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The poetry of Robert Browning
The poetry of Robert Browning

Chapter XIII · Chapter 13

Chapter 13 of The poetry of Robert Browning is here in full — 247 sentences across 50 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/49 · 5 lines
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_WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.
She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.
This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.
When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.
Tennyson never did this; he had not analytic power enough.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

The poetry of Robert Browning

Chapter XIII · Chapter 13

Chapter 13 of The poetry of Robert Browning is here in full — 247 sentences across 50 reading sections, with audio for every sentence and word.

Reading 1/49 · 5 reading units · Lines 1–5

Line 1
_WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.
/ˈwʊmənhʊd ɪn ˈbraʊnɪŋ ðə fɜːrst ˈwʊmən wiː miːt ɪn ˈbraʊnɪŋz ˈpoʊətri ɪz pɔːˈliːn ə ˈtuːˈfoʊld ˈpɜːrsən ɪkˈsiːdɪŋli ənˈlaɪk ðə ˈwʊmən ˈjuːʒəwəli meɪd baɪ ə jʌŋ ˈpoʊət/
Line 2
She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.
Line 3
This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.
Line 4
When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.
/wen ðə θɪŋ wɑːz wel dʌn ɪts ˈklev.ər.nəs wɑːz əˈmeɪzɪŋ ˈiːvɪn ˌɪˈmædʒənətɪv wen ɪt wɑːz ɪl dʌn ɪt wɑːz kənˈfjuːzɪŋ/
Line 5
Tennyson never did this; he had not analytic power enough.
/ˈtenɪsən ˈnevər dɪd ðɪs hiː hæd nɑːt ˌænəˈlɪtɪk ˈpaʊər ɪˈnʌf/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

analytic adjective US /ˌænəˈlɪtɪk/

using or subjected to a methodology using algebra and calculus

From this reading “Tennyson never did this; he had not analytic power enough.”

Browning's noun US /ˈbraʊnɪŋz/

possessive form of “browning” — United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

From this reading “_WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.”

confusing adjective US /kənˈfjuːzɪŋ/

causing confusion or disorientation

From this reading “When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.”

diverse adjective US /daɪˈvɜːrs/

many and different

From this reading “This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.”

doubling noun US /ˈdʌbəlɪŋ/

increase by a factor of two

From this reading “This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.”

onlookers noun US /ˈɔːnlʊkərz/

plural of “onlooker” — someone who looks on

From this reading “This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.”

Tennyson noun US /ˈtenɪsən/

Englishman and Victorian poet (1809-1892)

From this reading “Tennyson never did this; he had not analytic power enough.”

twofold adjective US /ˈtuːˈfoʊld/

having more than one decidedly dissimilar aspects or qualities

From this reading “_WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.”

All words in this reading · 85

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

amazingadjectiveUS /əˈmeɪzɪŋ/

surprising greatly

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

analyticadjectiveUS /ˌænəˈlɪtɪk/

using or subjected to a methodology using algebra and calculus

From this reading Tennyson never did this; he had not analytic power enough.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

aspectsnounUS /ˈæspekts/

plural of “aspect” — a distinct feature or element in a problem

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

BROWNINGnounUS /ˈbraʊnɪŋ/

United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

Browning'snounUS /ˈbraʊnɪŋz/

possessive form of “browning” — United States inventor of firearms (especially automatic pistols and repeating rifles and a machine gun called the Peacemaker) (1855-1926)

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

byprepositionUS /baɪ/

showing who or what does the action

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

clevernessnounUS /ˈklev.ər.nəs/

The quality of being intelligent, quick to understand, and resourceful in danger.

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

conceivedverbUS /kənˈsiːvd/

past form of “conceive” — have the idea for

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

confusingadjectiveUS /kənˈfjuːzɪŋ/

causing confusion or disorientation

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Tennyson never did this; he had not analytic power enough.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

diverseadjectiveUS /daɪˈvɜːrs/

many and different

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

doublingnounUS /ˈdʌbəlɪŋ/

increase by a factor of two

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

effortsnounUS /ˈefərts/

plural of “effort” — earnest and conscientious activity intended to do or accomplish something

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading Tennyson never did this; he had not analytic power enough.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

exceedinglyadverbUS /ɪkˈsiːdɪŋli/

to an extreme degree

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Tennyson never did this; he had not analytic power enough.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Tennyson never did this; he had not analytic power enough.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

idealisedadjective

exalted to an ideal perfection or excellence

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

illadjectiveUS /ɪl/

affected by an impairment of normal physical or mental function

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

imagenounUS /ˈɪmədʒ/

an iconic mental representation

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

imaginativeadjectiveUS /ˌɪˈmædʒənətɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

intellectnounUS /ˈɪntəlekt/

knowledge and intellectual ability

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

lovernounUS /ˈlʌvər/

a person who loves someone or is loved by someone

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

lover'snounUS /ˈlʌvərz/

possessive form of “lover” — a person who loves someone or is loved by someone

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

makeverbUS /meɪk/

engage in

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

materialised

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

meetverbUS /miːt/

come together

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Tennyson never did this; he had not analytic power enough.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

onlookersnounUS /ˈɔːnlʊkərz/

plural of “onlooker” — someone who looks on

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

passionnounUS /ˈpæʃən/

a strong feeling or emotion

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

PaulineadjectiveUS /pɔːˈliːn/

relating to Paul the Apostle or his doctrines

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

personnounUS /ˈpɜːrsən/

a human being

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

personages

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

pleasedadjectiveUS /pliːzd/

experiencing or manifesting pleasure

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading Tennyson never did this; he had not analytic power enough.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

selfishadjectiveUS /ˈselfɪʃ/

concerned chiefly or only with yourself and your advantage to the exclusion of others

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

TennysonnounUS /ˈtenɪsən/

Englishman and Victorian poet (1809-1892)

From this reading Tennyson never did this; he had not analytic power enough.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

thingnounUS /θɪŋ/

a special situation

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

twofoldadjectiveUS /ˈtuːˈfoʊld/

having more than one decidedly dissimilar aspects or qualities

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

underneathprepositionUS /ˌʌndərˈniːθ/

directly under, often hidden by what is above

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

unfrequent

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This doubling of his personages, as seen under two diverse aspects or by two different onlookers, in the same poem, is not unfrequent in his poetry, and it pleased his intellect to make these efforts.

unlikeadjectiveUS /ənˈlaɪk/

marked by dissimilarity

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

WhenconjunctionUS /wen/

at the time that

From this reading When the thing was well done, its cleverness was amazing, even imaginative; when it was ill done, it was confusing.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading She is not only the Pauline idealised and also materialised by the selfish passion of her lover, but also the real woman whom Browning has conceived underneath the lover's image of her.

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

WOMANHOODnounUS /ˈwʊmənhʊd/

the state of being an adult woman

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading _WOMANHOOD IN BROWNING_ The first woman we meet in Browning's poetry is Pauline; a twofold person, exceedingly unlike the woman usually made by a young poet.

Chapter 13 of The poetry of Robert Browning by Stopford A. (Stopford Augustus) Brooke holds 247 sentences, grouped into 50 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 13 of The poetry of Robert Browning contain?

Chapter 13 holds 247 sentences of The poetry of Robert Browning, unabridged, divided into 50 reading sections.

This page carries chapter 13 of The poetry of Robert Browning by Stopford A. (Stopford Augustus) Brooke exactly as it stands in the source edition, without abridgement. It runs to 247 sentences, grouped into 50 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 13 of The poetry of Robert Browning?

Work through the 50 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 50 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 13 be read aloud to me?

Yes — every sentence and every individual word in chapter 13 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The poetry of Robert Browning

Common questions about reading The poetry of Robert Browning by Stopford A. (Stopford Augustus) Brooke on this page, its source edition and its audio.

Is this the complete text of The poetry of Robert Browning?

Yes. All 5167 sentences of Project Gutenberg eBook #14316 are kept, with a record of which sentences cover which part.

Which edition of The poetry of Robert Browning is used?

Project Gutenberg eBook #14316, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The poetry of Robert Browning take to read?

About 430 minutes of reading across 1034 sections of 5 sentences each, at an unhurried pace.

How to read The poetry of Robert Browning section by section

How to work through The poetry of Robert Browning section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 18 chapters of The poetry of Robert Browning to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The poetry of Robert Browning

Words and structures a reader meets early in The poetry of Robert Browning, each tappable for pronunciation and meaning.

Parnassus
A word that appears in the opening chapter of The poetry of Robert Browning; the reader can tap it to hear it and see its dictionary entry.
Apollo's
A word that appears in the opening chapter of The poetry of Robert Browning; the reader can tap it to hear it and see its dictionary entry.
Mount
A word that appears in the opening chapter of The poetry of Robert Browning; the reader can tap it to hear it and see its dictionary entry.
Peaks
A word that appears in the opening chapter of The poetry of Robert Browning; the reader can tap it to hear it and see its dictionary entry.