Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Pagan's Progress
The Pagan's Progress

Chapter III

Chapter 3 of The Pagan's Progress is here in full — 71 sentences across 15 reading sections, with audio for every sentence and word.

Cover illustration for The Pagan's Progress
Context Illustration Reading 1/14 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.
Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.
But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.
And because no artist can work when he is angry, he gave up scratching pictures on bone.
No Man was undoubtedly a coward, but he was very cunning.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Pagan's Progress

Chapter III

Chapter 3 of The Pagan's Progress is here in full — 71 sentences across 15 reading sections, with audio for every sentence and word.

Reading 1/14 · 5 reading units · Lines 1–5

Line 1
THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.
Line 2
Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.
/fɪʃ kætʃ ˈbiːɪŋ ded hiː ˌpɑːrˈtɪkjələrli ˈheɪtəd strɔːŋ hænd ənd ˈwɔːntɪd strɔːŋ hændz blʌd/
Line 3
But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.
/bʌt hiː wɑːz əˈfreɪd tuː ɡoʊ ənd teɪk ɪt ənd soʊ hiː dwelt ɪn hɪz keɪv ənd ˈplɑːtɪd ˈmɪstʃəf/
Line 4
And because no artist can work when he is angry, he gave up scratching pictures on bone.
/ənd bɪˈkɔːz noʊ ˈɑːrtəst kæn wɜːrk wen hiː ɪz ˈæŋɡri hiː ɡeɪv ʌp ˈskrætʃɪŋ ˈpɪktʃərz ɑːn boʊn/
Line 5
No Man was undoubtedly a coward, but he was very cunning.
/noʊ mæn wɑːz ənˈdaʊtɪdli ə ˈkaʊərd bʌt hiː wɑːz ˈveri ˈkʌnɪŋ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

blasted adjective US /ˈblæstəd/

expletives used informally as intensifiers

From this reading “THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.”

bone noun US /boʊn/

rigid connective tissue that makes up the skeleton of vertebrates

From this reading “And because no artist can work when he is angry, he gave up scratching pictures on bone.”

coward noun US /ˈkaʊərd/

a person who shows fear or timidity

From this reading “No Man was undoubtedly a coward, but he was very cunning.”

dwelt verb US /dwelt/

inflected form of “dwell” — think moodily or anxiously about something

From this reading “But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.”

Hand's noun US /hændz/

possessive form of “hand” — the (prehensile) extremity of the superior limb

plotted adjective US /ˈplɑːtɪd/

with planning and intention

From this reading “But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.”

robbed verb US /rɑːbd/

inflected form of “rob” — take something away by force or without the consent of the owner

From this reading “THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.”

scratching noun US /ˈskrætʃɪŋ/

a harsh noise made by scraping

From this reading “And because no artist can work when he is angry, he gave up scratching pictures on bone.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

gave up verb + adjective counted as “give up”

lose (s.th.) or lose the right to (s.th.) by some error, offense, or crime

In this reading “And because no artist can work when he is angry, he gave up scratching pictures on bone.”

dwelt in verb + particle counted as “dwell in”

In this reading “But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.”

Strong Hand adjective + noun

In this reading “Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.”

All words in this reading · 56

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading No Man was undoubtedly a coward, but he was very cunning.

afraidadjectiveUS /əˈfreɪd/

filled with fear or apprehension

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

angryadjectiveUS /ˈæŋɡri/

feeling or showing anger

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

beatenadjectiveUS /ˈbiːtən/

formed or made thin by hammering

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

BLASTEDadjectiveUS /ˈblæstəd/

expletives used informally as intensifiers

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

bloodnounUS /blʌd/

The red fluid that circulates in the heart and blood vessels.

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

BLUE-JAY

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

bonenounUS /boʊn/

rigid connective tissue that makes up the skeleton of vertebrates

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

CatchverbUS /kætʃ/

discover or come upon accidentally, suddenly, or unexpectedly; catch somebody doing something or in a certain state

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

cavenounUS /keɪv/

a geological formation consisting of an underground enclosure with access from the surface of the ground or from the sea

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

cowardnounUS /ˈkaʊərd/

a person who shows fear or timidity

From this reading No Man was undoubtedly a coward, but he was very cunning.

cunningadjectiveUS /ˈkʌnɪŋ/

attractive especially by means of smallness or prettiness or quaintness

From this reading No Man was undoubtedly a coward, but he was very cunning.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

dweltverbUS /dwelt/

inflected form of “dwell” — think moodily or anxiously about something

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

FishnounUS /fɪʃ/

any of various mostly cold-blooded aquatic vertebrates usually having scales and breathing through gills

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

HandnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

Hand'snounUS /hændz/

possessive form of “hand” — the (prehensile) extremity of the superior limb

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

hatedadjectiveUS /ˈheɪtəd/

treated with dislike or contempt

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

mischiefnounUS /ˈmɪstʃəf/

reckless or malicious behavior that causes discomfort or annoyance in others

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

NodeterminerUS /noʊ/

not any; not one

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

particularlyadverbUS /ˌpɑːrˈtɪkjələrli/

to a distinctly greater extent or degree than is common

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

picturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

plottedadjectiveUS /ˈplɑːtɪd/

with planning and intention

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

robbedverbUS /rɑːbd/

inflected form of “rob” — take something away by force or without the consent of the owner

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

scratchingnounUS /ˈskrætʃɪŋ/

a harsh noise made by scraping

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

soreadjectiveUS /sɔːr/

hurting

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

StrongadjectiveUS /strɔːŋ/

having strength or power greater than average or expected

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

takeverbUS /teɪk/

carry out

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading But he was afraid to go and take it, and so he dwelt in his cave and plotted mischief.

TREEnounUS /triː/

a tall perennial woody plant having a main trunk and branches forming a distinct elevated crown; includes both gymnosperms and angiosperms

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

undoubtedlyadverbUS /ənˈdaʊtɪdli/

without doubt; certainly

From this reading No Man was undoubtedly a coward, but he was very cunning.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading Fish Catch being dead, he particularly hated Strong Hand and wanted Strong Hand’s blood.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE BLASTED TREE AND THE BLUE-JAY No man was very sore because he had been beaten and robbed.

whenconjunctionUS /wen/

at the time that

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading And because no artist can work when he is angry, he gave up scratching pictures on bone.

Chapter 3 of The Pagan's Progress by Gouverneur Morris holds 71 sentences, grouped into 15 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of The Pagan's Progress contain?

Chapter 3 holds 71 sentences of The Pagan's Progress, unabridged, divided into 15 reading sections.

This page carries chapter 3 of The Pagan's Progress by Gouverneur Morris exactly as it stands in the source edition, without abridgement. It runs to 71 sentences, grouped into 15 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of The Pagan's Progress?

Work through the 15 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 15 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Pagan's Progress

Common questions about reading The Pagan's Progress by Gouverneur Morris on this page, its source edition and its audio.

Is this the complete text of The Pagan's Progress?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The Pagan's Progress is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Pagan's Progress take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The Pagan's Progress section by section

How to work through The Pagan's Progress section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of The Pagan's Progress to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Pagan's Progress

Words and structures a reader meets early in The Pagan's Progress, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The Pagan's Progress, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The Pagan's Progress, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The Pagan's Progress, divided into 5-sentence reading sections.