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The ninth vibration and other stories
The ninth vibration and other stories

Chapter VI · Chapter 6

Chapter 6 of The ninth vibration and other stories is here in full — 189 sentences across 38 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/37 · 5 lines
English subtitles · tap any word to listen 1 / 5
But there was society here, and I was swept into it--there was chatter, and it galled me.
I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.
If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.
Also, incidentally, it gives none of her charm.
I never heard any one get any further than that she was oddly attractive”--let us leave it at that.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The ninth vibration and other stories

Chapter VI · Chapter 6

Chapter 6 of The ninth vibration and other stories is here in full — 189 sentences across 38 reading sections, with audio for every sentence and word.

Reading 1/37 · 5 reading units · Lines 1–5

Line 1
But there was society here, and I was swept into it--there was chatter, and it galled me.
Line 2
I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.
Line 3
If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace likea wave of the sea”--it sounds like the portrait of a beauty, and she was never that.
Line 4
Also, incidentally, it gives none of her charm.
/ˈɔːlsoʊ ˌɪnsɪˈdentəli ɪt ɡɪvz nʌn ʌv hɜːr tʃɑːrm/
Line 5
I never heard any one get any further than that she wasoddly attractive”--let us leave it at that.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

afield adverb US /əˈfiːld/

far away from home or one's usual surroundings

From this reading “I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.”

Asia noun US /ˈeɪʒə/

the largest continent with 60% of the earth's population; it is joined to Europe on the west to form Eurasia; it is the site of some of the world's earliest civilizations

From this reading “I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.”

chatter verb US /ˈtʃætər/

click repeatedly or uncontrollably

From this reading “But there was society here, and I was swept into it--there was chatter, and it galled me.”

deepest adjective US /ˈdiːpəst/

superlative of “deep” — relatively deep or strong; affecting one deeply

From this reading “If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.”

flowing noun US /ˈfloʊɪŋ/

the motion characteristic of fluids (liquids or gases)

From this reading “If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.”

hazel adjective US /ˈheɪzəl/

of a light brown or yellowish brown color

From this reading “If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.”

incidentally adverb US /ˌɪnsɪˈdentəli/

introducing a different topic

From this reading “Also, incidentally, it gives none of her charm.”

oddly adverb US /ˈɑːdli/

in a manner differing from the usual or expected

From this reading “I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.”

All words in this reading · 80

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

afieldadverbUS /əˈfiːld/

far away from home or one's usual surroundings

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

AlsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading Also, incidentally, it gives none of her charm.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

AsianounUS /ˈeɪʒə/

the largest continent with 60% of the earth's population; it is joined to Europe on the west to form Eurasia; it is the site of some of the world's earliest civilizations

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

atprepositionUS /æt/

in or near a particular place or position

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

attractiveadjectiveUS /əˈtræktɪv/

pleasing to the eye or mind especially through beauty or charm

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

CentraladjectiveUS /ˈsentrəl/

serving as an essential component

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

charmnounUS /tʃɑːrm/

attractiveness that interests or pleases or stimulates

From this reading Also, incidentally, it gives none of her charm.

chatterverbUS /ˈtʃætər/

click repeatedly or uncontrollably

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

darknounUS /dɑːrk/

absence of light or illumination

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

deepestadjectiveUS /ˈdiːpəst/

superlative of “deep” — relatively deep or strong; affecting one deeply

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

everadverbUS /ˈevər/

at any time

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

eyesnounUS /aɪz/

opinion or judgment

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

fartheradjectiveUS /ˈfɑːrðər/

more distant in especially space or time

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

flowingnounUS /ˈfloʊɪŋ/

the motion characteristic of fluids (liquids or gases)

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

furtheradverbUS /ˈfɜːrðər/

to or at a greater extent or degree or a more advanced stage (“further” is used more often than “farther” in this abstract sense)

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

galledadjective

painful from having the skin abraded

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

givesnounUS /ɡɪvz/

plural of “give” — the elasticity of something that can be stretched and returns to its original length

From this reading Also, incidentally, it gives none of her charm.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

gracenounUS /ɡreɪs/

(Christian theology) a state of sanctification by God; the state of one who is under such divine influence

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

hairnounUS /her/

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

hazeladjectiveUS /ˈheɪzəl/

of a light brown or yellowish brown color

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

incidentallyadverbUS /ˌɪnsɪˈdentəli/

introducing a different topic

From this reading Also, incidentally, it gives none of her charm.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

leaveverbUS /liːv/

go away from a place

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

likeverbUS /laɪk/

prefer or wish to do something

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

Loring

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

markverbUS /mɑːrk/

attach a tag or label to

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

metverbUS /met/

inflected form of “meet” — come together

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

missedadjectiveUS /mɪst/

not caught with the senses or the mind

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

mouthnounUS /maʊθ/

the opening through which food is taken in and vocalizations emerge

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

movedadjectiveUS /muːvd/

being excited or provoked to the expression of an emotion

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

nonepronounUS /nʌn/

not one, and not any

From this reading Also, incidentally, it gives none of her charm.

oddlyadverbUS /ˈɑːdli/

in a manner differing from the usual or expected

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

perhapsadverbUS /pərˈhæps/

by chance

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

portraitnounUS /ˈpɔːrtrət/

a word picture of a person's appearance and character

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

sayverbUS /seɪ/

express in words

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

seanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

sensitiveadjectiveUS /ˈsensətɪv/

responsive to physical stimuli

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

societynounUS /səˈsaɪəti/

an extended social group having a distinctive cultural and economic organization

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

softadjectiveUS /sɑːft/

yielding readily to pressure or weight

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

soundsnounUS /saʊndz/

plural of “sound” — the particular auditory effect produced by a given cause

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

sweptadjectiveUS /swept/

possessing sweep

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

tenderadjectiveUS /ˈtendər/

given to sympathy or gentleness or sentimentality

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

thereadverbUS /ðer/

in or at that place or location

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading I never heard any one get any further than that she was “oddly attractive”--let us leave it at that.

Vanna

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading But there was society here, and I was swept into it--there was chatter, and it galled me.

wavenounUS /weɪv/

one of a series of ridges that moves across the surface of a liquid (especially across a large body of water)

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

whenconjunctionUS /wen/

at the time that

From this reading I was beginning to feel that I had missed my mark, and must go farther afield, perhaps up into Central Asia, when I met Vanna Loring.

withprepositionUS /wɪð/

in the company of; together with

From this reading If I say that her hair was soft and dark; that she had the deepest hazel eyes I have ever seen, and a sensitive, tender mouth; that she moved with a flowing grace like “a wave of the sea”--it sounds like the portrait of a beauty, and she was never that.

Chapter 6 of The ninth vibration and other stories by L. Adams (Lily Adams) Beck holds 189 sentences, grouped into 38 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of The ninth vibration and other stories contain?

Chapter 6 holds 189 sentences of The ninth vibration and other stories, unabridged, divided into 38 reading sections.

This page carries chapter 6 of The ninth vibration and other stories by L. Adams (Lily Adams) Beck exactly as it stands in the public-domain source edition, without abridgement. It runs to 189 sentences, grouped into 38 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of The ninth vibration and other stories?

Work through the 38 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 38 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The ninth vibration and other stories

Common questions about reading The ninth vibration and other stories by L. Adams (Lily Adams) Beck on this page, its source edition and its audio.

Is this the complete text of The ninth vibration and other stories?

Yes. All 4027 sentences of Project Gutenberg eBook #1853 are kept, with a record of which sentences cover which part.

Which edition of The ninth vibration and other stories is used?

Project Gutenberg eBook #1853, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The ninth vibration and other stories take to read?

About 335 minutes of reading across 806 sections of 5 sentences each, at an unhurried pace.

How to read The ninth vibration and other stories section by section

How to work through The ninth vibration and other stories section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 21 chapters of The ninth vibration and other stories to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The ninth vibration and other stories

Words and structures a reader meets early in The ninth vibration and other stories, each tappable for pronunciation and meaning.

Place
A word that appears in the opening chapter of The ninth vibration and other stories; the reader can tap it to hear it and see its dictionary entry.
Uplifted
A word that appears in the opening chapter of The ninth vibration and other stories; the reader can tap it to hear it and see its dictionary entry.
Thousand
A word that appears in the opening chapter of The ninth vibration and other stories; the reader can tap it to hear it and see its dictionary entry.
Purest
A word that appears in the opening chapter of The ninth vibration and other stories; the reader can tap it to hear it and see its dictionary entry.