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The Music Master of Babylon
The Music Master of Babylon

Chapter I

Chapter 1 of The Music Master of Babylon is here in full — 698 sentences across 140 reading sections, with audio for every sentence and word.

Cover illustration for The Music Master of Babylon
Context Illustration Reading 1/139 · 5 lines
English subtitles · tap any word to listen 1 / 5
What more fitting place for the last man on Earth to live in than a museum?
Now if only he could avoid becoming an exhibit himself!
For twenty-five years, no one came.
In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.
To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Music Master of Babylon

Chapter I

Chapter 1 of The Music Master of Babylon is here in full — 698 sentences across 140 reading sections, with audio for every sentence and word.

Reading 1/139 · 5 reading units · Lines 1–5

Line 1
What more fitting place for the last man on Earth to live in than a museum?
/wʌt mɔːr ˈfɪtɪŋ pleɪs fɔːr ðə læst mæn ɑːn ɜːrθ tuː laɪv ɪn ðæn ə mjuːˈziːəm/
Line 2
Now if only he could avoid becoming an exhibit himself!
/naʊ ɪf ˈoʊnli hiː kʊd əˈvɔɪd bɪˈkʌmɪŋ æn ɪɡˈzɪbɪt hɪmˈself/
Line 3
For twenty-five years, no one came.
/fɔːr ˈtwentifaɪv jɪrz noʊ wʌn keɪm/
Line 4
In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.
Line 5
To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.
/tuː duː soʊ wɑːz ˌɪˈreləvənt ənd ˈdeɪndʒərəs ˌɔːlˈðoʊ ˈevəri ˈɪnstɪŋkt ʌv hɪz oʊld eɪdʒ ˈtemptɪd hɪm tuː rɪˈdʒekt ðə ˈprezənt ənd dwel ɪn ðə lɔːst taɪmz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

boyhood noun US /ˈbɔɪhʊd/

the childhood of a boy

From this reading “In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.”

dwell verb US /dwel/

think moodily or anxiously about something

From this reading “To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.”

exhibit verb US /ɪɡˈzɪbɪt/

show an attribute, property, knowledge, or skill

From this reading “Now if only he could avoid becoming an exhibit himself!”

fitting adjective US /ˈfɪtɪŋ/

in harmony with the spirit of particular persons or occasion

From this reading “What more fitting place for the last man on Earth to live in than a museum?”

irrelevant adjective US /ˌɪˈreləvənt/

having no bearing on or connection with the subject at issue

From this reading “To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.”

museum noun US /mjuːˈziːəm/

a depository for collecting and displaying objects having scientific or historical or artistic value

From this reading “What more fitting place for the last man on Earth to live in than a museum?”

reject verb US /rɪˈdʒekt/

refuse to accept or acknowledge

From this reading “To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.”

tempted verb US /ˈtemptɪd/

past form of “tempt” — dispose or incline or entice to

From this reading “To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

twenty-five years adjective + noun

In this reading “For twenty-five years, no one came.”

old age adjective + noun

a late time of life

In this reading “To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.”

on Earth preposition + noun

used with question words to convey surprise

In this reading “What more fitting place for the last man on Earth to live in than a museum?”

fitting place adjective + noun

In this reading “What more fitting place for the last man on Earth to live in than a museum?”

dwell in verb + particle

In this reading “To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.”

live in verb + particle

live in the house where one works

In this reading “What more fitting place for the last man on Earth to live in than a museum?”

All words in this reading · 63

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading What more fitting place for the last man on Earth to live in than a museum?

agenounUS /eɪdʒ/

how long something has existed

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Now if only he could avoid becoming an exhibit himself!

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

Anda

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

avoidverbUS /əˈvɔɪd/

stay clear from; keep away from; keep out of the way of someone or something

From this reading Now if only he could avoid becoming an exhibit himself!

becomingadjectiveUS /bɪˈkʌmɪŋ/

according with custom or propriety

From this reading Now if only he could avoid becoming an exhibit himself!

boyhoodnounUS /ˈbɔɪhʊd/

the childhood of a boy

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

Brian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading For twenty-five years, no one came.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Now if only he could avoid becoming an exhibit himself!

dangerousadjectiveUS /ˈdeɪndʒərəs/

involving or causing danger or risk; liable to hurt or harm

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

dwellverbUS /dwel/

think moodily or anxiously about something

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

EarthnounUS /ɜːrθ/

the 3rd planet from the sun; the planet we live on

From this reading What more fitting place for the last man on Earth to live in than a museum?

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

exhibitverbUS /ɪɡˈzɪbɪt/

show an attribute, property, knowledge, or skill

From this reading Now if only he could avoid becoming an exhibit himself!

fittingadjectiveUS /ˈfɪtɪŋ/

in harmony with the spirit of particular persons or occasion

From this reading What more fitting place for the last man on Earth to live in than a museum?

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading What more fitting place for the last man on Earth to live in than a museum?

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Now if only he could avoid becoming an exhibit himself!

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Now if only he could avoid becoming an exhibit himself!

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Now if only he could avoid becoming an exhibit himself!

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading What more fitting place for the last man on Earth to live in than a museum?

instinctnounUS /ˈɪnstɪŋkt/

inborn pattern of behavior often responsive to specific stimuli

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

irrelevantadjectiveUS /ˌɪˈreləvənt/

having no bearing on or connection with the subject at issue

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

lastadjectiveUS /læst/

immediately past

From this reading What more fitting place for the last man on Earth to live in than a museum?

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

liveverbUS /laɪv/

be an inhabitant of or reside in

From this reading What more fitting place for the last man on Earth to live in than a museum?

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading What more fitting place for the last man on Earth to live in than a museum?

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading What more fitting place for the last man on Earth to live in than a museum?

museumnounUS /mjuːˈziːəm/

a depository for collecting and displaying objects having scientific or historical or artistic value

From this reading What more fitting place for the last man on Earth to live in than a museum?

nodeterminerUS /noʊ/

not any; not one

From this reading For twenty-five years, no one came.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now if only he could avoid becoming an exhibit himself!

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading What more fitting place for the last man on Earth to live in than a museum?

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading For twenty-five years, no one came.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Now if only he could avoid becoming an exhibit himself!

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading What more fitting place for the last man on Earth to live in than a museum?

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

rejectverbUS /rɪˈdʒekt/

refuse to accept or acknowledge

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

rememberverbUS /rɪˈmɛm.bər/

To recall to mind.

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

seventy-sixth

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

stilladjectiveUS /stɪl/

not in physical motion

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

temptedverbUS /ˈtemptɪd/

past form of “tempt” — dispose or incline or entice to

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading What more fitting place for the last man on Earth to live in than a museum?

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading What more fitting place for the last man on Earth to live in than a museum?

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading To do so was irrelevant and dangerous, although every instinct of his old age tempted him to reject the present and dwell in the lost times.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading What more fitting place for the last man on Earth to live in than a museum?

tryingadjectiveUS /ˈtraɪɪŋ/

hard to endure

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

twenty-fiveadjectiveUS /ˈtwentifaɪv/

being five more than twenty

From this reading For twenty-five years, no one came.

VannounUS /væn/

any creative group active in the innovation and application of new concepts and techniques in a given field (especially in the arts)

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What more fitting place for the last man on Earth to live in than a museum?

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading In the seventy-sixth year of his life, Brian Van Anda was still trying not to remember a happy boyhood.

yearsnounUS /jɪrz/

a late time of life

From this reading For twenty-five years, no one came.

Chapter 1 of The Music Master of Babylon by Edgar Pangborn holds 698 sentences, grouped into 140 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Music Master of Babylon contain?

Chapter 1 holds 698 sentences of The Music Master of Babylon, unabridged, divided into 140 reading sections.

This page carries chapter 1 of The Music Master of Babylon by Edgar Pangborn exactly as it stands in the source edition, without abridgement. It runs to 698 sentences, grouped into 140 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Music Master of Babylon?

Work through the 140 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 140 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Music Master of Babylon

Common questions about reading The Music Master of Babylon by Edgar Pangborn on this page, its source edition and its audio.

Is this the complete text of The Music Master of Babylon?

Yes. All 698 sentences of Project Gutenberg eBook #51379 are kept, with a record of which sentences cover which part.

Which edition of The Music Master of Babylon is used?

Project Gutenberg eBook #51379, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Music Master of Babylon take to read?

About 58 minutes of reading across 140 sections of 5 sentences each, at an unhurried pace.

How to read The Music Master of Babylon section by section

How to work through The Music Master of Babylon section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of The Music Master of Babylon to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Music Master of Babylon

Words and structures a reader meets early in The Music Master of Babylon, each tappable for pronunciation and meaning.

Fitting
A word that appears in the opening chapter of The Music Master of Babylon; the reader can tap it to hear it and see its dictionary entry.
Place
A word that appears in the opening chapter of The Music Master of Babylon; the reader can tap it to hear it and see its dictionary entry.
Earth
A word that appears in the opening chapter of The Music Master of Babylon; the reader can tap it to hear it and see its dictionary entry.
Museum
A word that appears in the opening chapter of The Music Master of Babylon; the reader can tap it to hear it and see its dictionary entry.