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The Red Axe
The Red Axe

Chapter XXX · Chapter 30

Chapter 30 of The Red Axe is here in full — 192 sentences across 39 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/38 · 5 lines
English subtitles · tap any word to listen 1 / 5
PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.
But the substance of his tale was to this effect:
"After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.
Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.
He threatened Torgau.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Red Axe

Chapter XXX · Chapter 30

Chapter 30 of The Red Axe is here in full — 192 sentences across 39 reading sections, with audio for every sentence and word.

Reading 1/38 · 5 reading units · Lines 1–5

Line 1
PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.
/ˈprɪn.ses ˈpleɪmeɪt ðen bɪˈɡæn maɪ ˈfɑːðər tuː tel ðə ˈstɔːri ˈsloʊli wɪð ˈmeni ə pɔːz ənd ˌɪntərˈʌpʃən naʊ ˈsɜːrtʃɪŋ fɔːr wɜːrdz naʊ rækt wɪð peɪn ɔːl ʌv wɪtʃ aɪ niːd nɑːt ˈɪməteɪt ənd ʃæl liːv aʊt/
Line 2
But the substance of his tale was to this effect:
/bʌt ðə ˈsʌbstəns ʌv hɪz teɪl wɑːz tuː ðɪs ɪˈfekt/
Line 3
"After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.
Line 4
Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.
Line 5
He threatened Torgau.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Dukedom noun US /ˈduːkdəm/

the dignity or rank or position of a duke

From this reading “"After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.”

horrors noun US /ˈhɔːrərz/

plural of “horror” — intense and profound fear

From this reading “Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.”

imitate verb US /ˈɪməteɪt/

reproduce someone's behavior or looks

From this reading “PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.”

interruption noun US /ˌɪntərˈʌpʃən/

an act of delaying or interrupting the continuity

From this reading “PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.”

playmate noun US /ˈpleɪmeɪt/

a companion at play

From this reading “PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.”

plundering noun US /ˈplʌndərɪŋ/

the act of stealing valuable things from a place

From this reading “Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.”

racked verb US /rækt/

past form of “rack” — go at a rack

From this reading “PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.”

substance noun US /ˈsʌbstəns/

the real physical matter of which a person or thing consists

From this reading “But the substance of his tale was to this effect:”

All words in this reading · 73

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

advicenounUS /ædˈvaɪs/

a proposal for an appropriate course of action

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

AfterprepositionUS /ˈæftər/

later than; following

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

againadverbUS /əˈɡen/

anew

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But the substance of his tale was to this effect:

byprepositionUS /baɪ/

showing who or what does the action

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

Casimir

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

contraryadjectiveUS /ˈkɑːntreri/

very opposed in nature or character or purpose

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

DukenounUS /duːk/

a British peer of the highest rank

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

DukedomnounUS /ˈduːkdəm/

the dignity or rank or position of a duke

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading But the substance of his tale was to this effect:

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He threatened Torgau.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading But the substance of his tale was to this effect:

horrorsnounUS /ˈhɔːrərz/

plural of “horror” — intense and profound fear

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

imitateverbUS /ˈɪməteɪt/

reproduce someone's behavior or looks

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

interruptionnounUS /ˌɪntərˈʌpʃən/

an act of delaying or interrupting the continuity

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

killingnounUS /ˈkɪlɪŋ/

an event that causes someone to die

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

leaveverbUS /liːv/

go away from a place

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

livingnounUS /ˈlɪvɪŋ/

the experience of being alive; the course of human events and activities

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

moneynounUS /ˈmʌni/

the most common medium of exchange; functions as legal tender

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

neednounUS /niːd/

a condition requiring relief

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

nodeterminerUS /noʊ/

not any; not one

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

painnounUS /peɪn/

a symptom of some physical hurt or disorder

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

pausenounUS /pɔːz/

a time interval during which there is a temporary cessation of something

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

peacenounUS /piːs/

the state prevailing during the absence of war

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

PLAYMATEnounUS /ˈpleɪmeɪt/

a companion at play

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

plunderingnounUS /ˈplʌndərɪŋ/

the act of stealing valuable things from a place

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

PRINCESSnounUS /ˈprɪn.ses/

The daughter of a monarch; a female member of a royal family.

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

rackedverbUS /rækt/

past form of “rack” — go at a rack

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

restverbUS /rest/

not move; be in a resting position

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

searchingadjectiveUS /ˈsɜːrtʃɪŋ/

diligent and thorough in inquiry or investigation

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

slowlyadverbUS /ˈsloʊli/

without speed (“slow” is sometimes used informally for “slowly”)

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

substancenounUS /ˈsʌbstəns/

the real physical matter of which a person or thing consists

From this reading But the substance of his tale was to this effect:

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading But the substance of his tale was to this effect:

tellverbUS /tel/

express in words

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

terrornounUS /ˈterər/

an overwhelming feeling of fear and anxiety

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading But the substance of his tale was to this effect:

threatenedadjectiveUS /ˈθretənd/

(of flora or fauna) likely in the near future to become endangered

From this reading He threatened Torgau.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading Duke Casimir took less and less of my advice, but, on the contrary, began again his old horrors--plundering, killing, living by terror and in terror.

Torgau

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He threatened Torgau.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading But the substance of his tale was to this effect:

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

withprepositionUS /wɪð/

in the company of; together with

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading PRINCESS PLAYMATE Then began my father to tell the story slowly, with many a pause and interruption, now searching for words, now racked with pain, all of which I need not imitate, and shall leave out.

worseadjectiveUS /wɜːrs/

(comparative of “bad”) inferior to another in quality or condition or desirability

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

youpronounUS /juː/

the person or people being spoken to

From this reading "After you had left us, the Dukedom went from bad to worse--no peace, no rest, no money.

Chapter 30 of The Red Axe by S. R. (Samuel Rutherford) Crockett holds 192 sentences, grouped into 39 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 30 of The Red Axe contain?

Chapter 30 holds 192 sentences of The Red Axe, unabridged, divided into 39 reading sections.

This page carries chapter 30 of The Red Axe by S. R. (Samuel Rutherford) Crockett exactly as it stands in the source edition, without abridgement. It runs to 192 sentences, grouped into 39 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 30 of The Red Axe?

Work through the 39 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 39 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 30 be read aloud to me?

Yes — every sentence and every individual word in chapter 30 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Red Axe

Common questions about reading The Red Axe by S. R. (Samuel Rutherford) Crockett on this page, its source edition and its audio.

Is this the complete text of The Red Axe?

Yes. All 5927 sentences of Project Gutenberg eBook #12191 are kept, with a record of which sentences cover which part.

Which edition of The Red Axe is used?

Project Gutenberg eBook #12191, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Red Axe take to read?

About 493 minutes of reading across 1186 sections of 5 sentences each, at an unhurried pace.

How to read The Red Axe section by section

How to work through The Red Axe section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The Red Axe to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Red Axe

Words and structures a reader meets early in The Red Axe, each tappable for pronunciation and meaning.

Little
A word that appears in the opening chapter of The Red Axe; the reader can tap it to hear it and see its dictionary entry.
Playmate
A word that appears in the opening chapter of The Red Axe; the reader can tap it to hear it and see its dictionary entry.
Comes
A word that appears in the opening chapter of The Red Axe; the reader can tap it to hear it and see its dictionary entry.
Session
A word that appears in the opening chapter of The Red Axe; the reader can tap it to hear it and see its dictionary entry.