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The Place of Honeymoons
The Place of Honeymoons

Chapter II

Chapter 2 of The Place of Honeymoons is here in full — 157 sentences across 32 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/31 · 5 lines
English subtitles · tap any word to listen 1 / 5
AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.
The characteristic of his attitude was tenseness.
The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.
His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.
Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.
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A keeper or guardian of historical records and memories.

The Place of Honeymoons

Chapter II

Chapter 2 of The Place of Honeymoons is here in full — 157 sentences across 32 reading sections, with audio for every sentence and word.

Reading 1/31 · 5 reading units · Lines 1–5

Line 1
AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.
Line 2
The characteristic of his attitude was tenseness.
Line 3
The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.
/ðə ˈnɑːstrəlz wɜːr wel dɪˈfaɪnd æz ɪn wʌn huː sets ðə ˈʌpər dʒɔː hɑːrd əˈpɑːn ðə ˈneðər/
Line 4
His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.
Line 5
Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.
/dʒʌst naʊ ðə vɔɪs wɑːz pəˈθetɪkəli səbˈduːd jet riːtʃt ˈevəri pɑːrt ʌv ðə ˌɔːdəˈtɔːriəm ˈkɪndlɪŋ ðə iːr wɪð ɪts ˈsɪŋɡjələrli ˈmeloʊɪŋ ˈswiːtnəs/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

auditorium noun US /ˌɔːdəˈtɔːriəm/

the area of a theater or concert hall where the audience sits

From this reading “Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.”

defined adjective US /dɪˈfaɪnd/

clearly characterized or delimited

From this reading “The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.”

epitomized verb US /ɪˈpɪtəmaɪzd/

past form of “epitomize” — embody the essential characteristics of or be a typical example of

From this reading “His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.”

kindling noun US /ˈkɪndlɪŋ/

material for starting a fire

From this reading “Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.”

mellowing noun US /ˈmeloʊɪŋ/

the process of becoming mellow

From this reading “Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.”

nether adjective US /ˈneðər/

lower

From this reading “The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.”

pathetically adverb US /pəˈθetɪkəli/

in a manner arousing sympathy and compassion

From this reading “Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.”

prima noun US /ˈpriːmə/

used primarily as eating apples

From this reading “His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

well defined adverb + adjective

In this reading “The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.”

perfectly straight adverb + adjective

In this reading “AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.”

All words in this reading · 74

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

acrossprepositionUS /əˈkrɔːs/

from one side of something to the other

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

ampleadjectiveUS /ˈæmpəl/

more than enough in size or scope or capacity

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

armsnounUS /ɑːrmz/

weapons considered collectively

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

ATprepositionUS /æt/

in or near a particular place or position

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

attitudenounUS /ˈætətuːd/

a complex mental state involving beliefs and feelings and values and dispositions to act in certain ways

From this reading The characteristic of his attitude was tenseness.

auditoriumnounUS /ˌɔːdəˈtɔːriəm/

the area of a theater or concert hall where the audience sits

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

backadverbUS /bæk/

in or to or toward a former location

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

brownnounUS /braʊn/

an orange of low brightness and saturation

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

chairnounUS /tʃer/

a seat for one person, with a support for the back

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

characteristicnounUS /ˌkerəktərˈɪstɪk/

a prominent attribute or aspect of something

From this reading The characteristic of his attitude was tenseness.

chestnounUS /tʃest/

the part of the human torso between the neck and the diaphragm or the corresponding part in other vertebrates

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

Courtlandt

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

definedadjectiveUS /dɪˈfaɪnd/

clearly characterized or delimited

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

directedadjectiveUS /dərˈektəd/

(often used in combination) having a specified direction

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

donnanounUS /ˈdɑːnə/

an Italian woman of rank

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

DOORnounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

earnounUS /iːr/

the sense organ for hearing and equilibrium

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

epitomizedverbUS /ɪˈpɪtəmaɪzd/

past form of “epitomize” — embody the essential characteristics of or be a typical example of

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

expressedadjectiveUS /ɪkˈsprest/

communicated in words

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

eyesnounUS /aɪz/

opinion or judgment

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

foldedverbUS /ˈfoʊldəd/

past form of “fold” — bend or lay so that one part covers the other

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

gazenounUS /ɡeɪz/

a long fixed look

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

hardadjectiveUS /hɑːrd/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

jawverbUS /dʒɔː/

talk socially without exchanging too much information

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

JustadverbUS /dʒʌst/

and nothing more

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

kindlingnounUS /ˈkɪndlɪŋ/

material for starting a fire

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

mellowingnounUS /ˈmeloʊɪŋ/

the process of becoming mellow

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

netheradjectiveUS /ˈneðər/

lower

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

nostrilsnounUS /ˈnɑːstrəlz/

plural of “nostril” — either one of the two external openings to the nasal cavity in the nose

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

patheticallyadverbUS /pəˈθetɪkəli/

in a manner arousing sympathy and compassion

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

perfectlyadverbUS /ˈpɜːrfəktli/

completely and without qualification; used informally as intensifiers

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

primanounUS /ˈpriːmə/

used primarily as eating apples

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

reachedverbUS /riːtʃt/

past form of “reach” — reach a destination, either real or abstract

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

setsnounUS /sets/

plural of “set” — a group of things of the same kind that belong together and are so used

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

shouldersnounUS /ˈʃoʊldərz/

plural of “shoulder” — the part of the body between the neck and the upper arm

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

singularlyadverbUS /ˈsɪŋɡjələrli/

in a singular manner or to a singular degree

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

STAGEnounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

straightadjectiveUS /streɪt/

successive (without a break)

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

subduedadjectiveUS /səbˈduːd/

in a softened tone

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

sweetnessnounUS /ˈswiːtnəs/

the taste experience when sugar dissolves in the mouth

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

tensenessnoun

the physical condition of being stretched or strained

From this reading The characteristic of his attitude was tenseness.

tensionnounUS /ˈtenʃən/

(psychology) a state of mental or emotional strain or suspense

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

tightlyadverbUS /ˈtaɪtli/

in a tight or constricted manner

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

towardprepositionUS /təˈwɔːrd/

in the direction of

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

upperadjectiveUS /ˈʌpər/

the topmost one of two

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The characteristic of his attitude was tenseness.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading AT THE STAGE DOOR Courtlandt sat perfectly straight; his ample shoulders did not touch the back of his chair; and his arms were folded tightly across his chest.

whenceadverbUS /wens/

an old word meaning “from where”

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

whopronounUS /huː/

which person or people

From this reading The nostrils were well defined, as in one who sets the upper jaw hard upon the nether.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

withprepositionUS /wɪð/

in the company of; together with

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

wordnounUS /wɜːrd/

a unit of language that native speakers can identify

From this reading His brown eyes--their gaze directed toward the stage whence came the voice of the prima donna--epitomized the tension, expressed the whole as in a word.

yetconjunctionUS /jet/

but in spite of that

From this reading Just now the voice was pathetically subdued, yet reached every part of the auditorium, kindling the ear with its singularly mellowing sweetness.

Chapter 2 of The Place of Honeymoons by Harold MacGrath holds 157 sentences, grouped into 32 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of The Place of Honeymoons contain?

Chapter 2 holds 157 sentences of The Place of Honeymoons, unabridged, divided into 32 reading sections.

This page carries chapter 2 of The Place of Honeymoons by Harold MacGrath exactly as it stands in the source edition, without abridgement. It runs to 157 sentences, grouped into 32 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of The Place of Honeymoons?

Work through the 32 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 32 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Place of Honeymoons

Common questions about reading The Place of Honeymoons by Harold MacGrath on this page, its source edition and its audio.

Is this the complete text of The Place of Honeymoons?

Yes. All 5015 sentences of Project Gutenberg eBook #26593 are kept, with a record of which sentences cover which part.

Which edition of The Place of Honeymoons is used?

Project Gutenberg eBook #26593, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Place of Honeymoons take to read?

About 417 minutes of reading across 1003 sections of 5 sentences each, at an unhurried pace.

How to read The Place of Honeymoons section by section

How to work through The Place of Honeymoons section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 21 chapters of The Place of Honeymoons to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Place of Honeymoons

Words and structures a reader meets early in The Place of Honeymoons, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Place of Honeymoons; the reader can tap it to hear it and see its dictionary entry.
Goose
A word that appears in the opening chapter of The Place of Honeymoons; the reader can tap it to hear it and see its dictionary entry.
Carpet
A word that appears in the opening chapter of The Place of Honeymoons; the reader can tap it to hear it and see its dictionary entry.
Bagdad
A word that appears in the opening chapter of The Place of Honeymoons; the reader can tap it to hear it and see its dictionary entry.