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The Potter's Thumb
The Potter's Thumb

Chapter XXVIII

Chapter 28 of The Potter's Thumb is here in full — 155 sentences across 31 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/31 · 5 lines
English subtitles · tap any word to listen 1 / 5
Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.
So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.
As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.
The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.
Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Potter's Thumb

Chapter XXVIII

Chapter 28 of The Potter's Thumb is here in full — 155 sentences across 31 reading sections, with audio for every sentence and word.

Reading 1/31 · 5 reading units · Lines 1–5

Line 1
Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.
Line 2
So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.
Line 3
As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.
Line 4
The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.
Line 5
Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.
/bɪˈsaɪdz ɪt ɪz fɔːls ɑːrt tuː end ˈeni ˈhɪstəri emˈbreɪsɪŋ ðə laɪf ʌv mɔːr ðæn wʌn ˈpɜːrsən wɪð ðə ˈbæləns ɪn ˈfeɪvər ʌv peɪn/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

arouse verb US /ərˈaʊz/

call forth (emotions, feelings, and responses)

From this reading “So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.”

embracing noun US /emˈbreɪsɪŋ/

the act of clasping another person in the arms (as in greeting or affection)

From this reading “Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.”

extinction noun US /ɪkˈstɪŋkʃən/

no longer active; extinguished

From this reading “The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.”

Fitzgerald's noun US /fɪtsˈdʒerəldz/

possessive form of “fitzgerald” — English poet remembered primarily for his free translation of the poetry of Omar Khayyam (1809-1883)

From this reading “So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.”

reader's noun US /ˈriːdərz/

possessive form of “reader” — a person who enjoys reading

From this reading “Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.”

refuses noun US /rəˈfjuːzəz/

plural of “refuse” — food that is discarded (as from a kitchen)

From this reading “The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.”

survived verb US /sərˈvaɪvd/

past form of “survive” — continue to live and avoid dying

From this reading “The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.”

writer's noun US /ˈraɪtərz/

possessive form of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

existed between verb + particle counted as “exist between”

In this reading “As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.”

false impression adjective + noun

In this reading “So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.”

real value adjective + noun

In this reading “So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.”

tragic death adjective + noun

In this reading “So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.”

unselfish love adjective + noun

In this reading “As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.”

daily life noun + noun

In this reading “As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.”

come down verb + adjective

move downward and lower, but not necessarily all the way

In this reading “So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.”

own imagination verb + noun

In this reading “So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.”

All words in this reading · 128

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

accidentsnounUS /ˈæksədənts/

plural of “accident” — an unfortunate mishap; especially one causing damage or injury

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

afterprepositionUS /ˈæftər/

later than; following

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

arouseverbUS /ərˈaʊz/

call forth (emotions, feelings, and responses)

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

balanceverbUS /ˈbæləns/

bring into balance or equilibrium

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

BesidesprepositionUS /bɪˈsaɪdz/

in addition to; as well as

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

bewildermentnounUS /bɪˈwɪldərmənt/

confusion resulting from failure to understand

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

BothdeterminerUS /boʊθ/

the two together, not just one

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

byprepositionUS /baɪ/

showing who or what does the action

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

causedverbUS /kɑːzd/

past form of “cause” — give rise to; cause to happen or occur, not always intentionally

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

causelessadjective

having no justifying cause or reason

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

comfortedadjectiveUS /ˈkʌmfərtɪd/

made comfortable or more comfortable in a time of distress

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

curtainnounUS /ˈkɜːrtən/

hanging cloth used as a blind (especially for a window)

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

dailyadverbUS /ˈdeɪli/

every day; without missing a day

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

Dan

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

deathnounUS /deθ/

the event of dying or departure from life

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

dramatis

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

easilyadverbUS /ˈiːzəli/

with ease (“easy” is sometimes used informally for “easily”)

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

embracingnounUS /emˈbreɪsɪŋ/

the act of clasping another person in the arms (as in greeting or affection)

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

endnounUS /end/

either extremity of something that has length

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

existedverbUS /ɪɡˈzɪstəd/

past form of “exist” — have an existence, be extant

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

extinctionnounUS /ɪkˈstɪŋkʃən/

no longer active; extinguished

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

factnounUS /fækt/

a piece of information about circumstances that exist or events that have occurred

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

falseadjectiveUS /fɔːls/

not in accordance with the fact or reality or actuality

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

favournounUS /ˈfeɪvər/

a feeling of favorable regard

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

feelingnounUS /ˈfiːlɪŋ/

the experiencing of affective and emotional states

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

filledadjectiveUS /fɪld/

(usually followed by “with” or used as a combining form) generously supplied with

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

Fitzgerald'snounUS /fɪtsˈdʒerəldz/

possessive form of “fitzgerald” — English poet remembered primarily for his free translation of the poetry of Omar Khayyam (1809-1883)

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

forgetfulnessnoun

tendency to forget

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

formeradjectiveUS /ˈfɔːrmər/

referring to the first of two things or persons mentioned (or the earlier one or ones of several)

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

griefnounUS /ɡriːf/

intense sorrow caused by loss of a loved one (especially by death)

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

latteradjectiveUS /ˈlætər/

referring to the second of two things or persons mentioned (or the last one or ones of several)

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

lossnounUS /lɔːs/

something that is lost

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

momentsnounUS /ˈmoʊmənts/

plural of “moment” — a particular point in time

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

nodeterminerUS /noʊ/

not any; not one

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

ownverbUS /oʊn/

have ownership or possession of

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

painnounUS /peɪn/

a symptom of some physical hurt or disorder

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

passesnounUS /ˈpæsəz/

plural of “pass” — (baseball) an advance to first base by a batter who receives four balls

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

personnounUS /ˈpɜːrsən/

a human being

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

personæ

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

physicaladjectiveUS /ˈfɪzɪkəl/

involving the body as distinguished from the mind or spirit

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

playverbUS /pleɪ/

participate in games or sport

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

pooradjectiveUS /puːr/

deserving or inciting pity

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

reader'snounUS /ˈriːdərz/

possessive form of “reader” — a person who enjoys reading

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

refusesnounUS /rəˈfjuːzəz/

plural of “refuse” — food that is discarded (as from a kitchen)

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

remembrancenounUS /riˈmembrəns/

the ability to recall past occurrences

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

restverbUS /rest/

not move; be in a resting position

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

sakenounUS /seɪk/

a reason for wanting something done

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

saveprepositionUS /seɪv/

except for; apart from

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

sensenounUS /sens/

a general conscious awareness

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

situationnounUS /ˌsɪtʃuːˈeɪʃən/

the general state of things; the combination of circumstances at a given time

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

sooneradverbUS /ˈsuːnər/

comparatives of “soon” or “early”

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

sorrownounUS /ˈsɑːroʊ/

an emotion of great sadness associated with loss or bereavement

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

spentadjectiveUS /spent/

depleted of energy, force, or strength

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

survivedverbUS /sərˈvaɪvd/

past form of “survive” — continue to live and avoid dying

From this reading The mind, after the first physical sense of loss has spent itself, refuses to believe in the extinction of a feeling which, in its own experience, has survived death, and so is comforted not by forgetfulness but remembrance.

tellverbUS /tel/

express in words

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

thereadverbUS /ðer/

in or at that place or location

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

tragicadjectiveUS /ˈtrædʒɪk/

very sad; especially involving grief or death or destruction

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

triesnounUS /traɪz/

plural of “try” — earnest and conscientious activity intended to do or accomplish something

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

trivialities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

unexpectedadjectiveUS /ˌʌnɪkˈspektɪd/

not expected or anticipated

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

unselfishadjective

disregarding your own advantages and welfare over those of others

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

vainlyadverbUS /ˈveɪnli/

to no avail

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

valuenounUS /ˈvæljuː/

a numerical quantity measured or assigned or computed

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

whatpronounUS /wʌt/

used to ask for information about something

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

whenconjunctionUS /wen/

at the time that

From this reading As a matter of fact, there is no grief which passes sooner from the daily life than that caused by death, especially when a real and unselfish love has existed between the dead and the living.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading So, though there is little more to tell, save what might easily be filled in by the reader's own imagination, it would give a false impression of the real value of poor Dan Fitzgerald's tragic death, were the curtain to come down upon the rest of the _dramatis personæ_ in the first bewilderment and sorrow which such unexpected and causeless accidents must always arouse.

withprepositionUS /wɪð/

in the company of; together with

From this reading Besides, it is false art to end any history embracing the life of more than one person with the balance in favour of pain.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

writer'snounUS /ˈraɪtərz/

possessive form of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

youpronounUS /juː/

the person or people being spoken to

From this reading Both for the reader's and writer's sake it is never fair to end a story as you would end a play in a situation, for the former tries--vainly it may be--to present life even in its trivialities, the latter only in its more dramatic moments.

Chapter 28 of The Potter's Thumb by Flora Annie Webster Steel holds 155 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 28 of The Potter's Thumb contain?

Chapter 28 holds 155 sentences of The Potter's Thumb, unabridged, divided into 31 reading sections.

This page carries chapter 28 of The Potter's Thumb by Flora Annie Webster Steel exactly as it stands in the source edition, without abridgement. It runs to 155 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 28 of The Potter's Thumb?

Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 31 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 28 be read aloud to me?

Yes — every sentence and every individual word in chapter 28 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Potter's Thumb

Common questions about reading The Potter's Thumb by Flora Annie Webster Steel on this page, its source edition and its audio.

Is this the complete text of The Potter's Thumb?

Yes. All 6887 sentences of Project Gutenberg eBook #39985 are kept, with a record of which sentences cover which part.

Which edition of The Potter's Thumb is used?

Project Gutenberg eBook #39985, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Potter's Thumb take to read?

About 573 minutes of reading across 1378 sections of 5 sentences each, at an unhurried pace.

How to read The Potter's Thumb section by section

How to work through The Potter's Thumb section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 28 chapters of The Potter's Thumb to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Potter's Thumb

Words and structures a reader meets early in The Potter's Thumb, each tappable for pronunciation and meaning.

Potter's
A word that appears in the opening chapter of The Potter's Thumb; the reader can tap it to hear it and see its dictionary entry.
Thumb
A word that appears in the opening chapter of The Potter's Thumb; the reader can tap it to hear it and see its dictionary entry.
Huzoor
A word that appears in the opening chapter of The Potter's Thumb; the reader can tap it to hear it and see its dictionary entry.
Raised
A word that appears in the opening chapter of The Potter's Thumb; the reader can tap it to hear it and see its dictionary entry.