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The Odyssey of Homer
The Odyssey of Homer

Chapter I · Chapter 1

Chapter 1 of The Odyssey of Homer is here in full — 263 sentences across 53 reading sections, with audio for every sentence and word.

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Context Illustration Reading 18/52 · 5 lines
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The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.
We now go on to sketch the plot, which is a marvel of construction.
Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.
When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.
It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Odyssey of Homer

Chapter I · Chapter 1

Chapter 1 of The Odyssey of Homer is here in full — 263 sentences across 53 reading sections, with audio for every sentence and word.

Reading 18/52 · 5 reading units · Lines 86–90

Line 1
The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.
/ðə ˌekstrəˈɔːrdəneri ɑːrˈtɪstɪk skɪl wɪð wɪtʃ ˈledʒəndz ənd mɪθs ərˈɪdʒənəli ˌʌnkəˈnektɪd wɪð iːtʃ ˈʌðər ɑːr ˈwoʊvən ˈɪntuː ðə plɑːt ʌv ðə ˈɑːdəsi soʊ ðæt ðə ˈmɑːrvəlz ʌv ˈsævədʒ ənd bɑːrˈbærɪk ˈfænsi bɪˈkʌm ˌɪndɪˈspensəbəl pɑːrts ʌv æn ɑːrˈtɪstɪk hoʊl ɪz wʌn ʌv ðə tʃiːf pruːfs ʌv ðə ˈjuːnəti ʌv ˈɔːθərʃɪp ʌv ðæt ˈpoʊəm/
Line 2
We now go on to sketch the plot, which is a marvel of construction.
/wiː naʊ ɡoʊ ɑːn tuː sketʃ ðə plɑːt wɪtʃ ɪz ə ˈmɑːrvəl ʌv kənˈstrʌkʃən/
Line 3
Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.
/oʊˈdɪsiəs wɑːz ðə kɪŋ ʌv ˈɪθəkə ə smɔːl ənd ˈrʌɡəd ˈaɪlənd ɑːn ðə ˈwestərn koʊst ʌv ɡriːs/
Line 4
When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.
Line 5
It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

authorship noun US /ˈɔːθərʃɪp/

the act of creating written works

From this reading “The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.”

barbaric adjective US /bɑːrˈbærɪk/

without civilizing influences

From this reading “The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.”

Ithaca noun US /ˈɪθəkə/

a college town in central New York on Lake Cayuga

From this reading “Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.”

myths noun US /mɪθs/

plural of “myth” — a traditional story accepted as history; serves to explain the world view of a people

From this reading “The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.”

Odyssey noun US /ˈɑːdəsi/

a long wandering and eventful journey

Priam noun US /ˈpraɪæm/

(Greek mythology) the last king of Troy; father of Hector and Paris and Cassandra

From this reading “It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.”

Trojan noun US /ˈtroʊdʒən/

a native of ancient Troy

From this reading “When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.”

unconnected adjective US /ˌʌnkəˈnektɪd/

not joined or linked together

From this reading “The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.”

All words in this reading · 91

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading We now go on to sketch the plot, which is a marvel of construction.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

authorshipnounUS /ˈɔːθərʃɪp/

the act of creating written works

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

backadverbUS /bæk/

in or to or toward a former location

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

barbaricadjectiveUS /bɑːrˈbærɪk/

without civilizing influences

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

becomeverbUS /bɪˈkʌm/

enter or assume a certain state or condition

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

byprepositionUS /baɪ/

showing who or what does the action

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

chiefnounUS /tʃiːf/

a person who is in charge

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

coastnounUS /koʊst/

the shore of a sea or ocean

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

conceivedverbUS /kənˈsiːvd/

past form of “conceive” — have the idea for

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

constructionnounUS /kənˈstrʌkʃən/

the act of constructing something

From this reading We now go on to sketch the plot, which is a marvel of construction.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

extraordinaryadjectiveUS /ˌekstrəˈɔːrdəneri/

beyond what is ordinary or usual; highly unusual or exceptional or remarkable

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading We now go on to sketch the plot, which is a marvel of construction.

GreecenounUS /ɡriːs/

a republic in southeastern Europe on the southern part of the Balkan peninsula; known for grapes and olives and olive oil

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

HelennounUS /ˈhelən/

(Greek mythology) the beautiful daughter of Zeus and Leda who was abducted by Paris; the Greek army sailed to Troy to get her back which resulted in the Trojan War

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

indispensableadjectiveUS /ˌɪndɪˈspensəbəl/

not to be dispensed with; essential

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

infantnounUS /ˈɪnfənt/

a very young child (birth to 1 year) who has not yet begun to walk or talk

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

islandnounUS /ˈaɪlənd/

a land mass (smaller than a continent) that is surrounded by water

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

IthacanounUS /ˈɪθəkə/

a college town in central New York on Lake Cayuga

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

KingnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

latelyadverbUS /ˈleɪtli/

in the recent past

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

legendsnounUS /ˈledʒəndz/

plural of “legend” — a story about mythical or supernatural beings or events

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

marriedadjectiveUS /ˈmerid/

joined in matrimony

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

marvelverbUS /ˈmɑːrvəl/

be amazed at

From this reading We now go on to sketch the plot, which is a marvel of construction.

marvelsnounUS /ˈmɑːrvəlz/

plural of “marvel” — something that causes feelings of wonder

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

Menelausnoun

(Greek mythology) the king of Sparta at the time of the Trojan War; brother of Agamemnon; husband of Helen

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

mythsnounUS /mɪθs/

plural of “myth” — a traditional story accepted as history; serves to explain the world view of a people

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading We now go on to sketch the plot, which is a marvel of construction.

objectnounUS /ˈɑːbdʒekt/

a tangible and visible entity; an entity that can cast a shadow

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

OdysseusnounUS /oʊˈdɪsiəs/

(Greek mythology) a famous mythical Greek hero; his return to Ithaca after the siege of Troy was described in the Odyssey

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

OdysseynounUS /ˈɑːdəsi/

a long wandering and eventful journey

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading We now go on to sketch the plot, which is a marvel of construction.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

originallyadverbUS /ərˈɪdʒənəli/

in an original manner

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

ParisnounUS /ˈperɪs/

the capital and largest city of France; and international center of culture and commerce

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

partsnounUS /pɑːrts/

the local environment

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

PenelopenounUS /pəˈneləpi/

(Greek mythology) the wife of Odysseus and a symbol of devotion and fidelity; for 10 years while Odysseus fought the Trojan War she resisted numerous suitors until Odysseus returned and killed them

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

plotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

poetsnounUS /ˈpoʊəts/

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

PriamnounUS /ˈpraɪæm/

(Greek mythology) the last king of Troy; father of Hector and Paris and Cassandra

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

proofsnounUS /pruːfs/

plural of “proof” — any factual evidence that helps to establish the truth of something

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

ruggedadjectiveUS /ˈrʌɡəd/

sturdy and strong in constitution or construction; enduring

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

savageadjectiveUS /ˈsævədʒ/

(of persons or their actions) able or disposed to inflict pain or suffering

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

sayverbUS /seɪ/

express in words

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

scarcelyadverbUS /ˈskersli/

only a very short time before

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

sketchnounUS /sketʃ/

preliminary drawing for later elaboration

From this reading We now go on to sketch the plot, which is a marvel of construction.

skillnounUS /skɪl/

an ability that has been acquired by training

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

sonnounUS /sʌn/

a male human offspring

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

stilladjectiveUS /stɪl/

not in physical motion

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

Telemachus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading We now go on to sketch the plot, which is a marvel of construction.

TrojannounUS /ˈtroʊdʒən/

a native of ancient Troy

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

TroynounUS /trɔɪ/

a system of weights used for precious metals and gemstones; based on a 12-ounce pound and an ounce of 480 grains

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

unconnectedadjectiveUS /ˌʌnkəˈnektɪd/

not joined or linked together

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

unitynounUS /ˈjuːnəti/

an undivided or unbroken completeness or totality with nothing wanting

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

warnounUS /wɔːr/

the waging of armed conflict against an enemy

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We now go on to sketch the plot, which is a marvel of construction.

westernadjectiveUS /ˈwestərn/

relating to or characteristic of the western parts of the world or the West as opposed to the eastern or oriental parts

From this reading Odysseus was the King of Ithaca, a small and rugged island on the western coast of Greece.

WhenconjunctionUS /wen/

at the time that

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

whileconjunctionUS /waɪl/

during the time that

From this reading When he was but lately married to Penelope, and while his only son Telemachus was still an infant, the Trojan war began.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

wifenounUS /waɪf/

a married woman; a man's partner in marriage

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

winverbUS /wɪn/

be the winner in a contest or competition; be victorious

From this reading It is scarcely necessary to say that the object of this war, as conceived of by the poets, was to win back Helen, the wife of Menelaus, from Paris, the son of Priam, King of Troy.

withprepositionUS /wɪð/

in the company of; together with

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

wovenadjectiveUS /ˈwoʊvən/

made or constructed by interlacing threads or strips of material or other elements into a whole

From this reading The extraordinary artistic skill with which legends and myths, originally unconnected with each other, are woven into the plot of the _Odyssey_, so that the marvels of savage and barbaric fancy become indispensable parts of an artistic whole, is one of the chief proofs of the unity of authorship of that poem.

Chapter 1 of The Odyssey of Homer by 751? BCE-651? BCE Homer holds 263 sentences, grouped into 53 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Odyssey of Homer contain?

Chapter 1 holds 263 sentences of The Odyssey of Homer, unabridged, divided into 53 reading sections.

This page carries chapter 1 of The Odyssey of Homer by 751? BCE-651? BCE Homer exactly as it stands in the source edition, without abridgement. It runs to 263 sentences, grouped into 53 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Odyssey of Homer?

Work through the 53 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 53 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Odyssey of Homer

Common questions about reading The Odyssey of Homer by 751? BCE-651? BCE Homer on this page, its source edition and its audio.

Is this the complete text of The Odyssey of Homer?

Yes. All 5081 sentences of Project Gutenberg eBook #1728 are kept, with a record of which sentences cover which part.

Which edition of The Odyssey of Homer is used?

Project Gutenberg eBook #1728, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Odyssey of Homer take to read?

About 423 minutes of reading across 1017 sections of 5 sentences each, at an unhurried pace.

How to read The Odyssey of Homer section by section

How to work through The Odyssey of Homer section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of The Odyssey of Homer to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Odyssey of Homer

Words and structures a reader meets early in The Odyssey of Homer, each tappable for pronunciation and meaning.

Weary
A word that appears in the opening chapter of The Odyssey of Homer; the reader can tap it to hear it and see its dictionary entry.
Space
A word that appears in the opening chapter of The Odyssey of Homer; the reader can tap it to hear it and see its dictionary entry.
Lulled
A word that appears in the opening chapter of The Odyssey of Homer; the reader can tap it to hear it and see its dictionary entry.
Circe
A word that appears in the opening chapter of The Odyssey of Homer; the reader can tap it to hear it and see its dictionary entry.