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The Old Countess
The Old Countess

Chapter XI

Chapter 11 of The Old Countess is here in full — 125 sentences across 25 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/25 · 5 lines
English subtitles · tap any word to listen 1 / 5
LADY CLARA QUARRELS WITH HER STEPMOTHER.
Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.
She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.
No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.
She opened her eyes wearily, as if the effort were a pain.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Old Countess

Chapter XI

Chapter 11 of The Old Countess is here in full — 125 sentences across 25 reading sections, with audio for every sentence and word.

Reading 1/25 · 5 reading units · Lines 1–5

Line 1
LADY CLARA QUARRELS WITH HER STEPMOTHER.
Line 2
Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.
Line 3
She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.
Line 4
No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.
Line 5
She opened her eyes wearily, as if the effort were a pain.
/ʃiː ˈoʊpənd hɜːr aɪz ˈwerəli æz ɪf ðə ˈefərt wɜːr ə peɪn/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cushioned adjective US /ˈkʊʃənd/

softened by the addition of cushions or padding

From this reading “She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.”

deathly adjective US /ˈdeθli/

having the physical appearance of death

From this reading “Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.”

fainted verb US /ˈfeɪntɪd/

past form of “faint” — pass out from weakness, physical or emotional distress due to a loss of blood supply to the brain

From this reading “Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.”

Hepworth noun US /ˈhepwərθ/

British sculptor (1902-1975)

From this reading “Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.”

quarrels noun US /ˈkwɔːrəlz/

plural of “quarrel” — an angry dispute

From this reading “LADY CLARA QUARRELS WITH HER STEPMOTHER.”

self-consciousness noun US /ˌselfˈkɑːnʃəsnəs/

embarrassment deriving from the feeling that others are critically aware of you

From this reading “No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.”

sideways adverb US /ˈsaɪdweɪz/

with one side forward or to the front

From this reading “She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.”

stepmother noun US /ˈstepmʌðər/

the wife of your father by a subsequent marriage

From this reading “LADY CLARA QUARRELS WITH HER STEPMOTHER.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

cushioned seat adjective + noun

In this reading “She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.”

leaned heavily verb + particle counted as “lean heavily”

In this reading “She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.”

utter solitude verb + noun

In this reading “No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.”

on the stage preposition + article + noun counted as “on … stage”

In this reading “No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.”

whole audience adjective + noun

In this reading “No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.”

by the sides preposition + article + noun counted as “by … side”

In this reading “She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.”

All words in this reading · 82

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

afterprepositionUS /ˈæftər/

later than; following

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading She opened her eyes wearily, as if the effort were a pain.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

awareadjectiveUS /əˈwer/

(sometimes followed by “of”) having or showing knowledge or understanding or realization or perception

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

boxnounUS /bɑːks/

a (usually rectangular) container; may have a lid

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

byprepositionUS /baɪ/

showing who or what does the action

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

CLARA

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LADY CLARA QUARRELS WITH HER STEPMOTHER.

Closs

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

coldadjectiveUS /koʊld/

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

crimsonadjectiveUS /ˈkrɪmzən/

of a color at the end of the color spectrum (next to orange); resembling the color of blood or cherries or tomatoes or rubies

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

crowdverbUS /kraʊd/

cause to herd, drive, or crowd together

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

cushionedadjectiveUS /ˈkʊʃənd/

softened by the addition of cushions or padding

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

deathlyadjectiveUS /ˈdeθli/

having the physical appearance of death

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

droopingadjectiveUS /ˈdruːpɪŋ/

weak from exhaustion

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

effortnounUS /ˈefərt/

earnest and conscientious activity intended to do or accomplish something

From this reading She opened her eyes wearily, as if the effort were a pain.

eyesnounUS /aɪz/

opinion or judgment

From this reading She opened her eyes wearily, as if the effort were a pain.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

faintedverbUS /ˈfeɪntɪd/

past form of “faint” — pass out from weakness, physical or emotional distress due to a loss of blood supply to the brain

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

fallingadjectiveUS /ˈfɑːlɪŋ/

decreasing in amount or degree

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

heavilyadverbUS /ˈhevəli/

to a considerable degree

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

HepworthnounUS /ˈhepwərθ/

British sculptor (1902-1975)

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

HERdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading LADY CLARA QUARRELS WITH HER STEPMOTHER.

hidverbUS /hɪd/

inflected form of “hide” — prevent from being seen or discovered

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

HopenounUS /hoʊp/

a specific instance of feeling hopeful

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading She opened her eyes wearily, as if the effort were a pain.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

intenselyadverbUS /ˌɪnˈtensli/

to a high degree; extremely; in high concentration or density

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

keptadjectiveUS /kept/

(especially of promises or contracts) not violated or disregarded

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

LADYnounUS /ˈleɪdi/

a polite name for any woman

From this reading LADY CLARA QUARRELS WITH HER STEPMOTHER.

leanedverbUS /liːnd/

past form of “lean” — to incline or bend from a vertical position

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

NodeterminerUS /noʊ/

not any; not one

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

observedadjectiveUS /əbˈzɜːrvd/

discovered or determined by scientific observation

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

occupiedadjectiveUS /ˈɑːkjəpaɪd/

held or filled or in use

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

openedadjectiveUS /ˈoʊpənd/

used of mouth or eyes

From this reading She opened her eyes wearily, as if the effort were a pain.

painnounUS /peɪn/

a symptom of some physical hurt or disorder

From this reading She opened her eyes wearily, as if the effort were a pain.

pallornoun

unnatural lack of color in the skin (as from bruising or sickness or emotional distress)

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

pangnounUS /pæŋ/

a sudden sharp feeling

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

passingnounUS /ˈpæsɪŋ/

(American football) a play that involves one player throwing the ball to a teammate

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

QUARRELSnounUS /ˈkwɔːrəlz/

plural of “quarrel” — an angry dispute

From this reading LADY CLARA QUARRELS WITH HER STEPMOTHER.

Rachael

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

remainedverbUS /rɪˈmeɪnd/

past form of “remain” — stay the same; remain in a certain state

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

returnedverbUS /rɪˈtɜːrnd/

past form of “return” — go or come back to place, condition, or activity where one has been before

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

seatnounUS /siːt/

a space reserved for sitting (as in a theater or on a train or airplane)

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

self-consciousnessnounUS /ˌselfˈkɑːnʃəsnəs/

embarrassment deriving from the feeling that others are critically aware of you

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

shadowsnounUS /ˈʃædoʊz/

plural of “shadow” — shade within clear boundaries

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

sidesnounUS /saɪdz/

plural of “side” — a place within a region identified relative to a center or reference location

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

sidewaysadverbUS /ˈsaɪdweɪz/

with one side forward or to the front

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

solitudenounUS /ˈsɑːlətuːd/

a state of social isolation

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

STEPMOTHERnounUS /ˈstepmʌðər/

the wife of your father by a subsequent marriage

From this reading LADY CLARA QUARRELS WITH HER STEPMOTHER.

stillnessnounUS /ˈstɪlnəs/

(poetic) tranquil silence

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Lady Hope had fainted, but with such deathly stillness that neither Hepworth Closs nor Clara had been aware of it.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

utterverbUS /ˈʌtər/

articulate; either verbally or with a cry, shout, or noise

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

wearilyadverbUS /ˈwerəli/

in a weary manner

From this reading She opened her eyes wearily, as if the effort were a pain.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading She opened her eyes wearily, as if the effort were a pain.

whatpronounUS /wʌt/

used to ask for information about something

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading She remained, after they left the box, drooping sideways from her cushioned seat, with the cold pallor of her face hid in the crimson shadows, and kept from falling by the sides of the box, against which she leaned heavily.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading No one observed this, for the whole audience was intensely occupied by what was passing on the stage; and the pang of self-consciousness returned to Rachael Closs in the utter solitude of a great crowd.

WITHprepositionUS /wɪð/

in the company of; together with

From this reading LADY CLARA QUARRELS WITH HER STEPMOTHER.

Chapter 11 of The Old Countess by Ann S. (Ann Sophia) Stephens holds 125 sentences, grouped into 25 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of The Old Countess contain?

Chapter 11 holds 125 sentences of The Old Countess, unabridged, divided into 25 reading sections.

This page carries chapter 11 of The Old Countess by Ann S. (Ann Sophia) Stephens exactly as it stands in the source edition, without abridgement. It runs to 125 sentences, grouped into 25 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of The Old Countess?

Work through the 25 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 25 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Old Countess

Common questions about reading The Old Countess by Ann S. (Ann Sophia) Stephens on this page, its source edition and its audio.

Is this the complete text of The Old Countess?

Yes. All 5179 sentences of Project Gutenberg eBook #29862 are kept, with a record of which sentences cover which part.

Which edition of The Old Countess is used?

Project Gutenberg eBook #29862, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Old Countess take to read?

About 431 minutes of reading across 1036 sections of 5 sentences each, at an unhurried pace.

How to read The Old Countess section by section

How to work through The Old Countess section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 37 chapters of The Old Countess to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Old Countess

Words and structures a reader meets early in The Old Countess, each tappable for pronunciation and meaning.

Countess
A word that appears in the opening chapter of The Old Countess; the reader can tap it to hear it and see its dictionary entry.
Proposals
A word that appears in the opening chapter of The Old Countess; the reader can tap it to hear it and see its dictionary entry.
Stephens
A word that appears in the opening chapter of The Old Countess; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of The Old Countess; the reader can tap it to hear it and see its dictionary entry.