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The Panchronicon
The Panchronicon

Chapter XII · Chapter 12

Chapter 12 of The Panchronicon is here in full — 308 sentences across 62 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/61 · 5 lines
English subtitles · tap any word to listen 1 / 5
HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.
She little foresaw the strange adventure into which he was destined to lead her sister.
Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.
Her lover was in danger--danger to his life and honor.
She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Panchronicon

Chapter XII · Chapter 12

Chapter 12 of The Panchronicon is here in full — 308 sentences across 62 reading sections, with audio for every sentence and word.

Reading 1/61 · 5 reading units · Lines 1–5

Line 1
HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.
Line 2
She little foresaw the strange adventure into which he was destined to lead her sister.
/ʃiː ˈlɪtəl ˌfɔːrˈsɔː ðə streɪndʒ ædˈventʃər ˈɪntuː wɪtʃ hiː wɑːz ˈdestɪnd tuː led hɜːr ˈsɪstər/
Line 3
Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.
/ˌɪnˈdiːd hɜːr θɔːts wɜːr tuː ˈfʊli ˈɑːkjəpaɪd wɪð əˈnʌðər tuː ɡɪv ədˈmɪtəns tuː rəˈbekəz ˈɪmədʒ/
Line 4
Her lover was in danger--danger to his life and honor.
Line 5
She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.
/ʃiː nuː hiː wɑːz tuː biː seɪvd jet wɑːz nɑːt friː frʌm æŋˈzaɪəti fɔːr ʃiː felt ðæt ɪt wɑːz tuː biː hɜːr tæsk tuː seɪv hɪm/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

admittance noun US /ədˈmɪtəns/

the right to enter

From this reading “Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.”

Bacon noun US /ˈbeɪkən/

back and sides of a hog salted and dried or smoked; usually sliced thin and fried

From this reading “HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.”

courtyard noun US /ˈkɔːrt.jɑːrd/

An unroofed area that is completely or partially enclosed by the walls of a house.

From this reading “HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.”

destined adjective US /ˈdestɪnd/

headed or intending to head in a certain direction; often used as a combining form as in “college-bound students”

From this reading “She little foresaw the strange adventure into which he was destined to lead her sister.”

foresaw verb US /ˌfɔːrˈsɔː/

inflected form of “foresee” — realize beforehand

From this reading “She little foresaw the strange adventure into which he was destined to lead her sister.”

Peacock noun US /ˈpiːkɑːk/

European butterfly having reddish-brown wings each marked with a purple eyespot

From this reading “HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.”

Phoebe noun US /ˈfiːbi/

the cardinal number that is the sum of four and one

From this reading “HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.”

Rebecca's noun US /rəˈbekəz/

possessive form of “rebecca” — (Old Testament) wife of Isaac and mother of Jacob and Esau

From this reading “Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.”

All words in this reading · 70

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

admittancenounUS /ədˈmɪtəns/

the right to enter

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

adventureverbUS /ædˈventʃər/

take a risk in the hope of a favorable outcome

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

anxietynounUS /æŋˈzaɪəti/

(psychiatry) a relatively permanent state of worry and nervousness occurring in a variety of mental disorders, usually accompanied by compulsive behavior or attacks of panic

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

atprepositionUS /æt/

in or near a particular place or position

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

BaconnounUS /ˈbeɪkən/

back and sides of a hog salted and dried or smoked; usually sliced thin and fried

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

courtyardnounUS /ˈkɔːrt.jɑːrd/

An unroofed area that is completely or partially enclosed by the walls of a house.

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

dangernounUS /ˈdeɪndʒər/

the condition of being susceptible to harm or injury

From this reading Her lover was in danger--danger to his life and honor.

departverbUS /dɪˈpɑːrt/

move away from a place into another direction

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

destinedadjectiveUS /ˈdestɪnd/

headed or intending to head in a certain direction; often used as a combining form as in “college-bound students”

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

feltverbUS /felt/

mat together and make felt-like

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

footnounUS /fʊt/

the part of the leg of a human being below the ankle joint

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

foresawverbUS /ˌfɔːrˈsɔː/

inflected form of “foresee” — realize beforehand

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

Francis

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

freeverbUS /friː/

grant freedom to; free from confinement

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

fullyadverbUS /ˈfʊli/

to the greatest degree or extent; completely or entirely; (“full” in this sense is used as a combining form)

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

HISdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

honornounUS /ˈɑːnər/

a tangible symbol signifying approval or distinction

From this reading Her lover was in danger--danger to his life and honor.

HOW

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

imagenounUS /ˈɪmədʒ/

an iconic mental representation

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Her lover was in danger--danger to his life and honor.

IndeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

leadverbUS /led/

take somebody somewhere

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

leadingadjectiveUS /ˈliːdɪŋ/

indicating the most important performer or role

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Her lover was in danger--danger to his life and honor.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

lovernounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading Her lover was in danger--danger to his life and honor.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

occupiedadjectiveUS /ˈɑːkjəpaɪd/

held or filled or in use

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

PeacocknounUS /ˈpiːkɑːk/

European butterfly having reddish-brown wings each marked with a purple eyespot

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

PhoebenounUS /ˈfiːbi/

the cardinal number that is the sum of four and one

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

PLAYSnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

Rebecca'snounUS /rəˈbekəz/

possessive form of “rebecca” — (Old Testament) wife of Isaac and mother of Jacob and Esau

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

returnedverbUS /rɪˈtɜːrnd/

past form of “return” — go or come back to place, condition, or activity where one has been before

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

saveprepositionUS /seɪv/

except for; apart from

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

savedadjectiveUS /seɪvd/

rescued; especially from the power and consequences of sin

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

SHAKESPEAREnounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

sisternounUS /ˈsɪstər/

a female person who has the same parents as another person

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

stepsnounUS /steps/

a flight of stairs or a flight of steps

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

tasknounUS /tæsk/

any piece of work that is undertaken or attempted

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

thoughtsnounUS /θɔːts/

plural of “thought” — the content of cognition; the main thing you are thinking about

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

watchedverbUS /wɑːtʃt/

past form of “watch” — look attentively

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading She little foresaw the strange adventure into which he was destined to lead her sister.

withprepositionUS /wɪð/

in the company of; together with

From this reading Indeed, her thoughts were too fully occupied with another to give admittance to Rebecca's image.

WROTEverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading HOW SHAKESPEARE WROTE HIS PLAYS As Francis Bacon returned to London from the Peacock, Phoebe had stood at the foot of the steps leading into the courtyard and watched him depart.

yetconjunctionUS /jet/

but in spite of that

From this reading She knew he was to be saved, yet was not free from anxiety, for she felt that it was to be her task to save him.

Chapter 12 of The Panchronicon by Harold Steele MacKaye holds 308 sentences, grouped into 62 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of The Panchronicon contain?

Chapter 12 holds 308 sentences of The Panchronicon, unabridged, divided into 62 reading sections.

This page carries chapter 12 of The Panchronicon by Harold Steele MacKaye exactly as it stands in the source edition, without abridgement. It runs to 308 sentences, grouped into 62 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of The Panchronicon?

Work through the 62 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 62 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Panchronicon

Common questions about reading The Panchronicon by Harold Steele MacKaye on this page, its source edition and its audio.

Is this the complete text of The Panchronicon?

Yes. All 5584 sentences of Project Gutenberg eBook #27682 are kept, with a record of which sentences cover which part.

Which edition of The Panchronicon is used?

Project Gutenberg eBook #27682, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Panchronicon take to read?

About 465 minutes of reading across 1117 sections of 5 sentences each, at an unhurried pace.

How to read The Panchronicon section by section

How to work through The Panchronicon section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of The Panchronicon to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Panchronicon

Words and structures a reader meets early in The Panchronicon, each tappable for pronunciation and meaning.

Sisters
A word that appears in the opening chapter of The Panchronicon; the reader can tap it to hear it and see its dictionary entry.
Together
A word that appears in the opening chapter of The Panchronicon; the reader can tap it to hear it and see its dictionary entry.
Garden
A word that appears in the opening chapter of The Panchronicon; the reader can tap it to hear it and see its dictionary entry.
Rebecca
A word that appears in the opening chapter of The Panchronicon; the reader can tap it to hear it and see its dictionary entry.