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The Playboy of the Western World
The Playboy of the Western World

Chapter I · Chapter 1

Chapter 1 of The Playboy of the Western World is here in full — 251 sentences across 51 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/50 · 5 lines
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The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.
A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.
Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.
All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.
It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Playboy of the Western World

Chapter I · Chapter 1

Chapter 1 of The Playboy of the Western World is here in full — 251 sentences across 51 reading sections, with audio for every sentence and word.

Reading 1/50 · 5 reading units · Lines 1–5

Line 1
The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.
/ðə ˈpleɪbɔɪ ʌv ðə ˈwestərn wɜːrld ɪn ˈraɪtɪŋ ðə ˈpleɪbɔɪ ʌv ðə ˈwestərn wɜːrld æz ɪn maɪ ˈʌðər pleɪz aɪ hæv juːzd wʌn ɔːr tuː wɜːrdz ˈoʊnli ðæt aɪ hæv nɑːt hɜːrd əˈmʌŋ ðə ˈkʌntri ˈpiːpəl ʌv ˈaɪərlənd ɔːr ˈspoʊkən ɪn maɪ oʊn ˈnɜːrsəri bɪˈfɔːr aɪ kʊd red ðə ˈnuːzpeɪpərz/
Line 2
A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.
Line 3
Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.
Line 4
All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.
Line 5
It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

collaboration noun US /kəˌlæbərˈeɪʃən/

act of working jointly

From this reading “All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.”

Dingle noun US /ˈdɪŋɡəl/

a small wooded hollow

From this reading “Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.”

dramatist noun US /ˈdrɑːmətɪst/

someone who writes plays

From this reading “It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.”

Elizabethan noun US /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading “It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.”

Mayo noun US /ˈmeɪoʊ/

egg yolks and oil and vinegar

From this reading “A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.”

peasantry noun US /ˈpezəntri/

the class of peasants

From this reading “Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.”

Playboy noun US /ˈpleɪbɔɪ/

a man devoted to the pursuit of pleasure

From this reading “The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.”

playwright's noun US /ˈpleɪraɪts/

possessive form of “playwright” — someone who writes plays

All words in this reading · 132

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

acknowledgeverbUS /ækˈnɑːlɪdʒ/

declare to be true or admit the existence or reality or truth of

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

agesnounUS /ˈeɪdʒəz/

plural of “age” — how long something has existed

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

alongprepositionUS /əˈlɔːŋ/

following the length of something from one end toward the other

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

amauxiliary verbUS /æm/

the form of “be” used with “I”

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

AnyonepronounUS /ˈeniwʌn/

any person at all

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

atprepositionUS /æt/

in or near a particular place or position

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

ballad-singers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

BaynounUS /beɪ/

an indentation of a shoreline larger than a cove but smaller than a gulf

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

beggar-women

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

cabinnounUS /ˈkæbən/

small room on a ship or boat where people sleep

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

Carraroe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

childrennounUS /ˈtʃɪldrən/

plural of “child” — a young person of either sex

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

cloaks

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

coastnounUS /koʊst/

the shore of a sea or ocean

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

collaborationnounUS /kəˌlæbərˈeɪʃən/

act of working jointly

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

comparedverbUS /kəmˈperd/

past form of “compare” — examine and note the similarities or differences of

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

DinglenounUS /ˈdɪŋɡəl/

a small wooded hollow

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

dinnernounUS /ˈdɪnər/

the main meal of the day served in the evening or at midday

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

dramatistnounUS /ˈdrɑːmətɪst/

someone who writes plays

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

dressesnounUS /ˈdresəz/

plural of “dress” — a one-piece garment for a woman; has skirt and bodice

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

DublinnounUS /ˈdʌblɪn/

capital and largest city and major port of the Irish Republic

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

ElizabethannounUS /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

employverbUS /emˈplɔɪ/

put into service; make work or employ for a particular purpose or for its inherent or natural purpose

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

fanciesnounUS /ˈfænsiz/

plural of “fancy” — something many people believe that is false

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

fineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

fishermennounUS /ˈfɪʃərmɪn/

plural of “fisherman” — someone whose occupation is catching fish

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

folknounUS /foʊk/

people in general (often used in the plural)

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

Geesala

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

gladadjectiveUS /ɡlæd/

showing or causing joy and pleasure; especially made happy

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

hearverbUS /hiːr/

perceive (sound) via the auditory sense

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

herdsnounUS /hɜːrdz/

plural of “herd” — a group of cattle or sheep or other domestic mammals all of the same kind that are herded by humans

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

hillsidenounUS /ˈhɪlsaɪd/

the side or slope of a hill

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

ideasnounUS /aɪˈdiːəz/

plural of “idea” — the content of cognition; the main thing you are thinking about

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

ink-horn

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

intimacynounUS /ˈɪntəməsi/

close or warm friendship

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

IrelandnounUS /ˈaɪərlənd/

a republic consisting of 26 of 32 counties comprising the island of Ireland; achieved independence from the United Kingdom in 1921

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

IrishnounUS /ˈaɪrɪʃ/

people of Ireland or of Irish extraction

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

justadverbUS /dʒʌst/

and nothing more

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

Kerry

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

literaturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

livedverbUS /lɪvd/

past form of “live” — be an inhabitant of or reside in

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

MayonounUS /ˈmeɪoʊ/

egg yolks and oil and vinegar

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

neareradverbUS /ˈnɪrər/

(comparative of “near” or “close”) within a shorter distance

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

newspapersnounUS /ˈnuːzpeɪpərz/

plural of “newspaper” — a daily or weekly publication on folded sheets; contains news and articles and advertisements

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

numbernounUS /ˈnʌmbər/

the property possessed by a sum or total or indefinite quantity of units or individuals

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

nurserynounUS /ˈnɜːrsəri/

a child's room for a baby

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

oweverbUS /oʊ/

be obliged to pay or repay

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

ownverbUS /oʊn/

have ownership or possession of

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

peasantrynounUS /ˈpezəntri/

the class of peasants

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

phrasesnounUS /ˈfreɪzəz/

plural of “phrase” — an expression consisting of one or more words forming a grammatical constituent of a sentence

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

playverbUS /pleɪ/

participate in games or sport

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

PlayboynounUS /ˈpleɪbɔɪ/

a man devoted to the pursuit of pleasure

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

playwright'snounUS /ˈpleɪraɪts/

possessive form of “playwright” — someone who writes plays

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

probableadjectiveUS /ˈprɑːbəbəl/

likely but not certain to be or become true or real

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

readverbUS /red/

interpret something that is written or printed

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

readyadjectiveUS /ˈredi/

completely prepared or in condition for immediate action or use or progress

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

richadjectiveUS /rɪtʃ/

possessing material wealth

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

sayingsnounUS /ˈseɪɪŋz/

plural of “saying” — a word or phrase that particular people use in particular situations

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

spokenadjectiveUS /ˈspoʊkən/

uttered through the medium of speech or characterized by speech; sometimes used in combination

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

story-teller's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

strikingadjectiveUS /ˈstraɪkɪŋ/

sensational in appearance or thrilling in effect

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

tameverbUS /teɪm/

correct by punishment or discipline

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

thereadverbUS /ðer/

in or at that place or location

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A certain number of the phrases I employ I have heard also from herds and fishermen along the coast from Kerry to Mayo, or from beggar-women and ballad-singers nearer Dublin; and I am glad to acknowledge how much I owe to the folk imagination of these fine people.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

usedadjectiveUS /juːzd/

employed in accomplishing something

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading All art is a collaboration; and there is little doubt that in the happy ages of literature, striking and beautiful phrases were as ready to the story-teller’s or the playwright’s hand, as the rich cloaks and dresses of his time.

WesternadjectiveUS /ˈwestərn/

relating to or characteristic of the western parts of the world or the West as opposed to the eastern or oriental parts

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

whenconjunctionUS /wen/

at the time that

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

whopronounUS /huː/

which person or people

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

wildestadjectiveUS /ˈwaɪldɪst/

superlative of “wild” — marked by extreme lack of restraint or control

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

withprepositionUS /wɪð/

in the company of; together with

From this reading Anyone who has lived in real intimacy with the Irish peasantry will know that the wildest sayings and ideas in this play are tame indeed, compared with the fancies one may hear in any little hillside cabin in Geesala, or Carraroe, or Dingle Bay.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading It is probable that when the Elizabethan dramatist took his ink-horn and sat down to his work he used many phrases that he had just heard, as he sat at dinner, from his mother or his children.

WorldnounUS /wɜːrld/

everything that exists anywhere

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading The Playboy of the Western World In writing THE PLAYBOY OF THE WESTERN WORLD, as in my other plays, I have used one or two words only that I have not heard among the country people of Ireland, or spoken in my own nursery before I could read the newspapers.

Chapter 1 of The Playboy of the Western World by J. M. (John Millington) Synge holds 251 sentences, grouped into 51 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Playboy of the Western World contain?

Chapter 1 holds 251 sentences of The Playboy of the Western World, unabridged, divided into 51 reading sections.

This page carries chapter 1 of The Playboy of the Western World by J. M. (John Millington) Synge exactly as it stands in the public-domain source edition, without abridgement. It runs to 251 sentences, grouped into 51 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Playboy of the Western World?

Work through the 51 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 51 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Playboy of the Western World

Common questions about reading The Playboy of the Western World by J. M. (John Millington) Synge on this page, its source edition and its audio.

Is this the complete text of The Playboy of the Western World?

Yes. All 1807 sentences of Project Gutenberg eBook #1240 are kept, with a record of which sentences cover which part.

Which edition of The Playboy of the Western World is used?

Project Gutenberg eBook #1240, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does The Playboy of the Western World take to read?

About 150 minutes of reading across 362 sections of 5 sentences each, at an unhurried pace.

How to read The Playboy of the Western World section by section

How to work through The Playboy of the Western World section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of The Playboy of the Western World to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Playboy of the Western World

Words and structures a reader meets early in The Playboy of the Western World, each tappable for pronunciation and meaning.

Playboy
A word that appears in the opening chapter of The Playboy of the Western World; the reader can tap it to hear it and see its dictionary entry.
Western
A word that appears in the opening chapter of The Playboy of the Western World; the reader can tap it to hear it and see its dictionary entry.
World
A word that appears in the opening chapter of The Playboy of the Western World; the reader can tap it to hear it and see its dictionary entry.
Writing
A word that appears in the opening chapter of The Playboy of the Western World; the reader can tap it to hear it and see its dictionary entry.