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The Old Countess
The Old Countess

Chapter XII

Chapter 12 of The Old Countess is here in full — 149 sentences across 30 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/29 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE OLD PRISONER.
In America again.
Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.
No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.
Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Old Countess

Chapter XII

Chapter 12 of The Old Countess is here in full — 149 sentences across 30 reading sections, with audio for every sentence and word.

Reading 1/29 · 5 reading units · Lines 1–5

Line 1
THE OLD PRISONER.
/ðə oʊld ˈprɪzənər/
Line 2
In America again.
/ɪn əˈmerəkə əˈɡen/
Line 3
Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.
/jes feɪt hæz swept moʊst ʌv ðə ˈkærəktərz ʌv ˈaʊər ˈstɔːri əˈkrɔːs ðə ˈoʊʃən bʌt wʌn rɪˈmeɪnz bɪˈhaɪnd tuː huːm ðə kaɪnd hɑːrt mʌst tɜːrn wɪð mɔːr ˈsɑːləm ˈɪntrəst ðæn ðə jʌŋ ðə ˈbjuːtəfəl ɔːr ðə ˈlɔːrdliː kæn ˌɪnˈspaɪr/
Line 4
No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.
/noʊ ˈtʃeɪndʒəz hæd ˈfɑːlən əˈpɑːn ðæt bliːk ˈɡluːmi ˈprɪzən huːz ˈveri ˈʃæd.oʊ æz ɪt leɪ əˈkrɔːs ðə ˈdʌsti roʊd striːmd aʊt laɪk ə pɑːl/
Line 5
Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.
/ˈhjuːmən kraɪm brɪŋz ˈhjuːmən ˈmɪzəri ənd ðæt ˈkraʊdəd təˈɡeðər ənd ˈstaɪfəld ˈʌndər ðə hiːl ʌv ðə lɔː ɪz ə ˈterəbəl moʊst ˈterəbəl θɪŋ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bleak adjective US /bliːk/

offering little or no hope

From this reading “No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.”

dusty adjective US /ˈdʌsti/

covered with a layer of dust

From this reading “No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.”

heel noun US /hiːl/

the bottom of a shoe or boot; the back part of a shoe or boot that touches the ground and provides elevation

From this reading “Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.”

inspire verb US /ˌɪnˈspaɪr/

heighten or intensify

From this reading “Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.”

lordly adjective US /ˈlɔːrdliː/

of or befitting a lord

From this reading “Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.”

pall verb US /pɑːl/

become less interesting or attractive

From this reading “No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.”

stifled adjective US /ˈstaɪfəld/

held in check with difficulty

From this reading “Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.”

streamed verb US /striːmd/

past form of “stream” — to extend, wave or float outward, as if in the wind

From this reading “No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

dusty road adjective + noun

In this reading “No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.”

across the ocean preposition + article + noun counted as “across … ocean”

In this reading “Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.”

human misery adjective + noun

In this reading “Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.”

terrible thing adjective + noun

In this reading “Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.”

most terrible adverb + adjective

In this reading “Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.”

lay across verb + particle

In this reading “No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.”

kind heart adjective + noun

In this reading “Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.”

All words in this reading · 74

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

acrossprepositionUS /əˈkrɔːs/

from one side of something to the other

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

againadverbUS /əˈɡen/

anew

From this reading In America again.

AmericanounUS /əˈmerəkə/

North American republic containing 50 states - 48 conterminous states in North America plus Alaska in northwest North America and the Hawaiian Islands in the Pacific Ocean; achieved independence in 1776

From this reading In America again.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

bleakadjectiveUS /bliːk/

offering little or no hope

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

bringsverbUS /brɪŋz/

third-person singular of “bring” — take something or somebody with oneself somewhere

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

changesnounUS /ˈtʃeɪndʒəz/

plural of “change” — an event that occurs when something passes from one state or phase to another

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

crimenounUS /kraɪm/

(criminal law) an act punishable by law; usually considered an evil act

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

crowdedadjectiveUS /ˈkraʊdəd/

overfilled or compacted or concentrated

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

dustyadjectiveUS /ˈdʌsti/

covered with a layer of dust

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

fallenadjectiveUS /ˈfɑːlən/

having dropped by the force of gravity

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

fatenounUS /feɪt/

an event (or a course of events) that will inevitably happen in the future

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

gloomyadjectiveUS /ˈɡluːmi/

depressingly dark

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

heelnounUS /hiːl/

the bottom of a shoe or boot; the back part of a shoe or boot that touches the ground and provides elevation

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

HumanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In America again.

inspireverbUS /ˌɪnˈspaɪr/

heighten or intensify

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

interestnounUS /ˈɪntrəst/

a sense of concern with and curiosity about someone or something

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

lawnounUS /lɔː/

the collection of rules imposed by authority

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

likeverbUS /laɪk/

prefer or wish to do something

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

lordlyadjectiveUS /ˈlɔːrdliː/

of or befitting a lord

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

miserynounUS /ˈmɪzəri/

a state of ill-being due to affliction or misfortune

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

mostadverbUS /moʊst/

used to form the superlative

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

NodeterminerUS /noʊ/

not any; not one

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

oceannounUS /ˈoʊʃən/

a large body of water constituting a principal part of the hydrosphere

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

OLDadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading THE OLD PRISONER.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

pallverbUS /pɑːl/

become less interesting or attractive

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

prisonnounUS /ˈprɪzən/

a correctional institution where persons are confined while on trial or for punishment

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

PRISONERnounUS /ˈprɪzənər/

a person who is confined; especially a prisoner of war

From this reading THE OLD PRISONER.

remainsnounUS /rɪˈmeɪnz/

any object that is left unused or still extant

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

roadnounUS /roʊd/

an open way (generally public) for travel or transportation

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

shadownounUS /ˈʃæd.oʊ/

A dark area or shape produced by a body coming between rays of light and a surface.

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

solemnadjectiveUS /ˈsɑːləm/

dignified and somber in manner or character and committed to keeping promises

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

stifledadjectiveUS /ˈstaɪfəld/

held in check with difficulty

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

streamedverbUS /striːmd/

past form of “stream” — to extend, wave or float outward, as if in the wind

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

sweptadjectiveUS /swept/

possessing sweep

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

terribleadjectiveUS /ˈterəbəl/

causing fear or dread or terror

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE OLD PRISONER.

thingnounUS /θɪŋ/

a special situation

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Human crime brings human misery, and that, crowded together and stifled under the heel of the law, is a terrible, most terrible thing.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

whosedeterminerUS /huːz/

belonging to which person

From this reading No changes had fallen upon that bleak, gloomy prison, whose very shadow, as it lay across the dusty road, streamed out like a pall.

withprepositionUS /wɪð/

in the company of; together with

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

YesnounUS /jes/

an affirmative

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading Yes, fate has swept most of the characters of our story across the ocean; but one remains behind to whom the kind heart must turn with more solemn interest than the young, the beautiful, or the lordly can inspire.

Chapter 12 of The Old Countess by Ann S. (Ann Sophia) Stephens holds 149 sentences, grouped into 30 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of The Old Countess contain?

Chapter 12 holds 149 sentences of The Old Countess, unabridged, divided into 30 reading sections.

This page carries chapter 12 of The Old Countess by Ann S. (Ann Sophia) Stephens exactly as it stands in the source edition, without abridgement. It runs to 149 sentences, grouped into 30 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of The Old Countess?

Work through the 30 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 30 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Old Countess

Common questions about reading The Old Countess by Ann S. (Ann Sophia) Stephens on this page, its source edition and its audio.

Is this the complete text of The Old Countess?

Yes. All 5179 sentences of Project Gutenberg eBook #29862 are kept, with a record of which sentences cover which part.

Which edition of The Old Countess is used?

Project Gutenberg eBook #29862, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Old Countess take to read?

About 431 minutes of reading across 1036 sections of 5 sentences each, at an unhurried pace.

How to read The Old Countess section by section

How to work through The Old Countess section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 37 chapters of The Old Countess to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Old Countess

Words and structures a reader meets early in The Old Countess, each tappable for pronunciation and meaning.

Countess
A word that appears in the opening chapter of The Old Countess; the reader can tap it to hear it and see its dictionary entry.
Proposals
A word that appears in the opening chapter of The Old Countess; the reader can tap it to hear it and see its dictionary entry.
Stephens
A word that appears in the opening chapter of The Old Countess; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of The Old Countess; the reader can tap it to hear it and see its dictionary entry.