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The Piccolomini: A Play
The Piccolomini: A Play

Chapter I · Chapter 1

Chapter 1 of The Piccolomini: A Play is here in full — 406 sentences across 82 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/81 · 5 lines
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Translated by S. T. Coleridge.
"Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.
He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.
PREFACE.
The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Piccolomini: A Play

Chapter I · Chapter 1

Chapter 1 of The Piccolomini: A Play is here in full — 406 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/81 · 5 reading units · Lines 1–5

Line 1
Translated by S. T. Coleridge.
/trænzˈleɪtɪd baɪ es tiː ˈkoʊlrɪdʒ/
Line 2
"Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.
/əˈpɑːn ðə hoʊl ðer kæn biː noʊ daʊt ðæt ðɪs ˈtrɪlədʒi fɔːrmz ɪn ɪts ərˈɪdʒənəl tʌŋ wʌn ʌv ðə moʊst ˈsplendɪd ˈspesəmənz ʌv ˈtrædʒɪk ɑːrt ðə wɜːrld hæz ˈwɪtnəst ənd nʌn æt ɔːl ðæt ðə ˌeksəˈkjuːʃən ʌv ðə ˈvɜːrʒən frʌm wɪtʃ wiː hæv ˈkwoʊtɪd soʊ ˈlɑːrdʒli ˈpleɪsəz ˈmɪstər ˈkoʊlrɪdʒ ɪn ðə ˈveri fɜːrst ræŋk ʌv poʊˈetɪkəl trænˈsleɪtərz/
Line 3
He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.
Line 4
PREFACE.
/ˈprefəs/
Line 5
The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Blackwood noun US /ˈblækwʊd/

very dark wood of any of several blackwood trees

From this reading “He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.”

Coleridge noun US /ˈkoʊlrɪdʒ/

English romantic poet (1772-1834)

From this reading “Translated by S. T. Coleridge.”

dramas noun US /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading “The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.”

reaping verb US /ˈriːpɪŋ/

-ing form of “reap” — gather, as of natural products

From this reading “He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.”

submitting verb US /səbˈmɪtɪŋ/

inflected form of “submit” — refer for judgment or consideration

From this reading “He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.”

translators noun US /trænˈsleɪtərz/

plural of “translator” — a person who translates written messages from one language to another

From this reading “"Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.”

trilogy noun US /ˈtrɪlədʒi/

a set of three literary or dramatic works related in subject or theme

From this reading “"Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.”

wallenstein noun US /ˈwɔːlənstaɪn/

Austrian general who fought for the Hapsburgs during the Thirty Years' War (1583-1634)

From this reading “The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.”

All words in this reading · 86

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1823

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

atprepositionUS /æt/

in or near a particular place or position

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

BlackwoodnounUS /ˈblækwʊd/

very dark wood of any of several blackwood trees

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Translated by S. T. Coleridge.

CAMPnounUS /kæmp/

temporary living quarters specially built by the army for soldiers

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

ColeridgenounUS /ˈkoʊlrɪdʒ/

English romantic poet (1772-1834)

From this reading Translated by S. T. Coleridge.

DEATHnounUS /deθ/

the event of dying or departure from life

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

dramasnounUS /ˈdrɑːməz/

plural of “drama” — a dramatic work intended for performance by actors on a stage

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

entitledadjectiveUS /enˈtaɪtəld/

qualified for by right according to law

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

executionnounUS /ˌeksəˈkjuːʃən/

putting a condemned person to death

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

exertionnounUS /ɪɡˈzɜːrʃən/

use of physical or mental energy; hard work

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

honorsnounUS /ˈɑːnərz/

plural of “honor” — a tangible symbol signifying approval or distinction

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

introducedverbUS /ˌɪntrəˈduːst/

past form of “introduce” — cause to come to know personally

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

laborsnounUS /ˈleɪbərz/

plural of “labor” — a social class comprising those who do manual labor or work for wages

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

largelyadverbUS /ˈlɑːrdʒli/

in large part; mainly or chiefly

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

manuscriptnounUS /ˈmæn.jə.skrɪpt/

A book, document, or piece of music written by hand rather than typed or printed.

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

mostadverbUS /moʊst/

used to form the superlative

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

nodeterminerUS /noʊ/

not any; not one

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

nonepronounUS /nʌn/

not one, and not any

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

perhapsadverbUS /pərˈhæps/

by chance

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

PICCOLOMINI

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

placesnounUS /ˈpleɪsəz/

plural of “place” — a point located with respect to surface features of some region

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

poeticaladjectiveUS /poʊˈetɪkəl/

of or relating to poetry

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

PREFACEnounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading PREFACE.

preludenounUS /ˈpreɪluːd/

something that serves as a preceding event or introduces what follows

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

quotedverbUS /ˈkwoʊtɪd/

past form of “quote” — repeat a passage from

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

ranknounUS /ræŋk/

a row or line of people (especially soldiers or police) standing abreast of one another

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

reapingverbUS /ˈriːpɪŋ/

-ing form of “reap” — gather, as of natural products

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

SnounUS /es/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Translated by S. T. Coleridge.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

solitaryadjectiveUS /ˈsɑːləteri/

characterized by or preferring solitude

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

speciesnounUS /ˈspiːʃiz/

(biology) taxonomic group whose members can interbreed

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

specimensnounUS /ˈspesəmənz/

plural of “specimen” — an example regarded as typical of its class

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

splendidadjectiveUS /ˈsplendɪd/

having great beauty and splendor

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

submittingverbUS /səbˈmɪtɪŋ/

inflected form of “submit” — refer for judgment or consideration

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

TnounUS /tiː/

a base found in DNA (but not in RNA) and derived from pyrimidine; pairs with adenine

From this reading Translated by S. T. Coleridge.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

thereadverbUS /ðer/

in or at that place or location

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading He is, perhaps, the solitary example of a man of very great original genius submitting to all the labors, and reaping all the honors of this species of literary exertion."--Blackwood, 1823.

tonguenounUS /tʌŋ/

a mobile mass of muscular tissue covered with mucous membrane and located in the oral cavity

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

tragicadjectiveUS /ˈtrædʒɪk/

very sad; especially involving grief or death or destruction

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

TranslatedverbUS /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading Translated by S. T. Coleridge.

translatorsnounUS /trænˈsleɪtərz/

plural of “translator” — a person who translates written messages from one language to another

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

trilogynounUS /ˈtrɪlədʒi/

a set of three literary or dramatic works related in subject or theme

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

UponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

versionnounUS /ˈvɜːrʒən/

an interpretation of a matter from a particular viewpoint

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

WALLENSTEINnounUS /ˈwɔːlənstaɪn/

Austrian general who fought for the Hapsburgs during the Thirty Years' War (1583-1634)

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

WALLENSTEIN'S

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The two dramas,--PICCOLOMINI, or the first part of WALLENSTEIN, and the DEATH OF WALLENSTEIN, are introduced in the original manuscript by a prelude in one act, entitled WALLENSTEIN'S CAMP.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

witnessedverbUS /ˈwɪtnəst/

past form of “witness” — be a witness to

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading "Upon the whole there can be no doubt that this trilogy forms, in its original tongue, one of the most splendid specimens of tragic art the world has witnessed; and none at all, that the execution of the version from which we have quoted so largely, places Mr. Coleridge in the very first rank of poetical translators.

Chapter 1 of The Piccolomini: A Play by Friedrich Schiller holds 406 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Piccolomini: A Play contain?

Chapter 1 holds 406 sentences of The Piccolomini: A Play, unabridged, divided into 82 reading sections.

This page carries chapter 1 of The Piccolomini: A Play by Friedrich Schiller exactly as it stands in the source edition, without abridgement. It runs to 406 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

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Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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Project Gutenberg eBook #6786, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 233 minutes of reading across 561 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in The Piccolomini: A Play

Words and structures a reader meets early in The Piccolomini: A Play, each tappable for pronunciation and meaning.

Translated
A word that appears in the opening chapter of The Piccolomini: A Play; the reader can tap it to hear it and see its dictionary entry.
Coleridge
A word that appears in the opening chapter of The Piccolomini: A Play; the reader can tap it to hear it and see its dictionary entry.
Whole
A word that appears in the opening chapter of The Piccolomini: A Play; the reader can tap it to hear it and see its dictionary entry.
Doubt
A word that appears in the opening chapter of The Piccolomini: A Play; the reader can tap it to hear it and see its dictionary entry.