Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Rake's Progress
The Rake's Progress

Chapter XXIII

Chapter 23 of The Rake's Progress is here in full — 281 sentences across 57 reading sections, with audio for every sentence and word.

Cover illustration for The Rake's Progress
Context Illustration Reading 1/56 · 5 lines
English subtitles · tap any word to listen 1 / 5
MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.
His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.
Susannah was the most ill at ease of the three.
"What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.
She ignored the Countess.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Rake's Progress

Chapter XXIII

Chapter 23 of The Rake's Progress is here in full — 281 sentences across 57 reading sections, with audio for every sentence and word.

Reading 1/56 · 5 reading units · Lines 1–5

Line 1
MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.
Line 2
His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.
Line 3
Susannah was the most ill at ease of the three.
Line 4
"What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.
Line 5
She ignored the Countess.
/ʃiː ˌɪɡˈnɔːrd ðə ˈkaʊntəs/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

clasp verb US /klæsp/

hold firmly and tightly

From this reading “His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.”

decides verb US /ˌdɪˈsaɪdz/

third-person singular of “decide” — reach, make, or come to a decision about something

From this reading “MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.”

erect verb US /ɪˈrekt/

construct, build, or erect

From this reading “His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.”

halting adjective US /ˈhɔːltɪŋ/

disabled in the feet or legs

From this reading “"What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.”

ignored adjective US /ˌɪɡˈnɔːrd/

disregarded

From this reading “She ignored the Countess.”

lace verb US /leɪs/

spin, wind, or twist together

From this reading “His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.”

loosened adjective US /ˈluːsənd/

straightened out

From this reading “His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.”

resting verb US /ˈrestɪŋ/

-ing form of “rest” — not move; be in a resting position

From this reading “His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

any sign adjective + noun

In this reading “MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.”

resting on verb + particle counted as “rest on”

rest on for support

In this reading “His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.”

All words in this reading · 69

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

addedverbUS /ˈædəd/

past form of “add” — make an addition (to); join or combine or unite with others; increase the quality, quantity, size or scope of

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

againadverbUS /əˈɡen/

anew

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

atprepositionUS /æt/

in or near a particular place or position

From this reading Susannah was the most ill at ease of the three.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

Chressham

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

claspverbUS /klæsp/

hold firmly and tightly

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

CountessnounUS /ˈkaʊntəs/

female equivalent of a count or earl

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

cousinnounUS /ˈkʌzən/

the child of your aunt or uncle

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

DECIDESverbUS /ˌdɪˈsaɪdz/

third-person singular of “decide” — reach, make, or come to a decision about something

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

directedadjectiveUS /dərˈektəd/

(often used in combination) having a specified direction

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

drewnounUS /druː/

United States actor (born in Ireland); father of Georgiana Emma Barrymore (1827-1862)

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

easeverbUS /iːz/

move gently or carefully

From this reading Susannah was the most ill at ease of the three.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

erectverbUS /ɪˈrekt/

construct, build, or erect

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

haltingadjectiveUS /ˈhɔːltɪŋ/

disabled in the feet or legs

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

ignoredadjectiveUS /ˌɪɡˈnɔːrd/

disregarded

From this reading She ignored the Countess.

illadjectiveUS /ɪl/

affected by an impairment of normal physical or mental function

From this reading Susannah was the most ill at ease of the three.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

laceverbUS /leɪs/

spin, wind, or twist together

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

Lavinia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

loosenedadjectiveUS /ˈluːsənd/

straightened out

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

MARIUS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

mostadverbUS /moʊst/

used to form the superlative

From this reading Susannah was the most ill at ease of the three.

murmuredverbUS /ˈmɜːrmərd/

past form of “murmur” — speak softly or indistinctly

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

remainedverbUS /rɪˈmeɪnd/

past form of “remain” — stay the same; remain in a certain state

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

restingverbUS /ˈrestɪŋ/

-ing form of “rest” — not move; be in a resting position

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

sayverbUS /seɪ/

express in words

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

shamenounUS /ʃeɪm/

a painful emotion resulting from an awareness of inadequacy or guilt

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

signnounUS /saɪn/

a perceptible indication of something not immediately apparent (as a visible clue that something has happened)

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

speechnounUS /spiːtʃ/

the act of delivering a formal spoken communication to an audience

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

spinetnoun

a small and compactly built upright piano

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

startverbUS /stɑːrt/

take the first step or steps in carrying out an action

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

surprisedadjectiveUS /sərˈpraɪzd/

taken unawares or suddenly and feeling wonder or astonishment

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

Susannah

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Susannah was the most ill at ease of the three.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Susannah was the most ill at ease of the three.

thrustverbUS /θrʌst/

push forcefully

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading MARIUS DECIDES Miss Chressham closed the door, and the Countess Lavinia was again surprised in Marius, for he did not thrust her from him nor give any sign of start or shame.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

whereconjunctionUS /wer/

in or at the place that

From this reading His hand remained where it was, resting on the spinet behind her, but she loosened her clasp on his lace and drew herself erect.

whollyadverbUS /ˈhoʊli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

youpronounUS /juː/

the person or people being spoken to

From this reading "What shall I say," she murmured, halting within the door--"to either of you?" she added; but her speech was directed wholly to her cousin.

Chapter 23 of The Rake's Progress by Marjorie Bowen holds 281 sentences, grouped into 57 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 23 of The Rake's Progress contain?

Chapter 23 holds 281 sentences of The Rake's Progress, unabridged, divided into 57 reading sections.

This page carries chapter 23 of The Rake's Progress by Marjorie Bowen exactly as it stands in the source edition, without abridgement. It runs to 281 sentences, grouped into 57 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 23 of The Rake's Progress?

Work through the 57 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 57 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 23 be read aloud to me?

Yes — every sentence and every individual word in chapter 23 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Rake's Progress

Common questions about reading The Rake's Progress by Marjorie Bowen on this page, its source edition and its audio.

Is this the complete text of The Rake's Progress?

Yes. All 6467 sentences of Project Gutenberg eBook #48200 are kept, with a record of which sentences cover which part.

Which edition of The Rake's Progress is used?

Project Gutenberg eBook #48200, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Rake's Progress take to read?

About 538 minutes of reading across 1294 sections of 5 sentences each, at an unhurried pace.

How to read The Rake's Progress section by section

How to work through The Rake's Progress section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 29 chapters of The Rake's Progress to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Rake's Progress

Words and structures a reader meets early in The Rake's Progress, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Rake's Progress; the reader can tap it to hear it and see its dictionary entry.
Viper
A word that appears in the opening chapter of The Rake's Progress; the reader can tap it to hear it and see its dictionary entry.
Milan
A word that appears in the opening chapter of The Rake's Progress; the reader can tap it to hear it and see its dictionary entry.
Rose--what
A word that appears in the opening chapter of The Rake's Progress; the reader can tap it to hear it and see its dictionary entry.