Chapter XXIV · Chapter 24

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a New Testament book describing the development of the early church from Christ's Ascension to Paul's sojourn at Rome

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

in actual fact

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

United States naturalist (born in Switzerland) who studied fossil fish; recognized geological evidence that ice ages had occurred in North America (1807-1873)

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

in the past

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

the form of “a” used before a word that begins with a vowel sound

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

used to join words or parts of a sentence that go together

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a living organism characterized by voluntary movement

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

one or some or every or all without specification

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

outward or visible aspect of a person or thing

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the form of “be” used with you, we, they, or a plural noun

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

lacking sufficient water or rainfall

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

at the same time that; because; in the way that

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

in or near a particular place or position

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

conforming to fact and therefore worthy of belief

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a line of approach

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

in or to or toward a former location

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

a bowl-shaped vessel; usually used for holding food or liquids

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

delighting the senses or exciting intellectual or emotional admiration

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “being” — the state or fact of existing

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

accept as true; take to be true

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

rigid connective tissue that makes up the skeleton of vertebrates

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the chest considered as the place where secret thoughts are kept

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “bourbon” — a reactionary politician in the United States (usually from the South)

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

plural of “branch” — a division of some larger or more complex organization

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

past form of “browse” — shop around; not necessarily buying

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

a cruelly rapacious person

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “build” — constitution of the human body

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

flutter like a butterfly

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

showing who or what does the action

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

to be able to, or to be allowed to

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

a low-lying region in central France

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

your overall circumstances or condition in life (including everything that happens to you)

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

fossil fuel consisting of carbonized vegetable matter deposited in the Carboniferous period

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

an outer garment that has sleeves and covers the body from shoulder down; worn outdoors

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

light and humorous drama with a happy ending

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

-ing form of “concern” — be relevant to

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

any of various edible tropical marine gastropods of the genus Strombus having a brightly-colored spiral shell with large outer lip

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

third-person singular of “contain” — include or contain; have as a component

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

plural of “conversation” — the use of speech for informal exchange of views or ideas or information etc.

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

the past of “can”; used for possibility or polite requests

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a game played on ice in which heavy stones with handles are slid toward a target

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

slightly wet

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

a Mid-Atlantic state; one of the original 13 colonies

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

third-person singular of “depict” — show in, or as in, a picture

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

third-person singular of “describe” — give a description of

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

true confidential information

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

the past form of “do”, used in questions and negatives

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

plural of “ditty” — a short simple song (or the words of a poem intended to be sung)

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

being or moving lower in position or less in some value

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

past form of “embroider” — decorate with needlework

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

either extremity of something that has length

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

extraordinarily large in size or extent or amount or power or degree

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

past form of “erect” — construct, build, or erect

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

divisible by two

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

expel from a country

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

ancient Italian deity in human shape, with horns, pointed ears and a goat's tail; equivalent to Greek satyr

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

emotional or moral sensitivity (especially in relation to personal principles or dignity)

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the cardinal number that is the product of ten and five

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

disgustingly dirty; filled or smeared with offensive matter

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “find” — a productive insight

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

be agreeable or acceptable to

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

past form of “flourish” — grow vigorously

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the part of the leg of a human being below the ankle joint

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

a mark of a foot or shoe on a surface

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

intended to be given to, or used by, somebody

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

Not remembered; lapsed from memory.

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

a structure from which an artificially produced jet of water arises

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

A small part broken or separated off something larger.

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

showing where something starts, or who sent it

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

a plot of ground where plants are cultivated

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

possessive form of “gentleman” — a man of refinement

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

of an achromatic color of any lightness intermediate between the extremes of white and black

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

pass into a condition gradually, take on a specific property or attribute; become

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

plural of “habit” — an established custom

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the past form of “have”, used to form the past perfect

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

the form of “have” used with he, she, it, or a singular noun

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

used with a past participle to form the perfect tenses

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a man, boy, or male animal already mentioned, as the subject

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

in or at this place; where the speaker or writer is

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

belonging to a man, boy, or male animal already mentioned

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “history” — the aggregate of past events

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

the aggregate of past events

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “hold” — the act of grasping

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

low or inferior in station or quality

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

the person speaking or writing, as the subject of the verb

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

on condition that; in the event that

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

of great significance or value

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

inside something, or within a place, period, or state

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

in truth (often tends to intensify)

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a message received and understood

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a device that requires skill for proper use

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

the form of “be” used with he, she, it, or a singular noun

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a thing, animal, or idea already mentioned

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

possessive form of “lady” — a polite name for any woman

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

plural of “leaf” — the main organ of photosynthesis and transpiration in higher plants

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

used to form the comparative of some adjectives and adverbs

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

limited or below average in number or quantity or magnitude or extent

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a hard crystalline metamorphic rock that takes a high polish; used for sculpture and as building material

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

low-lying wet land with grassy vegetation; usually is a transition zone between land and water

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

used to say something is possible, or to give permission

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

type genus of the Megatheriidae

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

The element of a person that enables awareness and thought.

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

an imaginary creature usually having various human and animal parts

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

water soaked soil; soft wet earth

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

past form of “narrate” — provide commentary for a film, for example

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

not ever; at no time in the past or future

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

used to make a word, phrase, or sentence negative

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

one who writes novels

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

belonging to, or connected with, somebody or something

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

touching and supported by a surface

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

used to mean any person in general, including the speaker

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

used to join alternatives or possibilities

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

not the same one or ones already mentioned or implied

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

not allowed to continue to bat or run

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

Welsh industrialist and social reformer who founded cooperative communities (1771-1858)

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

a primitive wind instrument consisting of several parallel pipes bound together

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

(plural) any group of human beings (men or women or children) collectively

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

by chance

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

inflected form of “permit” — consent to, give permission

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

a biologist specializing in physiology

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

to hold fast or prevent from moving

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “pipe” — a tube with a small bowl at one end; used for smoking tobacco

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

a point located with respect to surface features of some region

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

put or set (seeds, seedlings, or plants) into the ground

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “plant” — buildings for carrying on industrial labor

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

participate in games or sport

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

plural of “point” — a geometric element that has position but no extension

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

give an exhibition of to an interested audience

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

having existed from the beginning; in an earliest or original stage or state

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “prod” — a verbalization that encourages you to attempt something

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

someone who is a member of the faculty at a college or university

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “put” — the option to sell a given stock (or stock index or commodity future) at a given price before a given date

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

strange in an interesting or pleasing way

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

living by preying on other animals especially by catching living prey

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

any cold-blooded vertebrate of the class Reptilia including tortoises, turtles, snakes, lizards, alligators, crocodiles, and extinct forms

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

a benefice to which no spiritual or pastoral duties are attached

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

unusual or striking

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the physical magnitude of something (how big it is)

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

covered with or resembling slime

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

for that reason; with the result that

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the vital principle or animating force within living things

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

not in physical motion

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

a thing constructed; a complex entity constructed of many parts

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

of the kind already mentioned

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

give something useful or necessary to

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

express a supposition

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

having something on top

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

inflected form of “swim” — travel through water

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

an abnormal protuberance or localized enlargement

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

the posterior part of the body of a vertebrate especially when elongated and extending beyond the trunk or main part of the body

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

plural of “take” — the income or profit arising from such transactions as the sale of land or other property

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

shedding tears

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

express in words

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

used to introduce the second part of a comparison

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

used to introduce what somebody said, thought, or felt

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

belonging to the people or things already mentioned

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

the people or things already mentioned, as the object

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

subsequently or soon afterward (often used as sentence connectors)

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

judge or regard; look upon; judge

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

used for a person or thing that is near, or that has just been mentioned

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

in spite of the fact that

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

plural of “thought” — the content of cognition; the main thing you are thinking about

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “thousand” — the cardinal number that is the product of 10 and 100

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the cardinal number that is the sum of one and one and one

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

from one end or side of something to the other

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

an instance or single occasion for some event

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

used before the base form of a verb to make the infinitive

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

in contact with each other or in proximity

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

inflected form of “tell” — express in words

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

to a degree exceeding normal or proper limits

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

plural of “trace” — a just detectable amount

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

interact in a certain way

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

(Greek mythology) a sea god; son of Poseidon

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

inflected form of “tread” — put down or press the foot, place the foot

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

a succession of notes forming a distinctive sequence

From this reading At the end of the lime-tree avenue is a broken-nosed damp Faun, with a marble panpipe, who pipes to the spirit ditties which I believe never had any tune.

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

being or moving higher in position or greater in some value; being above a former position or level

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

a man's sleeveless garment worn underneath a coat

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

close enough to be walked to

From this reading Suppose then, in the quaint old garden of the Hôtel de Florac, two young people are walking up and down in an avenue of lime-trees, which are still permitted to grow in that ancient place.

-ing form of “wallow” — devote oneself entirely to something; indulge in to an immoderate degree, usually with pleasure

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

how something is done or how it happens

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

the speaker together with one or more other people

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

at the time that

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

used to introduce a clause giving more about a thing just mentioned

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

which person or people

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

belonging to which person

From this reading In the centre of that avenue is a fountain, surmounted by a Triton so grey and moss-eaten, that though he holds his conch to his swelling lips, curling his tail in the arid basin, his instrument has had a sinecure for at least fifty years; and did not think fit even to play when the Bourbons, in whose time he was erected, came back from their exile.

in the company of; together with

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

a late time of life

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

but in spite of that

From this reading Contains two or three Acts of a Little Comedy All this story is told by one, who, if he was not actually present at the circumstances here narrated, yet had information concerning them, and could supply such a narrative of facts and conversations as is, indeed, not less authentic than the details we have of other histories.

distant but within sight (“yon” is dialectal)

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.

(used of living things especially persons) in an early period of life or development or growth

From this reading How can I tell the feelings in a young lady’s mind; the thoughts in a young gentleman’s bosom?—As Professor Owen or Professor Agassiz takes a fragment of a bone, and builds an enormous forgotten monster out of it, wallowing in primeval quagmires, tearing down leaves and branches of plants that flourished thousands of years ago, and perhaps may be coal by this time—so the novelist puts this and that together: from the footprint finds the foot; from the foot, the brute who trod on it; from the brute, the plant he browsed on, the marsh in which he swam—and thus in his humble way a physiologist too, depicts the habits, size, appearance of the beings whereof he has to treat;—traces this slimy reptile through the mud, and describes his habits filthy and rapacious; prods down this butterfly with a pin, and depicts his beautiful coat and embroidered waistcoat; points out the singular structure of yonder more important animal, the megatherium of his history.