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The Odyssey of Homer
The Odyssey of Homer

Chapter I · Chapter 1

Chapter 1 of The Odyssey of Homer is here in full — 263 sentences across 53 reading sections, with audio for every sentence and word.

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Context Illustration Reading 5/52 · 5 lines
English subtitles · tap any word to listen 1 / 5
This masterly translation does all that can be done for the Odyssey in the romantic style.
The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.
There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.
Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.
Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Odyssey of Homer

Chapter I · Chapter 1

Chapter 1 of The Odyssey of Homer is here in full — 263 sentences across 53 reading sections, with audio for every sentence and word.

Reading 5/52 · 5 reading units · Lines 21–25

Line 1
This masterly translation does all that can be done for the Odyssey in the romantic style.
/ðɪs ˈmæstərli trænzˈleɪʃən dʌz ɔːl ðæt kæn biː dʌn fɔːr ðə ˈɑːdəsi ɪn ðə roʊˈmæntɪk staɪl/
Line 2
The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.
/ðə ˈsmuːðnəs ʌv ðə vɜːrs ðə ˈwʌndərfəl ˈkloʊsnɪs tuː ðə ərˈɪdʒənəl ˌriːprəˈduːs ɔːl ʌv ˈhoʊmər ɪn ˈmjuːzɪk ənd ɪn ˈmiːnɪŋ ðæt kæn biː ˈrendərd ɪn ˈɪŋɡlɪʃ vɜːrs/
Line 3
There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.
/ðer stɪl ˌhaʊˈevər siːmz æn ˈæspekt hoʊˈmerɪk ˈpoʊəmz ənd ə dɪˈmænd ɪn kəˈnekʃən wɪð ˈhoʊmər tuː biː ˈrekəɡnaɪzd ənd tuː biː ˈsætəsfaɪd/
Line 4
Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.
Line 5
Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.
/naʊ ðə hoʊˈmerɪk ˈepɪks ɑːr ˈsɑːɡəz bʌt ðen ðeɪ ɑːr ðə ˈsɑːɡəz ʌv ðə dɪˈvaɪn hɪˈroʊɪk eɪdʒ ʌv ɡriːs ənd ðʌs ɑːr toʊld wɪð æn ɑːrt wɪtʃ ɪz nɑːt ðə ɑːrt ʌv ðə ˈnɔːrðərn ˈpoʊəts/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

closeness noun US /ˈkloʊsnɪs/

a feeling of being intimate and belonging together

From this reading “The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.”

epics noun US /ˈepɪks/

plural of “epic” — a long narrative poem telling of a hero's deeds

From this reading “Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.”

Homeric adjective US /hoʊˈmerɪk/

relating to or characteristic of Homer or his age or the works attributed to him

From this reading “There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.”

masterly adjective US /ˈmæstərli/

having or revealing supreme mastery or skill

From this reading “This masterly translation does all that can be done for the Odyssey in the romantic style.”

Odyssey noun US /ˈɑːdəsi/

a long wandering and eventful journey

From this reading “This masterly translation does all that can be done for the Odyssey in the romantic style.”

reproduce verb US /ˌriːprəˈduːs/

make a copy or equivalent of

From this reading “The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.”

sagas noun US /ˈsɑːɡəz/

plural of “saga” — a narrative telling the adventures of a hero or a family; originally (12th to 14th centuries) a story of the families that settled Iceland and their descendants but now any prose narrative that resembles such an account

From this reading “Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.”

smoothness noun US /ˈsmuːðnəs/

a texture without roughness; smooth to the touch

From this reading “The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.”

All words in this reading · 80

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

agenounUS /eɪdʒ/

how long something has existed

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

aspectnounUS /ˈæspekt/

a distinct feature or element in a problem

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

closenessnounUS /ˈkloʊsnɪs/

a feeling of being intimate and belonging together

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

connectionnounUS /kəˈnekʃən/

a relation between things or events (as in the case of one causing the other or sharing features with it)

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

denounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

demandnounUS /dɪˈmænd/

an urgent or peremptory request

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

divineadjectiveUS /dɪˈvaɪn/

emanating from God

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

epicsnounUS /ˈepɪks/

plural of “epic” — a long narrative poem telling of a hero's deeds

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

GreecenounUS /ɡriːs/

a republic in southeastern Europe on the southern part of the Balkan peninsula; known for grapes and olives and olive oil

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

heroicadjectiveUS /hɪˈroʊɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

HomernounUS /ˈhoʊmər/

a base hit on which the batter scores a run

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

HomericadjectiveUS /hoʊˈmerɪk/

relating to or characteristic of Homer or his age or the works attributed to him

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

Leconte

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

Lisle's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

MnounUS /em/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

masterlyadjectiveUS /ˈmæstərli/

having or revealing supreme mastery or skill

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

meaningnounUS /ˈmiːnɪŋ/

the message that is intended or expressed or signified

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

NorthernadjectiveUS /ˈnɔːrðərn/

in or characteristic of a region of the United States north of (approximately) the Mason-Dixon line

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

OdysseynounUS /ˈɑːdəsi/

a long wandering and eventful journey

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

poemsnounUS /ˈpoʊəmz/

plural of “poem” — a composition written in metrical feet forming rhythmical lines

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

poetsnounUS /ˈpoʊəts/

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

recognisedadjectiveUS /ˈrekəɡnaɪzd/

provided with a secure reputation

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

referencenounUS /ˈrefərəns/

a remark that calls attention to something or someone

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

renderedverbUS /ˈrendərd/

past form of “render” — cause to become

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

reproduceverbUS /ˌriːprəˈduːs/

make a copy or equivalent of

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

sagasnounUS /ˈsɑːɡəz/

plural of “saga” — a narrative telling the adventures of a hero or a family; originally (12th to 14th centuries) a story of the families that settled Iceland and their descendants but now any prose narrative that resembles such an account

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

Sainte-Beuve

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

satisfiedadjectiveUS /ˈsætəsfaɪd/

filled with satisfaction

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

smoothnessnounUS /ˈsmuːðnəs/

a texture without roughness; smooth to the touch

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

stilladjectiveUS /stɪl/

not in physical motion

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

stylenounUS /staɪl/

how something is done or how it happens

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

ThereadverbUS /ðer/

in or at that place or location

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

thusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

translationnounUS /trænzˈleɪʃən/

a written communication in a second language having the same meaning as the written communication in a first language

From this reading This masterly translation does all that can be done for the Odyssey in the romantic style.

treatverbUS /triːt/

interact in a certain way

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

versenounUS /vɜːrs/

literature in metrical form

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

versionnounUS /ˈvɜːrʒən/

an interpretation of a matter from a particular viewpoint

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Sainte-Beuve says, with reference probably to M. Leconte de Lisle’s prose version of the epics, that some people treat the epics too much as if they were sagas.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Now the Homeric epics are sagas, but then they are the sagas of the divine heroic age of Greece, and thus are told with an art which is not the art of the Northern poets.

withprepositionUS /wɪð/

in the company of; together with

From this reading There still, however, seems an aspect Homeric poems, and a demand in connection with Homer to be recognised, and to be satisfied.

wonderfuladjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading The smoothness of the verse, the wonderful closeness to the original, reproduce all of Homer, in music and in meaning, that can be rendered in English verse.

Chapter 1 of The Odyssey of Homer by 751? BCE-651? BCE Homer holds 263 sentences, grouped into 53 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Odyssey of Homer contain?

Chapter 1 holds 263 sentences of The Odyssey of Homer, unabridged, divided into 53 reading sections.

This page carries chapter 1 of The Odyssey of Homer by 751? BCE-651? BCE Homer exactly as it stands in the source edition, without abridgement. It runs to 263 sentences, grouped into 53 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Odyssey of Homer?

Work through the 53 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 53 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Odyssey of Homer

Common questions about reading The Odyssey of Homer by 751? BCE-651? BCE Homer on this page, its source edition and its audio.

Is this the complete text of The Odyssey of Homer?

Yes. All 5081 sentences of Project Gutenberg eBook #1728 are kept, with a record of which sentences cover which part.

Which edition of The Odyssey of Homer is used?

Project Gutenberg eBook #1728, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Odyssey of Homer take to read?

About 423 minutes of reading across 1017 sections of 5 sentences each, at an unhurried pace.

How to read The Odyssey of Homer section by section

How to work through The Odyssey of Homer section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 25 chapters of The Odyssey of Homer to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Odyssey of Homer

Words and structures a reader meets early in The Odyssey of Homer, each tappable for pronunciation and meaning.

Weary
A word that appears in the opening chapter of The Odyssey of Homer; the reader can tap it to hear it and see its dictionary entry.
Space
A word that appears in the opening chapter of The Odyssey of Homer; the reader can tap it to hear it and see its dictionary entry.
Lulled
A word that appears in the opening chapter of The Odyssey of Homer; the reader can tap it to hear it and see its dictionary entry.
Circe
A word that appears in the opening chapter of The Odyssey of Homer; the reader can tap it to hear it and see its dictionary entry.