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The Rivals: A Comedy
The Rivals: A Comedy

Chapter I · Chapter 1

Chapter 1 of The Rivals: A Comedy is here in full — 433 sentences across 87 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/86 · 5 lines
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A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.
Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.
From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.
I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.
There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Rivals: A Comedy

Chapter I · Chapter 1

Chapter 1 of The Rivals: A Comedy is here in full — 433 sentences across 87 reading sections, with audio for every sentence and word.

Reading 1/86 · 5 reading units · Lines 1–5

Line 1
A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.
Line 2
Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.
/ðʌs ˈeni ˈfɑːrðər səˈlɪsɪtuːd ɑːn ðə pɑːrt ʌv ðə ˈraɪtər bɪˈkʌmz ənˈnesəseri æt liːst ɪf nɑːt æn ˌɪnˈtruːʒən ənd ɪf ðə piːs hæz bɪn kənˈdemd ɪn ðə pərˈfɔːrməns aɪ fɪr æn ˈædres tuː ðə ˈklɑːzət laɪk æn əˈpiːl tuː pɑːˈsterəti ɪz ˈkɑːnstəntli rɪˈɡɑːrdɪd æz ðə prəˌkræstəˈneɪʃən ʌv ə suːt frʌm ə ˈkɑːnʃəsnəs ʌv ðə ˈwiːknəs ʌv ðə kɑːz/
Line 3
From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.
/frʌm ðiːz kənˌsɪdərˈeɪʃənz ðə ˈfɑːloʊɪŋ ˈkɑːmədi wʊd ˈsɜːrtənli hæv bɪn səbˈmɪtɪd tuː ðə ˈriːdər wɪˈθaʊt ˈeni ˈfɑːrðər ˌɪntrəˈdʌkʃən ðæn wʌt ɪt hæd ɪn ðə ˌreprəzenˈteɪʃən bʌt ðæt ɪts səkˈses hæz ˈprɑːbəbliː bɪn ˈfaʊndɪd ɑːn ə ˈsɜːrkəmstæns wɪtʃ ðə ˈɔːθər ɪz ˌɪnˈfɔːrmd hæz nɑːt bɪˈfɔːr əˈtendɪd ə θiˈætrɪkəl ˈtraɪəl ənd wɪtʃ ˈkɑːnsəkwəntli ɔːt nɑːt tuː pæs ənˈnoʊtɪst/
Line 4
I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.
Line 5
There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cooler noun US /ˈkuːlər/

a refrigerator for cooling liquids

From this reading “A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.”

correction noun US /kərˈekʃən/

the act of offering an improvement to replace a mistake; setting right

From this reading “I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.”

deficiencies noun US /dɪˈfɪʃənsiz/

plural of “deficiency” — the state of needing something that is absent or unavailable

From this reading “There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.”

fullest adjective US /ˈfʊləst/

superlative of “full” — containing as much or as many as is possible or normal

From this reading “There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.”

imperfections noun US /ˌɪmpərˈfekʃənz/

plural of “imperfection” — the state or an instance of being imperfect

From this reading “I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.”

procrastination noun US /prəˌkræstəˈneɪʃən/

the act of procrastinating; putting off or delaying or defering an action to a later time

From this reading “Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.”

solicits verb US /səˈlɪsəts/

third-person singular of “solicit” — make a solicitation or entreaty for something; request urgently or persistently

From this reading “A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.”

tribunal noun US /trəˈbjuːnəl/

an assembly (including one or more judges) to conduct judicial business

From this reading “A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.”

All words in this reading · 158

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

abilitynounUS /əˈbɪlətiː/

the quality of being able to perform; a quality that permits or facilitates achievement or accomplishment

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

acknowledgeverbUS /ækˈnɑːlɪdʒ/

declare to be true or admit the existence or reality or truth of

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

addverbUS /æd/

make an addition (to); join or combine or unite with others; increase the quality, quantity, size or scope of

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

addressverbUS /ˈædres/

speak to

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

admitverbUS /ədˈmɪt/

declare to be true or admit the existence or reality or truth of

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

alludedverbUS /əˈluːdɪd/

past form of “allude” — make a more or less disguised reference to

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

appealverbUS /əˈpiːl/

take a court case to a higher court for review

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

assemblynounUS /əˈsembli/

a group of machine parts that fit together to form a self-contained unit

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

atprepositionUS /æt/

in or near a particular place or position

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

attendedadjectiveUS /əˈtendɪd/

playing or singing with instrumental or vocal accompaniment

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

authornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

byprepositionUS /baɪ/

showing who or what does the action

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

causenounUS /kɑːz/

events that provide the generative force that is the origin of something

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

circumstancenounUS /ˈsɜːrkəmstæns/

a condition that accompanies or influences some event or activity

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

closetnounUS /ˈklɑːzət/

a small room (or recess) or cabinet used for storage space

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

closet-prologue

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

comedynounUS /ˈkɑːmədi/

light and humorous drama with a happy ending

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

condemnedverbUS /kənˈdemd/

past form of “condemn” — express strong disapproval of

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

confessionnounUS /kənˈfeʃən/

an admission of misdeeds or faults

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

consciousnessnounUS /ˈkɑːnʃəsnəs/

an alert cognitive state in which you are aware of yourself and your situation

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

consequentlyadverbUS /ˈkɑːnsəkwəntli/

(sentence connectors) because of the reason given

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

considerationsnounUS /kənˌsɪdərˈeɪʃənz/

plural of “consideration” — the process of giving careful thought to something

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

consideredadjectiveUS /kənˈsɪdərd/

carefully weighed

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

constantlyadverbUS /ˈkɑːnstəntli/

without variation or change, in every case

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

coolernounUS /ˈkuːlər/

a refrigerator for cooling liquids

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

correctionnounUS /kərˈekʃən/

the act of offering an improvement to replace a mistake; setting right

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

decisiveadjectiveUS /dɪˈsaɪsɪv/

determining or having the power to determine an outcome

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

deficienciesnounUS /dɪˈfɪʃənsiz/

plural of “deficiency” — the state of needing something that is absent or unavailable

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

degreenounUS /dɪˈɡriː/

a position on a scale of intensity or amount or quality

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

determinedadjectiveUS /dɪˈtɜːrmənd/

characterized by great determination

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

disgracefuladjectiveUS /dɪsˈɡreɪsfəl/

giving offense to moral sensibilities and injurious to reputation

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

errornounUS /ˈerər/

a wrong action attributable to bad judgment or ignorance or inattention

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

escapenounUS /ɪˈskeɪp/

the act of escaping physically

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

experiencedadjectiveUS /ɪkˈspɪriənst/

having experience; having knowledge or skill from observation or participation

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

fartheradjectiveUS /ˈfɑːrðər/

more distant in especially space or time

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

faultsnounUS /fɔːlts/

plural of “fault” — a wrong action attributable to bad judgment or ignorance or inattention

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

foundedverbUS /ˈfaʊndɪd/

past form of “found” — set up or found

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

fullestadjectiveUS /ˈfʊləst/

superlative of “full” — containing as much or as many as is possible or normal

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

hastyadjectiveUS /ˈheɪsti/

excessively quick

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

immediateadjectiveUS /ˌɪˈmiːdiːət/

of the present time and place

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

imperfectionsnounUS /ˌɪmpərˈfekʃənz/

plural of “imperfection” — the state or an instance of being imperfect

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

indulgencenounUS /ˌɪnˈdʌldʒəns/

an inability to resist the gratification of whims and desires

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

informedadjectiveUS /ˌɪnˈfɔːrmd/

having much knowledge or education

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

introductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

intrusionnounUS /ˌɪnˈtruːʒən/

any entry into an area not previously occupied

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

judgmentnounUS /ˈdʒʌdʒmənt/

an opinion formed by judging something

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

mixedadjectiveUS /mɪkst/

consisting of a haphazard assortment of different kinds

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

neednounUS /niːd/

a condition requiring relief

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

numerousadjectiveUS /ˈnuːmərəs/

amounting to a large indefinite number

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

objectnounUS /ˈɑːbdʒekt/

a tangible and visible entity; an entity that can cast a shadow

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

obviousadjectiveUS /ˈɑːbviəs/

easily perceived by the senses or grasped by the mind

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

palliateverb

lessen or to try to lessen the seriousness or extent of

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

passverbUS /pæs/

go across or through

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

performancenounUS /pərˈfɔːrməns/

a dramatic or musical entertainment

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

piecenounUS /piːs/

a separate part of a whole

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

playverbUS /pleɪ/

participate in games or sport

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

pleanounUS /pliː/

a humble request for help from someone in authority

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

pleaseverbUS /pliːz/

give pleasure to or be pleasing to

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

posteritynounUS /pɑːˈsterəti/

all of the offspring of a given progenitor

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

prefacenounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

preparedadjectiveUS /priˈperd/

made ready or fit or suitable beforehand

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

procrastinationnounUS /prəˌkræstəˈneɪʃən/

the act of procrastinating; putting off or delaying or defering an action to a later time

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

regardedverbUS /rɪˈɡɑːrdɪd/

past form of “regard” — deem to be

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

removeverbUS /riˈmuːv/

remove something concrete, as by lifting, pushing, or taking off, or remove something abstract

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

reprehensionnoun

an act or expression of criticism and censure

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

representationnounUS /ˌreprəzenˈteɪʃən/

a presentation to the mind in the form of an idea or image

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

reputationnounUS /ˌrepjəˈteɪʃən/

the state of being held in high esteem and honor

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

scarcelyadverbUS /ˈskersli/

only a very short time before

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

scopenounUS /skoʊp/

an area in which something acts or operates or has power or control: "the range of a supersonic jet"

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

solicitsverbUS /səˈlɪsəts/

third-person singular of “solicit” — make a solicitation or entreaty for something; request urgently or persistently

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

solicitudenounUS /səˈlɪsɪtuːd/

a feeling of excessive concern

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

submittedverbUS /səbˈmɪtɪd/

inflected form of “submit” — refer for judgment or consideration

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

successnounUS /səkˈses/

an event that accomplishes its intended purpose

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

successfuladjectiveUS /səkˈsesfəl/

having succeeded or being marked by a favorable outcome

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

suitverbUS /suːt/

be agreeable or acceptable to

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

theatrenounUS /ˈθiːətər/

a building where theatrical performances or motion-picture shows can be presented

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

theatricaladjectiveUS /θiˈætrɪkəl/

of or relating to the theater

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

ThereadverbUS /ðer/

in or at that place or location

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

ThusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

trialnounUS /ˈtraɪəl/

the act of testing something

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

tribunalnounUS /trəˈbjuːnəl/

an assembly (including one or more judges) to conduct judicial business

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

triflingnounUS /ˈtraɪflɪŋ/

the deliberate act of delaying and playing instead of working

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

unnecessaryadjectiveUS /ənˈnesəseri/

not necessary

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

unnoticedadjectiveUS /ənˈnoʊtɪst/

not noticed

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

usuallyadverbUS /ˈjuːʒəwəli/

under normal conditions

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

weaknessnounUS /ˈwiːknəs/

a flaw or weak point

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

whatpronounUS /wʌt/

used to ask for information about something

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

whopronounUS /huː/

which person or people

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

whosedeterminerUS /huːz/

belonging to which person

From this reading A preface to a play seems generally to be considered as a kind of closet-prologue, in which--if his piece has been successful--the author solicits that indulgence from the reader which he had before experienced from the audience: but as the scope and immediate object of a play is to please a mixed assembly in _representation_ (whose judgment in the theatre at least is decisive,) its degree of reputation is usually as determined as public, before it can be prepared for the cooler tribunal of the study.

wishverbUS /wɪʃ/

hope for; have a wish

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

withdrawingverbUS /wɪθˈdrɔːɪŋ/

-ing form of “withdraw” — pull back or move away or backward

From this reading I need scarcely add, that the circumstance alluded to was the withdrawing of the piece, to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of a hasty correction.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading From these considerations, the following comedy would certainly have been submitted to the reader, without any farther introduction than what it had in the representation, but that its success has probably been founded on a circumstance which the author is informed has not before attended a theatrical trial, and which consequently ought not to pass unnoticed.

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading Thus any farther solicitude on the part of the writer becomes unnecessary at least, if not an intrusion: and if the piece has been condemned in the performance, I fear an address to the closet, like an appeal to posterity, is constantly regarded as the procrastination of a suit, from a consciousness of the weakness of the cause.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading There are few writers, I believe, who, even in the fullest consciousness of error, do not wish to palliate the faults which they acknowledge; and, however trifling the performance, to second their confession of its deficiencies, by whatever plea seems least disgraceful to their ability.

Chapter 1 of The Rivals: A Comedy by Richard Brinsley Sheridan holds 433 sentences, grouped into 87 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Rivals: A Comedy contain?

Chapter 1 holds 433 sentences of The Rivals: A Comedy, unabridged, divided into 87 reading sections.

This page carries chapter 1 of The Rivals: A Comedy by Richard Brinsley Sheridan exactly as it stands in the source edition, without abridgement. It runs to 433 sentences, grouped into 87 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Rivals: A Comedy?

Work through the 87 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

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Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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About 136 minutes of reading across 327 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in The Rivals: A Comedy

Words and structures a reader meets early in The Rivals: A Comedy, each tappable for pronunciation and meaning.

Preface
A word that appears in the opening chapter of The Rivals: A Comedy; the reader can tap it to hear it and see its dictionary entry.
Seems
A word that appears in the opening chapter of The Rivals: A Comedy; the reader can tap it to hear it and see its dictionary entry.
Generally
A word that appears in the opening chapter of The Rivals: A Comedy; the reader can tap it to hear it and see its dictionary entry.
Considered
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