Learn English through classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Mysteries of Udolpho
The Mysteries of Udolpho

Chapter XV · Chapter 15

Chapter 15 of The Mysteries of Udolpho is here in full — 286 sentences across 58 reading sections, with audio for every sentence and word.

Cover illustration for The Mysteries of Udolpho
Context Illustration Reading 1/57 · 5 lines
English subtitles · tap any word to listen 1 / 5
He wears the rose of youth upon his cheek.
SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.
Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.
He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.
Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Mysteries of Udolpho

Chapter XV · Chapter 15

Chapter 15 of The Mysteries of Udolpho is here in full — 286 sentences across 58 reading sections, with audio for every sentence and word.

Reading 1/57 · 5 reading units · Lines 1–5

Line 1
He wears the rose of youth upon his cheek.
/hiː werz ðə roʊz ʌv juːθ əˈpɑːn hɪz tʃiːk/
Line 2
SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.
Line 3
Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.
/iːtʃ ˈmɑːroʊ ðæt əˈproʊtʃt hiː dɪˈzaɪnd ʃʊd ˈkæri hɪm frʌm ðens jet təˈmɑːroʊ ənd təˈmɑːroʊ keɪm ənd stɪl sɔː hɪm ˈlɪŋɡərɪŋ ɪn ðə siːn ʌv hɪz ˈfɔːrmər ˈhæpinəs/
Line 4
He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.
Line 5
Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bribed verb US /braɪbd/

past form of “bribe” — make illegal payments to in exchange for favors or influence

From this reading “Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.”

château noun US /ʃæˈtoʊ/

A large French country house or castle, often surrounded by expansive estates and private galleries.

From this reading “Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.”

faithfulness noun US /ˈfeɪθfəlnes/

the quality of being faithful

From this reading “He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.”

memorials noun US /məˈmɔːriəlz/

plural of “memorial” — a recognition of meritorious service

From this reading “He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.”

powerfully adverb US /ˈpaʊərfli/

in a powerful manner

From this reading “He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.”

rapt adjective US /ræpt/

feeling great rapture or delight

From this reading “Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.”

surety noun US /ˈʃʊrəti/

something clearly established

From this reading “He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.”

viewed verb US /vjuːd/

past form of “view” — deem to be

From this reading “He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.”

All words in this reading · 110

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

accustomedadjectiveUS /əˈkʌstəmd/

commonly used or practiced; usual

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

adieunounUS /əˈduː/

a farewell remark

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

affectionnounUS /əˈfekʃən/

a positive feeling of liking

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

afterprepositionUS /ˈæftər/

later than; following

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

appearedverbUS /əˈpɪrd/

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

approachedverbUS /əˈproʊtʃt/

past form of “approach” — move towards

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

atprepositionUS /æt/

in or near a particular place or position

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

awakenedadjectiveUS /əˈweɪkənd/

aroused or activated

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

biddingnounUS /ˈbɪdɪŋ/

an authoritative direction or instruction to do something

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

bribedverbUS /braɪbd/

past form of “bribe” — make illegal payments to in exchange for favors or influence

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

carenounUS /ker/

the work of providing treatment for or attending to someone or something

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

carryverbUS /ˈkæri/

move while supporting, either in a vehicle or in one's hands or on one's body

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

cheeknounUS /tʃiːk/

either side of the face below the eyes

From this reading He wears the rose of youth upon his cheek.

châteaunounUS /ʃæˈtoʊ/

A large French country house or castle, often surrounded by expansive estates and private galleries.

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

converseverbUS /ˈkɑːnvərs/

carry on a conversation

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

departurenounUS /dɪˈpɑːrtʃər/

the act of departing

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

designedadjectiveUS /dɪˈzaɪnd/

done or made or performed with purpose and intent

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

EachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

Emily

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

faithfulnessnounUS /ˈfeɪθfəlnes/

the quality of being faithful

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

formeradjectiveUS /ˈfɔːrmər/

referring to the first of two things or persons mentioned (or the earlier one or ones of several)

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

gardensnounUS /ˈɡɑːrdənz/

plural of “garden” — a plot of ground where plants are cultivated

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

happinessnounUS /ˈhæpinəs/

state of well-being characterized by emotions ranging from contentment to intense joy

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He wears the rose of youth upon his cheek.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He wears the rose of youth upon his cheek.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

imagenounUS /ˈɪmədʒ/

an iconic mental representation

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

immediatelyadverbUS /ˌɪˈmiːdiːətli/

without delay or hesitation; with no time intervening

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

leavingnounUS /ˈliːvɪŋ/

the act of departing

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

lingeringnounUS /ˈlɪŋɡərɪŋ/

the act of tarrying

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

MadamenounUS /ˈmædəm/

title used for a married Frenchwoman

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

melancholynounUS /ˈmelənkɑːli/

a feeling of thoughtful sadness

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

memorialsnounUS /məˈmɔːriəlz/

plural of “memorial” — a recognition of meritorious service

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

miserableadjectiveUS /ˈmɪzərəbəl/

very unhappy; full of misery

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

Montoni's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

morrownounUS /ˈmɑːroʊ/

the next day

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

objectsnounUS /ˈɑːbdʒekts/

plural of “object” — a tangible and visible entity; an entity that can cast a shadow

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading He wears the rose of youth upon his cheek.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

painnounUS /peɪn/

a symptom of some physical hurt or disorder

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

permitnounUS /pərˈmɪt/

a legal document giving official permission to do something

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

powerfullyadverbUS /ˈpaʊərfli/

in a powerful manner

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

raptadjectiveUS /ræpt/

feeling great rapture or delight

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

remainedverbUS /rɪˈmeɪnd/

past form of “remain” — stay the same; remain in a certain state

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

rememberedverbUS /rɪˈmembərd/

past form of “remember” — recall knowledge from memory; have a recollection

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

restlessadjectiveUS /ˈrestləs/

worried and uneasy

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

returnverbUS /rɪˈtɜːrn/

go or come back to place, condition, or activity where one has been before

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

rosenounUS /roʊz/

any of many shrubs of the genus Rosa that bear roses

From this reading He wears the rose of youth upon his cheek.

sawverbUS /sɔː/

cut with a saw

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

scenenounUS /siːn/

the place where some action occurs

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

servantnounUS /ˈsɜːrvənt/

a person working in the service of another (especially in the household)

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

SHAKESPEAREnounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

SometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

spotnounUS /spɑːt/

a point located with respect to surface features of some region

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

suretynounUS /ˈʃʊrəti/

something clearly established

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

tearverbUS /ter/

separate or cause to separate abruptly

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading He wears the rose of youth upon his cheek.

thenceadverbUS /ðens/

from that place or that time

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

thereadverbUS /ðer/

in or at that place or location

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

Thoulouse

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

tomorrownounUS /təˈmɑːroʊ/

the day after today

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

unpleasingadjective

unpleasant or disagreeable to the senses

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading He wears the rose of youth upon his cheek.

Valancourt

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

viewedverbUS /vjuːd/

past form of “view” — deem to be

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

visitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

wanderverbUS /ˈwɑːndər/

move about aimlessly or without any destination, often in search of food or employment

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

wearsnounUS /werz/

plural of “wear” — impairment resulting from long use

From this reading He wears the rose of youth upon his cheek.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

whereconjunctionUS /wer/

in or at the place that

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

whopronounUS /huː/

which person or people

From this reading SHAKESPEARE We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable.

withprepositionUS /wɪð/

in the company of; together with

From this reading He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing.

yetconjunctionUS /jet/

but in spite of that

From this reading Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness.

youthnounUS /juːθ/

a young person (especially a young man or boy)

From this reading He wears the rose of youth upon his cheek.

Chapter 15 of The Mysteries of Udolpho by Ann Ward Radcliffe holds 286 sentences, grouped into 58 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 15 of The Mysteries of Udolpho contain?

Chapter 15 holds 286 sentences of The Mysteries of Udolpho, unabridged, divided into 58 reading sections.

This page carries chapter 15 of The Mysteries of Udolpho by Ann Ward Radcliffe exactly as it stands in the public-domain source edition, without abridgement. It runs to 286 sentences, grouped into 58 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 15 of The Mysteries of Udolpho?

Work through the 58 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 58 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 15 be read aloud to me?

Yes — every sentence and every individual word in chapter 15 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Mysteries of Udolpho

Common questions about reading The Mysteries of Udolpho by Ann Ward Radcliffe on this page, its source edition and its audio.

Is this the complete text of The Mysteries of Udolpho?

Yes. All 9187 sentences of Project Gutenberg eBook #3268 are kept, with a record of which sentences cover which part.

Which edition of The Mysteries of Udolpho is used?

Project Gutenberg eBook #3268, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Mysteries of Udolpho take to read?

About 600 minutes of reading across 1838 sections of 5 sentences each, at an unhurried pace.

How to read The Mysteries of Udolpho section by section

How to work through The Mysteries of Udolpho section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 38 chapters of The Mysteries of Udolpho to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Mysteries of Udolpho

Words and structures a reader meets early in The Mysteries of Udolpho, each tappable for pronunciation and meaning.

These
A word that appears in the opening chapter of The Mysteries of Udolpho; the reader can tap it to hear it and see its dictionary entry.
Battlements
A word that appears in the opening chapter of The Mysteries of Udolpho; the reader can tap it to hear it and see its dictionary entry.
Frowns
A word that appears in the opening chapter of The Mysteries of Udolpho; the reader can tap it to hear it and see its dictionary entry.
Portals
A word that appears in the opening chapter of The Mysteries of Udolpho; the reader can tap it to hear it and see its dictionary entry.