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The Satyricon — Volume 01: Introduction
The Satyricon — Volume 01: Introduction

Chapter I · Chapter 1

Chapter 1 of The Satyricon — Volume 01: Introduction is here in full — 521 sentences across 105 reading sections, with audio for every sentence and word.

Cover illustration for The Satyricon — Volume 01: Introduction
Context Illustration Reading 9/104 · 5 lines
English subtitles · tap any word to listen 1 / 5
From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.
The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.
The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.
The original work, then, would probably have exceeded Tom Jones in length.
THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Satyricon — Volume 01: Introduction

Chapter I · Chapter 1

Chapter 1 of The Satyricon — Volume 01: Introduction is here in full — 521 sentences across 105 reading sections, with audio for every sentence and word.

Reading 9/104 · 5 reading units · Lines 41–45

Line 1
From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.
Line 2
The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.
Line 3
The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.
Line 4
The original work, then, would probably have exceeded Tom Jones in length.
/ðə ərˈɪdʒənəl wɜːrk ðen wʊd ˈprɑːbəbliː hæv ɪkˈsiːdəd tɑːm dʒoʊnz ɪn leŋkθ/
Line 5
THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

antiquity noun US /ænˈtɪkwəti/

the historic period preceding the Middle Ages in Europe

From this reading “THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."”

Chapters noun US /ˈtʃæptərz/

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading “From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.”

continuation noun US /kənˌtɪnjuːˈeɪʃən/

the act of continuing an activity without interruption

From this reading “The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.”

exceeded verb US /ɪkˈsiːdəd/

past form of “exceed” — be greater in scope or size than some standard

From this reading “The original work, then, would probably have exceeded Tom Jones in length.”

exit noun US /ˈeɡzɪt/

an opening that permits escape or release

From this reading “The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.”

hazard noun US /ˈhæzərd/

a source of danger; a possibility of incurring loss or misfortune

From this reading “From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.”

interpolation noun US /ˌɪˈtɜːrpəleɪʃən/

a message (spoken or written) that is introduced or inserted

From this reading “From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.”

Museum noun US /mjuːˈziːəm/

a depository for collecting and displaying objects having scientific or historical or artistic value

From this reading “THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

140

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

1843

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

26

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

adventuresnounUS /ædˈventʃərz/

plural of “adventure” — a wild and exciting undertaking (not necessarily lawful)

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

antiquitynounUS /ænˈtɪkwəti/

the historic period preceding the Middle Ages in Europe

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

atprepositionUS /æt/

in or near a particular place or position

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

AUTHORnounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

BooknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

ChapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

ChaptersnounUS /ˈtʃæptərz/

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

completeverbUS /kəmˈpliːt/

come or bring to a finish or an end

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

continuationnounUS /kənˌtɪnjuːˈeɪʃən/

the act of continuing an activity without interruption

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

DinnernounUS /ˈdɪnər/

the main meal of the day served in the evening or at midday

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

discomfiturenoun

anxious embarrassment

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

disputeverbUS /dɪsˈpjuːt/

take exception to

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

Encolpius

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

endnounUS /end/

either extremity of something that has length

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

entireadjectiveUS /ɪnˈtaɪər/

constituting the full quantity or extent; complete

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

Eumolpus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

exceededverbUS /ɪkˈsiːdəd/

past form of “exceed” — be greater in scope or size than some standard

From this reading The original work, then, would probably have exceeded Tom Jones in length.

exitnounUS /ˈeɡzɪt/

an opening that permits escape or release

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

fifteennounUS /fɪfˈtiːn/

the cardinal number that is the sum of fourteen and one

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

fixedadjectiveUS /fɪkst/

(of a number) having a fixed and unchanging value

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

formnounUS /fɔːrm/

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

formedadjectiveUS /fɔːrmd/

having or given a form or shape

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

FourteennounUS /ˈfɔːrˈtiːn/

the cardinal number that is the sum of thirteen and one

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

fragmentsnounUS /ˈfræɡmənts/

plural of “fragment” — a piece broken off or cut off of something else

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

Fulgentius

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

hazardnounUS /ˈhæzərd/

a source of danger; a possibility of incurring loss or misfortune

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The original work, then, would probably have exceeded Tom Jones in length.

interpolationnounUS /ˌɪˈtɜːrpəleɪʃən/

a message (spoken or written) that is introduced or inserted

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

JonesnounUS /dʒoʊnz/

United States labor leader (born in Ireland) who helped to found the Industrial Workers of the World (1830-1930)

From this reading The original work, then, would probably have exceeded Tom Jones in length.

lengthnounUS /leŋkθ/

the linear extent in space from one end to the other; the longest dimension of something that is fixed in place

From this reading The original work, then, would probably have exceeded Tom Jones in length.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

meetingnounUS /ˈmiːtɪŋ/

a formally arranged gathering

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

MuseumnounUS /mjuːˈziːəm/

a depository for collecting and displaying objects having scientific or historical or artistic value

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

opinionnounUS /əˈpɪnjən/

a personal belief or judgment that is not founded on proof or certainty

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading The original work, then, would probably have exceeded Tom Jones in length.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

Petroniusnoun

Roman satirist (died in 66)

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

possessverbUS /pəˈzes/

have as an attribute, knowledge, or skill

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

principalnounUS /ˈprɪnsəpəl/

the original amount of a debt on which interest is calculated

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

Rheinisches

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

Satyricon

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

SixteenadjectiveUS /sɪkˈstiːn/

being one more than fifteen

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

Studer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading The original work, then, would probably have exceeded Tom Jones in length.

thereadverbUS /ðer/

in or at that place or location

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

timesnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

TomnounUS /tɑːm/

male cat

From this reading The original work, then, would probably have exceeded Tom Jones in length.

Trimalchio

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading From the interpolation of Fulgentius we may hazard the opinion that the beginning of the fragments, as we possess them (Chapters 1 to 26), form part of Book Fourteen.

withprepositionUS /wɪð/

in the company of; together with

From this reading The Dinner of Trimalchio probably formed a complete book, fifteen, and the continuation of the adventures of Encolpius down to his meeting with Eumolpus (end of Chapter 140) Book Sixteen.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading The discomfiture of Eumolpus should have closed this book but not the entire work, as the exit of the two principal characters is not fixed at the time our fragments come to an end.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading The original work, then, would probably have exceeded Tom Jones in length.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading THE AUTHOR. a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been so much dispute about the author, the times, the character and the purpose of a writing of antiquity as about the fragments of the Satyricon of Petronius."

Chapter 1 of The Satyricon — Volume 01: Introduction by 20-66 Petronius Arbiter holds 521 sentences, grouped into 105 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Satyricon — Volume 01: Introduction contain?

Chapter 1 holds 521 sentences of The Satyricon — Volume 01: Introduction, unabridged, divided into 105 reading sections.

This page carries chapter 1 of The Satyricon — Volume 01: Introduction by 20-66 Petronius Arbiter exactly as it stands in the source edition, without abridgement. It runs to 521 sentences, grouped into 105 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Satyricon — Volume 01: Introduction?

Work through the 105 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 105 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Satyricon — Volume 01: Introduction

Common questions about reading The Satyricon — Volume 01: Introduction by 20-66 Petronius Arbiter on this page, its source edition and its audio.

Is this the complete text of The Satyricon — Volume 01: Introduction?

Yes. All 521 sentences of Project Gutenberg eBook #5218 are kept, with a record of which sentences cover which part.

Which edition of The Satyricon — Volume 01: Introduction is used?

Project Gutenberg eBook #5218, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Satyricon — Volume 01: Introduction take to read?

About 43 minutes of reading across 105 sections of 5 sentences each, at an unhurried pace.

How to read The Satyricon — Volume 01: Introduction section by section

How to work through The Satyricon — Volume 01: Introduction section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 1 chapters of The Satyricon — Volume 01: Introduction to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Satyricon — Volume 01: Introduction

Words and structures a reader meets early in The Satyricon — Volume 01: Introduction, each tappable for pronunciation and meaning.

Short
A word that appears in the opening chapter of The Satyricon — Volume 01: Introduction; the reader can tap it to hear it and see its dictionary entry.
Bookmarks
A word that appears in the opening chapter of The Satyricon — Volume 01: Introduction; the reader can tap it to hear it and see its dictionary entry.
Pointers
A word that appears in the opening chapter of The Satyricon — Volume 01: Introduction; the reader can tap it to hear it and see its dictionary entry.
Those
A word that appears in the opening chapter of The Satyricon — Volume 01: Introduction; the reader can tap it to hear it and see its dictionary entry.