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The Red Rover: A Tale
The Red Rover: A Tale

Chapter IX · Chapter 9

Chapter 9 of The Red Rover: A Tale is here in full — 215 sentences across 43 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/43 · 5 lines
English subtitles · tap any word to listen 1 / 5
He ran this way, and leap’d this orchard wall.”
_Shakespeare._ Wilder retired from the field like a defeated man.
Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.
We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.
The return of the disappointed young sailor, towards the town, was moody and slow.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Red Rover: A Tale

Chapter IX · Chapter 9

Chapter 9 of The Red Rover: A Tale is here in full — 215 sentences across 43 reading sections, with audio for every sentence and word.

Reading 1/43 · 5 reading units · Lines 1–5

Line 1
He ran this way, and leap’d this orchard wall.”
Line 2
_Shakespeare._ Wilder retired from the field like a defeated man.
/ˈʃeɪkspiːr ˈwaɪldər rɪˈtaɪrd frʌm ðə fiːld laɪk ə dɪˈfiːtəd mæn/
Line 3
Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.
Line 4
We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.
/wiː ʃæl nɑːt æt ðɪs ˈpɪriəd ʌv ðə ˈnærətɪv ˈentər ˈɪntuː ə dɪˈteɪl ʌv ðə ˈfiːlɪŋz ənd ˈpɑːləsi wɪtʃ ˌɪnˈduːst ˈaʊər ædˈventʃərər tuː plɑːt əˈɡenst ðə əˈperənt ˈɪntrəsts ʌv ðoʊz wɪð huːm hiː hæd soʊ ˈriːsəntli əˈsoʊsieɪtɪd hɪmˈself ɪt ɪz ɪˈnʌf fɔːr ˈaʊər ˈprezənt ˈɑːbdʒekt ðæt ðə fækts ðemˈselvz ʃʊd biː dɪˈstɪŋktli set bɪˈfɔːr ðə ˈriːdər/
Line 5
The return of the disappointed young sailor, towards the town, was moody and slow.
/ðə rɪˈtɜːrn ʌv ðə ˌdɪsəˈpɔɪntɪd jʌŋ ˈseɪlər təˈwɔːrdz ðə taʊn wɑːz ˈmuːdi ənd sloʊ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adventurer noun US /ædˈventʃərər/

a person who enjoys taking risks

From this reading “We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.”

artifice noun US /ˈɑːrtəfɪs/

a deceptive maneuver (especially to avoid capture)

From this reading “Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.”

counteracted verb US /ˈkaʊntəræktɪd/

past form of “counteract” — act in opposition to

From this reading “Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.”

effecting verb US /ɪˈfektɪŋ/

-ing form of “effect” — produce

From this reading “Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.”

mariner noun US /ˈmerənər/

a man who serves as a sailor

From this reading “Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.”

moody noun US /ˈmuːdi/

United States tennis player who dominated women's tennis in the 1920s and 1930s (1905-1998)

From this reading “The return of the disappointed young sailor, towards the town, was moody and slow.”

remotest adjective US /rɪˈmoʊtəst/

superlative of “remote” — located far away spatially

From this reading “Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.”

Wilder noun US /ˈwaɪldər/

United States writer and dramatist (1897-1975)

From this reading “_Shakespeare._ Wilder retired from the field like a defeated man.”

All words in this reading · 97

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

AccidentnounUS /ˈæksədənt/

an unfortunate mishap; especially one causing damage or injury

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

adventurernounUS /ædˈventʃərər/

a person who enjoys taking risks

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

againadverbUS /əˈɡen/

anew

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “He ran this way, and leap’d this orchard wall.”

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

apparentadjectiveUS /əˈperənt/

clearly revealed to the mind or the senses or judgment

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

artificenounUS /ˈɑːrtəfɪs/

a deceptive maneuver (especially to avoid capture)

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

associatedverbUS /əˈsoʊsieɪtɪd/

past form of “associate” — make a logical or causal connection

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

atprepositionUS /æt/

in or near a particular place or position

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

chancenounUS /tʃæns/

a possibility due to a favorable combination of circumstances

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

counteractedverbUS /ˈkaʊntəræktɪd/

past form of “counteract” — act in opposition to

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

defeatedadjectiveUS /dɪˈfiːtəd/

beaten or overcome; not victorious

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

detailnounUS /dɪˈteɪl/

an isolated fact that is considered separately from the whole

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

disappointedadjectiveUS /ˌdɪsəˈpɔɪntɪd/

disappointingly unsuccessful

From this reading The return of the disappointed young sailor, towards the town, was moody and slow.

distinctlyadverbUS /dɪˈstɪŋktli/

clear to the mind; with distinct mental discernment

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

effectingverbUS /ɪˈfektɪŋ/

-ing form of “effect” — produce

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

enoughnounUS /ɪˈnʌf/

an adequate quantity; a quantity that is large enough to achieve a purpose

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

enterverbUS /ˈentər/

to come or go into

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

favoured

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

feelingsnounUS /ˈfiːlɪŋz/

emotional or moral sensitivity (especially in relation to personal principles or dignity)

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

fieldnounUS /fiːld/

a piece of land cleared of trees and usually enclosed

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading “He ran this way, and leap’d this orchard wall.”

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

inducedadjectiveUS /ˌɪnˈduːst/

brought about or caused; not spontaneous

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

interestsnounUS /ˈɪntrəsts/

plural of “interest” — a sense of concern with and curiosity about someone or something

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

leap'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “He ran this way, and leap’d this orchard wall.”

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

likeverbUS /laɪk/

prefer or wish to do something

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

marinernounUS /ˈmerənər/

a man who serves as a sailor

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

moodynounUS /ˈmuːdi/

United States tennis player who dominated women's tennis in the 1920s and 1930s (1905-1998)

From this reading The return of the disappointed young sailor, towards the town, was moody and slow.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

objectnounUS /ˈɑːbdʒekt/

a tangible and visible entity; an entity that can cast a shadow

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

opportunitynounUS /ˌɑːpərˈtuːnəti/

a possibility due to a favorable combination of circumstances

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

orchardnounUS /ˈɔːrtʃərd/

garden consisting of a small cultivated wood without undergrowth

From this reading “He ran this way, and leap’d this orchard wall.”

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

ownverbUS /oʊn/

have ownership or possession of

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

plotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

policynounUS /ˈpɑːləsi/

a plan of action adopted by an individual or social group

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

ranverbUS /ræn/

inflected form of “run” — move fast by using one's feet, with one foot off the ground at any given time

From this reading “He ran this way, and leap’d this orchard wall.”

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

recentlyadverbUS /ˈriːsəntli/

in the recent past

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

remotestadjectiveUS /rɪˈmoʊtəst/

superlative of “remote” — located far away spatially

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

retiredadjectiveUS /rɪˈtaɪrd/

no longer active in your work or profession

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

returnverbUS /rɪˈtɜːrn/

go or come back to place, condition, or activity where one has been before

From this reading The return of the disappointed young sailor, towards the town, was moody and slow.

sailornounUS /ˈseɪlər/

any member of a ship's crew

From this reading The return of the disappointed young sailor, towards the town, was moody and slow.

setverbUS /set/

put into a certain place or abstract location

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

slowadjectiveUS /sloʊ/

not moving quickly; taking a comparatively long time

From this reading The return of the disappointed young sailor, towards the town, was moody and slow.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

sycophancynoun

fawning obsequiousness

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

termnounUS /tɜːrm/

a word or expression used for some particular thing

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

themselvespronounUS /ðemˈselvz/

used when the people doing the action are also its object

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading “He ran this way, and leap’d this orchard wall.”

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

towardsprepositionUS /təˈwɔːrdz/

in the direction of

From this reading The return of the disappointed young sailor, towards the town, was moody and slow.

townnounUS /taʊn/

an urban area with a fixed boundary that is smaller than a city

From this reading The return of the disappointed young sailor, towards the town, was moody and slow.

wallnounUS /wɔːl/

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading “He ran this way, and leap’d this orchard wall.”

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

waynounUS /weɪ/

how something is done or how it happens

From this reading “He ran this way, and leap’d this orchard wall.”

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading We shall not, at this period of the narrative, enter into a detail of the feelings and policy which induced our adventurer to plot against the apparent interests of those with whom he had so recently associated himself; it is enough, for our present object, that the facts themselves should be distinctly set before the reader.

WildernounUS /ˈwaɪldər/

United States writer and dramatist (1897-1975)

From this reading _Shakespeare._ Wilder retired from the field like a defeated man.

willingadjectiveUS /ˈwɪlɪŋ/

disposed or inclined toward

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

withprepositionUS /wɪð/

in the company of; together with

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Accident, or, as he was willing to term it, the sycophancy of the old mariner, had counteracted his own little artifice; and he was now left without the remotest chance of being again favoured with such another opportunity of effecting his purpose.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The return of the disappointed young sailor, towards the town, was moody and slow.

Chapter 9 of The Red Rover: A Tale by James Fenimore Cooper holds 215 sentences, grouped into 43 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of The Red Rover: A Tale contain?

Chapter 9 holds 215 sentences of The Red Rover: A Tale, unabridged, divided into 43 reading sections.

This page carries chapter 9 of The Red Rover: A Tale by James Fenimore Cooper exactly as it stands in the source edition, without abridgement. It runs to 215 sentences, grouped into 43 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of The Red Rover: A Tale?

Work through the 43 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 43 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Red Rover: A Tale

Common questions about reading The Red Rover: A Tale by James Fenimore Cooper on this page, its source edition and its audio.

Is this the complete text of The Red Rover: A Tale?

Yes. All 6450 sentences of Project Gutenberg eBook #11409 are kept, with a record of which sentences cover which part.

Which edition of The Red Rover: A Tale is used?

Project Gutenberg eBook #11409, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Red Rover: A Tale take to read?

About 537 minutes of reading across 1290 sections of 5 sentences each, at an unhurried pace.

How to read The Red Rover: A Tale section by section

How to work through The Red Rover: A Tale section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in The Red Rover: A Tale

Words and structures a reader meets early in The Red Rover: A Tale, each tappable for pronunciation and meaning.

Novices
A word that appears in the opening chapter of The Red Rover: A Tale; the reader can tap it to hear it and see its dictionary entry.
Familiar
A word that appears in the opening chapter of The Red Rover: A Tale; the reader can tap it to hear it and see its dictionary entry.
Bustle
A word that appears in the opening chapter of The Red Rover: A Tale; the reader can tap it to hear it and see its dictionary entry.
Activity
A word that appears in the opening chapter of The Red Rover: A Tale; the reader can tap it to hear it and see its dictionary entry.