.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading But these were real cows, and they did not seem to have rehearsed their parts very well, for they rushed here and there and surrounded the carriage, to the no small terror of the horses, which Ruth had all she could do to hold in.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Very often the director would spring some unexpected effect for the sake of causing a natural surprise that would register in the camera better than any simulated one.

Chapter 13 of The Moving Picture Girls in War Plays by Laura Lee Hope holds 140 sentences, grouped into 28 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of The Moving Picture Girls in War Plays contain?

Chapter 13 holds 140 sentences of The Moving Picture Girls in War Plays, unabridged, divided into 28 reading sections.

This page carries chapter 13 of The Moving Picture Girls in War Plays by Laura Lee Hope exactly as it stands in the source edition, without abridgement. It runs to 140 sentences, grouped into 28 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of The Moving Picture Girls in War Plays?

Work through the 28 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 28 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Moving Picture Girls in War Plays

Common questions about reading The Moving Picture Girls in War Plays by Laura Lee Hope on this page, its source edition and its audio.

Is this the complete text of The Moving Picture Girls in War Plays?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The Moving Picture Girls in War Plays is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Moving Picture Girls in War Plays take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

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How to work through The Moving Picture Girls in War Plays section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Moving Picture Girls in War Plays

Words and structures a reader meets early in The Moving Picture Girls in War Plays, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The Moving Picture Girls in War Plays, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The Moving Picture Girls in War Plays, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The Moving Picture Girls in War Plays, divided into 5-sentence reading sections.