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The Queen of the Savannah
The Queen of the Savannah

Chapter XXXII

Chapter 32 of The Queen of the Savannah is here in full — 151 sentences across 31 reading sections, with audio for every sentence and word.

Cover illustration for The Queen of the Savannah
Context Illustration Reading 1/30 · 5 lines
English subtitles · tap any word to listen 1 / 5
ON THE TRAIL.
Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.
On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."
"Why not?" the count asked; "Where are you going?"
"How do I know?
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Queen of the Savannah

Chapter XXXII

Chapter 32 of The Queen of the Savannah is here in full — 151 sentences across 31 reading sections, with audio for every sentence and word.

Reading 1/30 · 5 reading units · Lines 1–5

Line 1
ON THE TRAIL.
/ɑːn ðə treɪl/
Line 2
Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.
Line 3
On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."
Line 4
"Why not?" the count asked; "Where are you going?"
/waɪ nɑːt ðə kaʊnt æskt wer ɑːr juː ˈɡoʊɪŋ/
Line 5
"How do I know?

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adventurer noun US /ædˈventʃərər/

a person who enjoys taking risks

From this reading “On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."”

Clary noun US /ˈkleri/

aromatic herb of southern Europe; cultivated in Great Britain as a potherb and widely as an ornamental

From this reading “Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.”

Oliver noun US /ˈɑːləvər/

United States jazz musician who influenced the style of Louis Armstrong (1885-1938)

From this reading “Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.”

patio noun US /ˈpætioʊ/

usually paved outdoor area adjoining a residence

From this reading “On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."”

peons noun US /ˈpiːənz/

plural of “peon” — a laborer who is obliged to do menial work

From this reading “On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."”

preoccupied adjective US /priˈɑːkjəpaɪd/

deeply absorbed in thought

From this reading “Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.”

thoughtful adjective US /ˈθɔːtfəl/

having intellectual depth

From this reading “Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.”

venturing verb US /ˈventʃərɪŋ/

-ing form of “venture” — proceed somewhere despite the risk of possible dangers

From this reading “Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

On reaching preposition + noun

In this reading “On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."”

ON THE TRAIL preposition + article + noun counted as “on … trail”

In this reading “ON THE TRAIL.”

two horses noun + noun counted as “two horse”

In this reading “On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."”

All words in this reading · 58

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

addressverbUS /ˈædres/

speak to

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

adventurernounUS /ædˈventʃərər/

a person who enjoys taking risks

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading "Why not?" the count asked; "Where are you going?"

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading "Why not?" the count asked; "Where are you going?"

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

ClarynounUS /ˈkleri/

aromatic herb of southern Europe; cultivated in Great Britain as a potherb and widely as an ornamental

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

countverbUS /kaʊnt/

determine the number or amount of

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading "How do I know?

DonnounUS /dɑːn/

a Spanish gentleman or nobleman

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

foreheadnounUS /ˈfɔːrhed/

the part of the face above the eyes

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading "Why not?" the count asked; "Where are you going?"

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

holdingnounUS /ˈhoʊldɪŋ/

the act of retaining something

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

horsesnounUS /ˈhɔːrsəz/

plural of “horse” — solid-hoofed herbivorous quadruped domesticated since prehistoric times

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

How

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "How do I know?

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "How do I know?

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading "How do I know?

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

Melchior's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

OlivernounUS /ˈɑːləvər/

United States jazz musician who influenced the style of Louis Armstrong (1885-1938)

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading ON THE TRAIL.

pationounUS /ˈpætioʊ/

usually paved outdoor area adjoining a residence

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

peonsnounUS /ˈpiːənz/

plural of “peon” — a laborer who is obliged to do menial work

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

preoccupiedadjectiveUS /priˈɑːkjəpaɪd/

deeply absorbed in thought

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

reachingnounUS /ˈriːtʃɪŋ/

the act of physically reaching or thrusting out

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

statenounUS /steɪt/

the territory occupied by one of the constituent administrative districts of a nation

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

stoppedadjectiveUS /stɑːpt/

(of a nose) blocked

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

struckadjectiveUS /strʌk/

(used in combination) affected by something overwhelming

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ON THE TRAIL.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

thoughtfuladjectiveUS /ˈθɔːtfəl/

having intellectual depth

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

TRAILnounUS /treɪl/

a track or mark left by something that has passed

From this reading ON THE TRAIL.

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

venturingverbUS /ˈventʃərɪŋ/

-ing form of “venture” — proceed somewhere despite the risk of possible dangers

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Oliver Clary left Don Melchior's room in a very thoughtful state; the count followed him, not venturing to address him, as he seemed so preoccupied.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

whereconjunctionUS /wer/

in or at the place that

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading "Why not?" the count asked; "Where are you going?"

withprepositionUS /wɪð/

in the company of; together with

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

YoupronounUS /juː/

the person or people being spoken to

From this reading On reaching the patio, where peons were holding two horses for them, the adventurer stopped, struck his forehead, and then turning to the count, said-- "You cannot come with me."

Chapter 32 of The Queen of the Savannah by Gustave Aimard holds 151 sentences, grouped into 31 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 32 of The Queen of the Savannah contain?

Chapter 32 holds 151 sentences of The Queen of the Savannah, unabridged, divided into 31 reading sections.

This page carries chapter 32 of The Queen of the Savannah by Gustave Aimard exactly as it stands in the source edition, without abridgement. It runs to 151 sentences, grouped into 31 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 32 of The Queen of the Savannah?

Work through the 31 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 31 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 32 be read aloud to me?

Yes — every sentence and every individual word in chapter 32 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Queen of the Savannah

Common questions about reading The Queen of the Savannah by Gustave Aimard on this page, its source edition and its audio.

Is this the complete text of The Queen of the Savannah?

Yes. All 5983 sentences of Project Gutenberg eBook #44448 are kept, with a record of which sentences cover which part.

Which edition of The Queen of the Savannah is used?

Project Gutenberg eBook #44448, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Queen of the Savannah take to read?

About 498 minutes of reading across 1197 sections of 5 sentences each, at an unhurried pace.

How to read The Queen of the Savannah section by section

How to work through The Queen of the Savannah section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The Queen of the Savannah to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Queen of the Savannah

Words and structures a reader meets early in The Queen of the Savannah, each tappable for pronunciation and meaning.

Dbooks
A word that appears in the opening chapter of The Queen of the Savannah; the reader can tap it to hear it and see its dictionary entry.
Bodleian
A word that appears in the opening chapter of The Queen of the Savannah; the reader can tap it to hear it and see its dictionary entry.
Books
A word that appears in the opening chapter of The Queen of the Savannah; the reader can tap it to hear it and see its dictionary entry.
Story
A word that appears in the opening chapter of The Queen of the Savannah; the reader can tap it to hear it and see its dictionary entry.