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The Real Adventure
The Real Adventure

Chapter XXVIII · Chapter 28

Chapter 28 of The Real Adventure is here in full — 238 sentences across 48 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/47 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.
"Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.
And then his manner changed.
"I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."
He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Real Adventure

Chapter XXVIII · Chapter 28

Chapter 28 of The Real Adventure is here in full — 238 sentences across 48 reading sections, with audio for every sentence and word.

Reading 1/47 · 5 reading units · Lines 1–5

Line 1
THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.
Line 2
"Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.
Line 3
And then his manner changed.
/ənd ðen hɪz ˈmænər tʃeɪndʒd/
Line 4
"I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."
Line 5
He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bedlam noun US /ˈbedləm/

a state of extreme confusion and disorder

From this reading “"Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.”

charging verb US /ˈtʃɑːrdʒɪŋ/

-ing form of “charge” — to make a rush at or sudden attack upon, as in battle

From this reading “THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.”

electricians noun US /ɪlekˈtrɪʃənz/

plural of “electrician” — a person who installs or repairs electrical or telephone lines

From this reading “THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.”

frightfully adverb US /ˈfraɪtfəli/

used as intensifiers

From this reading “He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.”

grips noun US /ɡrɪps/

plural of “grip” — the act of grasping

From this reading “THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.”

racing noun US /ˈreɪsɪŋ/

the sport of engaging in contests of speed

From this reading “THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.”

theater noun US /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading “THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.”

tinge noun US /tɪndʒ/

a slight but appreciable amount

From this reading “"Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.”

All words in this reading · 91

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

addedverbUS /ˈædəd/

past form of “add” — make an addition (to); join or combine or unite with others; increase the quality, quantity, size or scope of

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

answeringadjectiveUS /ˈænsərɪŋ/

replying

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

bedlamnounUS /ˈbedləm/

a state of extreme confusion and disorder

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

chancenounUS /tʃæns/

a possibility due to a favorable combination of circumstances

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

changedadjectiveUS /tʃeɪndʒd/

made or become different in nature or form

From this reading And then his manner changed.

chargingverbUS /ˈtʃɑːrdʒɪŋ/

-ing form of “charge” — to make a rush at or sudden attack upon, as in battle

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

cornernounUS /ˈkɔːrnər/

a place off to the side of an area

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

DIRECTORnounUS /dərˈektər/

someone who controls resources and expenditures

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

electriciansnounUS /ɪlekˈtrɪʃənz/

plural of “electrician” — a person who installs or repairs electrical or telephone lines

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

escapenounUS /ɪˈskeɪp/

the act of escaping physically

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

explainedverbUS /ɪkˈspleɪnd/

past form of “explain” — make plain and comprehensible

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

frightfullyadverbUS /ˈfraɪtfəli/

used as intensifiers

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

glancedverbUS /ɡlænst/

past form of “glance” — throw a glance at; take a brief look at

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

gripsnounUS /ɡrɪps/

plural of “grip” — the act of grasping

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

hesitationnounUS /ˌhezəˈteɪʃən/

indecision in speech or action

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading And then his manner changed.

hurrynounUS /ˈhɜːri/

a condition of urgency making it necessary to hurry

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

I'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

impatiencenounUS /ˌɪmˈpeɪʃəns/

a lack of patience; irritation with anything that causes delay

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

it's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

lateradverbUS /ˈleɪtər/

happening at a time subsequent to a reference time

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

likeverbUS /laɪk/

prefer or wish to do something

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

makeverbUS /meɪk/

engage in

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

MANnounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading And then his manner changed.

meanverbUS /miːn/

mean or intend to express or convey

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

meantverbUS /ment/

inflected form of “mean” — mean or intend to express or convey

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

mennounUS /men/

the force of workers available

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

OhnounUS /oʊ/

a midwestern state in north central United States in the Great Lakes region

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

onceadverbUS /wʌns/

on one occasion

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

propertynounUS /ˈprɑːpərti/

something owned; any tangible or intangible possession that is owned by someone

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

racingnounUS /ˈreɪsɪŋ/

the sport of engaging in contests of speed

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

rushesnounUS /ˈrʌʃəz/

plural of “rush” — the act of moving hurriedly and in a careless manner

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

secureverbUS /sɪˈkjʊr/

get by special effort

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

setverbUS /set/

put into a certain place or abstract location

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

shadenounUS /ʃeɪd/

relative darkness caused by light rays being intercepted by an opaque body

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

sitverbUS /sɪt/

be seated

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

struckadjectiveUS /strʌk/

(used in combination) affected by something overwhelming

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

talkverbUS /tɔːk/

exchange thoughts; talk with

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

theaternounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

thereadverbUS /ðer/

in or at that place or location

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

they'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

thinkingnounUS /ˈθɪŋkɪŋ/

the process of using your mind to consider something carefully

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

thirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

tingenounUS /tɪndʒ/

a slight but appreciable amount

From this reading "Oh, I don't mean here in this bedlam," he explained with a tinge of impatience.

tiredadjectiveUS /ˈtaɪərd/

depleted of strength or energy

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

tolerablyadverb

in an acceptable (but not outstanding) manner

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

wantverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading "I'd like, for once, a chance to sit down with you where it's--quiet and we don't have to feel in a hurry."

whatpronounUS /wʌt/

used to ask for information about something

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

whereconjunctionUS /wer/

in or at the place that

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

withprepositionUS /wɪð/

in the company of; together with

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

youpronounUS /juː/

the person or people being spoken to

From this reading THE MAN AND THE DIRECTOR He said, "I want a talk with you," and she, thinking he meant then and there, glanced about for a corner where they'd be tolerably secure against the charging rushes of grips, property men and electricians, all racing against time to get the third act struck and the first one set and make their escape from the theater.

You're

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He added, a second later, answering a shade of what he took to be doubt or hesitation in her face, "You're frightfully tired I know.

Chapter 28 of The Real Adventure by Henry Kitchell Webster holds 238 sentences, grouped into 48 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 28 of The Real Adventure contain?

Chapter 28 holds 238 sentences of The Real Adventure, unabridged, divided into 48 reading sections.

This page carries chapter 28 of The Real Adventure by Henry Kitchell Webster exactly as it stands in the source edition, without abridgement. It runs to 238 sentences, grouped into 48 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 28 of The Real Adventure?

Work through the 48 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 48 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 28 be read aloud to me?

Yes — every sentence and every individual word in chapter 28 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Real Adventure

Common questions about reading The Real Adventure by Henry Kitchell Webster on this page, its source edition and its audio.

Is this the complete text of The Real Adventure?

Yes. All 11758 sentences of Project Gutenberg eBook #15384 are kept, with a record of which sentences cover which part.

Which edition of The Real Adventure is used?

Project Gutenberg eBook #15384, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Real Adventure take to read?

About 600 minutes of reading across 2352 sections of 5 sentences each, at an unhurried pace.

How to read The Real Adventure section by section

How to work through The Real Adventure section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The Real Adventure to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Real Adventure

Words and structures a reader meets early in The Real Adventure, each tappable for pronunciation and meaning.

O'clock
A word that appears in the opening chapter of The Real Adventure; the reader can tap it to hear it and see its dictionary entry.
Conclusion
A word that appears in the opening chapter of The Real Adventure; the reader can tap it to hear it and see its dictionary entry.
Shower
A word that appears in the opening chapter of The Real Adventure; the reader can tap it to hear it and see its dictionary entry.
Somewhat
A word that appears in the opening chapter of The Real Adventure; the reader can tap it to hear it and see its dictionary entry.