Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Rat-Pit
The Rat-Pit

Chapter XI

Chapter 11 of The Rat-Pit is here in full — 167 sentences across 34 reading sections, with audio for every sentence and word.

Cover illustration for The Rat-Pit
Context Illustration Reading 1/33 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.
The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.
So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.
“Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.
“It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Rat-Pit

Chapter XI

Chapter 11 of The Rat-Pit is here in full — 167 sentences across 34 reading sections, with audio for every sentence and word.

Reading 1/33 · 5 reading units · Lines 1–5

Line 1
THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.
Line 2
The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.
/ðə striːts ˈhaʊsəz ənd ˈlændskeɪp wɪtʃ juː hæv ɡeɪzd ɑːn fɔːr jɪrz bɪˈkʌm ɪn sʌm weɪ ˈveri rɪˈmoʊt laɪk ˈɑːbdʒekts siːn ɪn ə driːm bʌt ˈʌndər ðɪs ɡaɪz ˈevəri fəˈmɪljər ˈlændmɑːrk bɪˈkʌmz ˈdɪrər ðæn ˈevər ɪt hæz bɪn bɪˈfɔːr/
Line 3
So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.
Line 4
“Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.
Line 5
“It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

dearer adjective US /ˈdɪrər/

comparative of “dear” — dearly loved

From this reading “The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.”

guise noun US /ɡaɪz/

an artful or simulated semblance

From this reading “The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.”

landmark noun US /ˈlændmɑːrk/

the position of a prominent or well-known object in a particular landscape

From this reading “The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.”

landscape noun US /ˈlændskeɪp/

an expanse of scenery that can be seen in a single view

From this reading “The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.”

potato noun US /pəˈteɪtoʊ/

an edible tuber native to South America; a staple food of Ireland

From this reading “So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.”

remote adjective US /rɪˈmoʊt/

located far away spatially

From this reading “The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.”

Scotland noun US /ˈskɑːtlənd/

one of the four countries that make up the United Kingdom of Great Britain and Northern Ireland; located on the northern part of the island of Great Britain; famous for bagpipes and plaids and kilts

From this reading “So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.”

yarn noun US /jɑːrn/

the act of giving an account describing incidents or a course of events

From this reading ““Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

familiar landmark adjective + noun

In this reading “The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.”

several times adjective + noun

In this reading ““Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.”

different aspect adjective + noun

In this reading “THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.”

familiar object adjective + noun

In this reading “THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.”

becomes almost verb + particle counted as “become almost”

In this reading “THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.”

same place adjective + noun

In this reading ““It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.”

some way adjective + noun

In this reading “The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.”

for years preposition + noun

In this reading “The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1905

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading “It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

aspectnounUS /ˈæspekt/

a distinct feature or element in a problem

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading “It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

becomeverbUS /bɪˈkʌm/

enter or assume a certain state or condition

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading “It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

boundadjectiveUS /baʊnd/

confined by bonds

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

changedadjectiveUS /tʃeɪndʒd/

made or become different in nature or form

From this reading “It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

deareradjectiveUS /ˈdɪrər/

comparative of “dear” — dearly loved

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

doesn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

dreamnounUS /driːm/

A series of thoughts, images, or emotions during sleep.

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

everadverbUS /ˈevər/

at any time

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

familiaradjectiveUS /fəˈmɪljər/

well known or easily recognized

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

feetnounUS /fiːt/

plural of “foot” — the part of the leg of a human being below the ankle joint

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

feltverbUS /felt/

mat together and make felt-like

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

fieldsnounUS /fiːldz/

United States comedian and film actor (1880-1946)

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

foreignadjectiveUS /ˈfɔːrən/

of concern to or concerning the affairs of other nations (other than your own)

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

FROMprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

gazedverbUS /ɡeɪzd/

past form of “gaze” — look at with fixed eyes

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

goin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

GREENANORE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

guisenounUS /ɡaɪz/

an artful or simulated semblance

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

homenounUS /hoʊm/

where you live at a particular time

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

housesnounUS /ˈhaʊsəz/

plural of “house” — a dwelling that serves as living quarters for one or more families

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

JunenounUS /dʒuːn/

the month following May and preceding July

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

landmarknounUS /ˈlændmɑːrk/

the position of a prominent or well-known object in a particular landscape

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

landscapenounUS /ˈlændskeɪp/

an expanse of scenery that can be seen in a single view

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

leavingnounUS /ˈliːvɪŋ/

the act of departing

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

likeverbUS /laɪk/

prefer or wish to do something

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

Norah

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

objectnounUS /ˈɑːbdʒekt/

a tangible and visible entity; an entity that can cast a shadow

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

objectsnounUS /ˈɑːbdʒekts/

plural of “object” — a tangible and visible entity; an entity that can cast a shadow

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading “It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

potatonounUS /pəˈteɪtoʊ/

an edible tuber native to South America; a staple food of Ireland

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

remoteadjectiveUS /rɪˈmoʊt/

located far away spatially

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

roadnounUS /roʊd/

an open way (generally public) for travel or transportation

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

Ryan

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading “It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

ScotlandnounUS /ˈskɑːtlənd/

one of the four countries that make up the United Kingdom of Great Britain and Northern Ireland; located on the northern part of the island of Great Britain; famous for bagpipes and plaids and kilts

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading “It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

severaladjectiveUS /ˈsevrəl/

(used with count nouns) of an indefinite number more than 2 or 3 but not many

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

somehowadverbUS /ˈsʌmhaʊ/

in some unspecified way or manner; or by some unspecified means

From this reading “It is changed somehow; it doesn’t seem to be the same place, but for all that I like it better than ever.

stockin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

streetsnounUS /striːts/

plural of “street” — a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

takeverbUS /teɪk/

carry out

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

townnounUS /taʊn/

an urban area with a fixed boundary that is smaller than a city

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

TRAINverbUS /treɪn/

create by training and teaching

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading So Norah Ryan felt as she was leaving home in the June of 1905 bound for the potato fields of Scotland.

waynounUS /weɪ/

how something is done or how it happens

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

WhenconjunctionUS /wen/

at the time that

From this reading THE TRAIN FROM GREENANORE I When one is leaving home every familiar object seems to take on a different aspect and becomes almost strange and foreign.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

yarnnounUS /jɑːrn/

the act of giving an account describing incidents or a course of events

From this reading “Is this the road to Greenanore, the road that our feet took when goin’ to the town for the stockin’ yarn?” she asked herself several times.

yearsnounUS /jɪrz/

a late time of life

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

youpronounUS /juː/

the person or people being spoken to

From this reading The streets, houses, and landscape which you have gazed on for years become in some way very remote, like objects seen in a dream, but under this guise every familiar landmark becomes dearer than ever it has been before.

Chapter 11 of The Rat-Pit by Patrick MacGill holds 167 sentences, grouped into 34 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 11 of The Rat-Pit contain?

Chapter 11 holds 167 sentences of The Rat-Pit, unabridged, divided into 34 reading sections.

This page carries chapter 11 of The Rat-Pit by Patrick MacGill exactly as it stands in the source edition, without abridgement. It runs to 167 sentences, grouped into 34 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 11 of The Rat-Pit?

Work through the 34 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 34 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 11 be read aloud to me?

Yes — every sentence and every individual word in chapter 11 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Rat-Pit

Common questions about reading The Rat-Pit by Patrick MacGill on this page, its source edition and its audio.

Is this the complete text of The Rat-Pit?

Yes. All 5370 sentences of Project Gutenberg eBook #50895 are kept, with a record of which sentences cover which part.

Which edition of The Rat-Pit is used?

Project Gutenberg eBook #50895, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Rat-Pit take to read?

About 447 minutes of reading across 1074 sections of 5 sentences each, at an unhurried pace.

How to read The Rat-Pit section by section

How to work through The Rat-Pit section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 35 chapters of The Rat-Pit to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Rat-Pit

Words and structures a reader meets early in The Rat-Pit, each tappable for pronunciation and meaning.

Glasgow
A word that appears in the opening chapter of The Rat-Pit; the reader can tap it to hear it and see its dictionary entry.
Lodging-house
A word that appears in the opening chapter of The Rat-Pit; the reader can tap it to hear it and see its dictionary entry.
Women
A word that appears in the opening chapter of The Rat-Pit; the reader can tap it to hear it and see its dictionary entry.
Known
A word that appears in the opening chapter of The Rat-Pit; the reader can tap it to hear it and see its dictionary entry.