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The Secret Victory
The Secret Victory

Chapter I

Chapter 1 of The Secret Victory is here in full — 397 sentences across 80 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/79 · 5 lines
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AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.
You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.
Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.
The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.
In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Secret Victory

Chapter I

Chapter 1 of The Secret Victory is here in full — 397 sentences across 80 reading sections, with audio for every sentence and word.

Reading 1/79 · 5 reading units · Lines 1–5

Line 1
AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.
Line 2
You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.
Line 3
Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.
Line 4
The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.
Line 5
In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

antagonists noun US /ænˈtæɡənəsts/

plural of “antagonist” — someone who offers opposition

From this reading “In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.”

commemoration noun US /kəˌmemərˈeɪʃən/

a ceremony to honor the memory of someone or something

From this reading “You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.”

Georgian noun US /ˈdʒɔːrdʒən/

a native or resident of the American state of Georgia

From this reading “The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.”

lilith noun US /ˈlɪlɪθ/

in ancient Semitic folklore: a female demon who attacks children

From this reading “AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.”

poses noun US /ˈpoʊzəz/

plural of “pose” — affected manners intended to impress others

From this reading “In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.”

standpoints noun US /ˈstændpɔɪnts/

plural of “standpoint” — a mental position from which things are viewed

From this reading “The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.”

trilogy noun US /ˈtrɪlədʒi/

a set of three literary or dramatic works related in subject or theme

From this reading “The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.”

unmatched adjective US /ənˈmætʃt/

of the remaining member of a pair

From this reading “You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

close contact adjective + noun

In this reading “In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.”

three volumes noun + noun counted as “three volume”

In this reading “You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.”

in succession preposition + noun

In this reading “The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.”

All words in this reading · 163

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

acclimatized

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

acquitverbUS /əˈkwɪt/

pronounce not guilty of criminal charges

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

allowingverbUS /əˈlaʊɪŋ/

-ing form of “allow” — make it possible through a specific action or lack of action for something to happen

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

amateurnounUS /ˈæmətɜːr/

someone who pursues a study or sport as a pastime

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

antagonistsnounUS /ænˈtæɡənəsts/

plural of “antagonist” — someone who offers opposition

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

apologynounUS /əˈpɑːlədʒiː/

an expression of regret at having caused trouble for someone

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

artificenounUS /ˈɑːrtəfɪs/

a deceptive maneuver (especially to avoid capture)

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

attacksnounUS /əˈtæks/

plural of “attack” — (military) an offensive against an enemy (using weapons)

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

AUTHORnounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

availedverbUS /əˈveɪld/

past form of “avail” — use to one's advantage

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

battlenounUS /ˈbætəl/

a hostile meeting of opposing military forces in the course of a war

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

betweenprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

byprepositionUS /baɪ/

showing who or what does the action

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

commemorationnounUS /kəˌmemərˈeɪʃən/

a ceremony to honor the memory of someone or something

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

contactnounUS /ˈkɑːntækt/

close interaction

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

contestnounUS /ˈkɑːntest/

an occasion on which a winner is selected from among two or more contestants

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

convenientadjectiveUS /kənˈviːnjənt/

suited to your comfort or purpose or needs

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

criticismnounUS /ˈkrɪtɪsɪzəm/

disapproval expressed by pointing out faults or shortcomings

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

daylightnounUS /ˈdeɪlaɪt/

the time after sunrise and before sunset while it is light outside

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

dedicateverbUS /ˈdedəkeɪt/

give entirely to a specific person, activity, or cause

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

defencenounUS /dɪˈfens/

(psychiatry) an unconscious process that tries to reduce the anxiety associated with instinctive desires

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

deflates

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

detachedadjectiveUS /dɪˈtætʃt/

showing lack of emotional involvement

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

detachmentnounUS /dɪˈtætʃmənt/

avoiding emotional involvement

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

drawnadjectiveUS /drɔːn/

showing the wearing effects of overwork or care or suffering

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

EDUCATIONnounUS /ˌedʒəˈkeɪʃən/

the activities of educating or instructing; activities that impart knowledge or skill

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

emotionnounUS /ɪˈmoʊʃən/

any strong feeling

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

encouragementnounUS /enˈkɜːrɪdʒmənt/

the expression of approval and support

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

ERIC

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

ETC

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

ever-ready

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

forcesnounUS /ˈfɔːrsɪz/

plural of “force” — a powerful effect or influence

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

formsnounUS /fɔːrmz/

plural of “form” — the phonological or orthographic sound or appearance of a word that can be used to describe or identify something

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

friendshipnounUS /ˈfrendʃɪp/

the state of being friends (or friendly)

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

furtheradverbUS /ˈfɜːrðər/

to or at a greater extent or degree or a more advanced stage (“further” is used more often than “farther” in this abstract sense)

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

GeorgiannounUS /ˈdʒɔːrdʒən/

a native or resident of the American state of Georgia

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

grownadjectiveUS /ɡroʊn/

(of animals) fully developed

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

helpverbUS /help/

give help or assistance; be of service

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

HOURSnounUS /ˈaʊərz/

a period of time assigned for work

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

huntersnounUS /ˈhʌntərz/

plural of “hunter” — someone who hunts game

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

intimateadjectiveUS /ˈɪntəmət/

marked by close acquaintance, association, or familiarity

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

LADYnounUS /ˈleɪdi/

a polite name for any woman

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

LANEnounUS /leɪn/

a narrow way or road

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

latter-dayadjective

belonging to the present or recent times

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

LEAVEverbUS /liːv/

go away from a place

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

LILITHnounUS /ˈlɪlɪθ/

in ancient Semitic folklore: a female demon who attacks children

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

longeradverbUS /ˈlɔːŋɡər/

for more time

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

majesty'snounUS /ˈmædʒəstiz/

possessive form of “majesty” — impressiveness in scale or proportion

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

manuscriptnounUS /ˈmæn.jə.skrɪpt/

A book, document, or piece of music written by hand rather than typed or printed.

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

MARRIEDadjectiveUS /ˈmerid/

joined in matrimony

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

mediumnounUS /ˈmiːdiəm/

a means or instrumentality for storing or communicating information

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

mirroredadjectiveUS /ˈmɪrərd/

like or characteristic of a mirror image

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

neednounUS /niːd/

a condition requiring relief

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

NINETY-SIXadjective

being six more than ninety

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

nodeterminerUS /noʊ/

not any; not one

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

novel-trilogy

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

obligationnounUS /ˌɑːbləˈɡeɪʃən/

the social force that binds you to the courses of action demanded by that force

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

occupiesverbUS /ˈɑːkjəpaɪz/

third-person singular of “occupy” — keep busy with

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

offeredverbUS /ˈɔːfərd/

past form of “offer” — make available or accessible, provide or furnish

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

openverbUS /ˈoʊ.pən/

To move from a closed position.

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

passionlessadjective

not passionate

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

posesnounUS /ˈpoʊzəz/

plural of “pose” — affected manners intended to impress others

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

practising

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

pretensionsnounUS /prəˈtenʃənz/

plural of “pretension” — a false or unsupportable quality

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

profitedverbUS /ˈprɑːfətəd/

past form of “profit” — derive a benefit from

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

providesverbUS /prəˈvaɪdz/

third-person singular of “provide” — give something useful or necessary to

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

provokedadjectiveUS /prəˈvoʊkt/

incited, especially deliberately, to anger

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

readverbUS /red/

interpret something that is written or printed

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

readersnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

realitynounUS /ˌriːˈælətiː/

all of your experiences that determine how things appear to you

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

reignverbUS /reɪn/

have sovereign power

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

responsibilitynounUS /riˌspɑːnsəˈbɪləti/

the social force that binds you to the courses of action demanded by that force

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

revealingadjectiveUS /rɪˈviːlɪŋ/

disclosing unintentionally something concealed

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

sayverbUS /seɪ/

express in words

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

SecretnounUS /ˈsiː.krət/

Something that is kept or meant to be kept unknown or unseen by others.

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

sensation-mongers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

Sensationalists

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

sensitiveadjectiveUS /ˈsensətɪv/

responsive to physical stimuli

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

shortcomingsnounUS /ˈʃɔːrtkʌmɪŋz/

plural of “shortcoming” — a failing or deficiency

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

SONIA

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

standpointsnounUS /ˈstændpɔɪnts/

plural of “standpoint” — a mental position from which things are viewed

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

standsnounUS /stændz/

plural of “stand” — a support or foundation

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

stilladjectiveUS /stɪl/

not in physical motion

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

story-teller

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

streetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

strengthnounUS /streŋkθ/

the property of being physically or mentally strong

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

studynounUS /ˈstʌdi/

a detailed critical inspection

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

successionnounUS /səkˈseʃən/

a following of one thing after another in time

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

sufferverbUS /ˈsʌfər/

undergo or be subjected to

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

supplyverbUS /səˈplaɪ/

give something useful or necessary to

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

sympatheticadjectiveUS /ˌsɪmpəˈθetɪk/

of or relating to the sympathetic nervous system

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading AUTHOR OF “LADY LILITH,” “SONIA MARRIED,” “THE EDUCATION OF ERIC LANE,” “SONIA,” “NINETY-SIX HOURS’ LEAVE,” ETC.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

thirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

ThoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

tragi-comedians

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

trilogynounUS /ˈtrɪlədʒi/

a set of three literary or dramatic works related in subject or theme

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

tumidadjective

ostentatiously lofty in style

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

unfailingadjectiveUS /ənˈfeɪlɪŋ/

not liable to failure

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

unmatchedadjectiveUS /ənˈmætʃt/

of the remaining member of a pair

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

VictorynounUS /ˈvɪktəri/

a successful ending of a struggle or contest

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

vigilancenounUS /ˈvɪdʒələns/

the process of paying close and continuous attention

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

volumesnounUS /ˈvɑːljuːmz/

plural of “volume” — the amount of 3-dimensional space occupied by an object

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

whopronounUS /huː/

which person or people

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading The novel-trilogy is so little acclimatized to latter-day Georgian England that, though it may need no defence, it has provoked attacks from readers who will suffer all artistic forms but those which are offered to the public in his present majesty’s reign; I say no more in its apology than that it provides a convenient medium for a study in which the story-teller occupies, in succession, three different standpoints.

withprepositionUS /wɪð/

in the company of; together with

From this reading In _Lady Lilith_, the emotion hunters and sensation-mongers who supply the drama of this trilogy are still practising their poses in mirrored and passionless detachment; in _The Education of Eric Lane_, artifice has grown to such strength that, in its contest with reality, the battle—between antagonists no longer detached nor passionless—stands drawn; in _The Secret Victory_, a close contact with reality deflates the tumid pretensions of artifice and forces an amateur company of tragi-comedians into the revealing daylight of the open street.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

YoupronounUS /juː/

the person or people being spoken to

From this reading You, who have read the three volumes of _The Sensationalists_ in manuscript, place me under further obligation by allowing me to dedicate the third to you in commemoration of a friendship which has been long, intimate and—to me—unmatched.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading Though I acquit you of responsibility for shortcomings in anything that I have written, the tale of these shortcomings would have been far longer if I had not availed myself of your unfailing vigilance and ever-ready help, as I have profited by your sensitive criticism and sympathetic encouragement.

Chapter 1 of The Secret Victory by Stephen McKenna holds 397 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Secret Victory contain?

Chapter 1 holds 397 sentences of The Secret Victory, unabridged, divided into 80 reading sections.

This page carries chapter 1 of The Secret Victory by Stephen McKenna exactly as it stands in the source edition, without abridgement. It runs to 397 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Secret Victory?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 80 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Secret Victory

Common questions about reading The Secret Victory by Stephen McKenna on this page, its source edition and its audio.

Is this the complete text of The Secret Victory?

Yes. All 6055 sentences of Project Gutenberg eBook #48133 are kept, with a record of which sentences cover which part.

Which edition of The Secret Victory is used?

Project Gutenberg eBook #48133, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Secret Victory take to read?

About 504 minutes of reading across 1211 sections of 5 sentences each, at an unhurried pace.

How to read The Secret Victory section by section

How to work through The Secret Victory section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 15 chapters of The Secret Victory to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Secret Victory

Words and structures a reader meets early in The Secret Victory, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Secret Victory; the reader can tap it to hear it and see its dictionary entry.
Lilith
A word that appears in the opening chapter of The Secret Victory; the reader can tap it to hear it and see its dictionary entry.
Sonia
A word that appears in the opening chapter of The Secret Victory; the reader can tap it to hear it and see its dictionary entry.
Married
A word that appears in the opening chapter of The Secret Victory; the reader can tap it to hear it and see its dictionary entry.