Chapter IV

used before a singular noun to mean one of a group, when it is not a particular one

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

a record or narrative description of past events

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

presently existing in fact and not merely potential or possible

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

in addition

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

used to join words or parts of a sentence that go together

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

the form of “be” used with you, we, they, or a plural noun

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

at the same time that; because; in the way that

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

in or near a particular place or position

From this reading THE CONFESSIONS AT ST.

a woman author

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

a relation that provides the foundation for something

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

a beckoning gesture

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

used to introduce something that contrasts with what came before

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

the particular occupation for which you are trained

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

possessive form of “charlotte” — the largest city in North Carolina; located in south central North Carolina

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

an admission of misdeeds or faults

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

plural of “confession” — an admission of misdeeds or faults

From this reading THE CONFESSIONS AT ST.

an open clash between two opposing groups (or individuals)

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

third-person singular of “describe” — give a description of

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

the past form of “do”, used in questions and negatives

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

plural of “emotion” — any strong feeling

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

a division of the United Kingdom

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

(Old Testament) Adam's wife in Judeo-Christian mythology: the first woman and mother of the human race; God created Eve from Adam's rib and placed Adam and Eve in the Garden of Eden

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

something that happens at a given place and time

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

plural of “event” — something that happens at a given place and time

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

plural of “experience” — the accumulation of knowledge or skill that results from direct participation in events or activities

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

communicated in words

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

mat together and make felt-like

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

preceding all others in time or space or degree

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

plural of “give” — the elasticity of something that can be stretched and returns to its original length

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

consisting of one of two equivalent parts in value or quantity

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

give help or assistance; be of service

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

of or relating to the study of history

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

the aggregate of past events

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

not based on fact; existing only in the imagination

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

inside something, or within a place, period, or state

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

uninterrupted in time and indefinitely long continuing

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

cause to come to know personally

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

the form of “be” used with he, she, it, or a singular noun

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

a member of the Jesuit order

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

past form of “last” — persist for a specified period of time

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

incomplete skeleton of female found in eastern Ethiopia in 1974

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

title used for a married Frenchwoman

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

used to make a word, phrase, or sentence negative

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

an extended fictional work in prose; usually in the form of a story

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

in the historical present; at this point in the narration of a series of past events

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

belonging to, or connected with, somebody or something

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

preceding all others in time or being as first made or performed

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

something having the property of being analogous to something else

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

a point located with respect to surface features of some region

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

plural of “portrait” — a word picture of a person's appearance and character

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

the particular portion of space occupied by something

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

the act of having and controlling property

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

put into a certain place or abstract location

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

being or occurring in fact or actuality; having verified existence; not illusory

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

earn on some commercial or business transaction; earn as salary or wages

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

third-person singular of “reappear” — appear again

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

third-person singular of “relate” — make a logical or causal connection

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

go or come back to place, condition, or activity where one has been before

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

a person who has died and has been declared a saint by canonization

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

Identical; not different.

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

plural of “scene” — the place where some action occurs

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

plural of “serve” — (sports) a stroke that puts the ball in play

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

a woman, girl, or female animal already mentioned, as the subject

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

catch sight of

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE CONFESSIONS AT ST.

carry out

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

used to introduce what somebody said, thought, or felt

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE CONFESSIONS AT ST.

the people or things already mentioned, as the object

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

in or at that place or location

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

the plural of “this”: the people or things near, or just mentioned

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

used before the base form of a verb to make the infinitive

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

consistent with fact or reality; not false

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

being or moving higher in position or greater in some value; being above a former position or level

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

the speaker and others, as the object of a verb or preposition

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

become different in some particular way, without permanently losing one's or its former characteristics or essence

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

precisely as stated

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

how something is done or how it happens

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

the speaker together with one or more other people

From this reading GUDULE We are now in a position to realise the emotions and experiences that lasted up to the eve of Charlotte's return to England.

used to ask for information about something

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

in or at the place that

From this reading These two events also re-appear, as scenes in _Villette, that did not take place in the way the authoress relates_ them; but that put us in possession of the parallel facts in Charlotte's true career: where she felt the very same emotions she describes in the novel.

which person or people

From this reading The first event gives us the actual, the original history, of what in _Villette_ reappears in the imaginary account of Lucy Snowe's Confession: and serves there to introduce us to the Jesuit who is half a spy and half a saint--Père Silas.

in the company of; together with

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But there are two events that vary the incessant conflict with Madame Heger; and that help to form the basis of real experiences, expressed in the portraits (that are not historical pictures) of Zoraïde Reuter and of Madame Beck.