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The Serapion Brethren, Vol. I.
The Serapion Brethren, Vol. I.

Chapter IV

Chapter 4 of The Serapion Brethren, Vol. I. is here in full — 422 sentences across 85 reading sections, with audio for every sentence and word.

Cover illustration for The Serapion Brethren, Vol. I.
Context Illustration Reading 1/84 · 5 lines
English subtitles · tap any word to listen 1 / 5
"_Ferdinand_.
'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'
"_Ludwig_.
'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.
Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Serapion Brethren, Vol. I.

Chapter IV

Chapter 4 of The Serapion Brethren, Vol. I. is here in full — 422 sentences across 85 reading sections, with audio for every sentence and word.

Reading 1/84 · 5 reading units · Lines 1–5

Line 1
"_Ferdinand_.
/ˈfɜːrdɪnænd/
Line 2
'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'
/ðen ɪt ɪz ðə roʊˈmæntɪk ˈɑːprə wɪð ɪts ˈferiz ənd ˈspɪrɪts ɪts ˈprɑːdədʒiz ənd ˌtrænsfərˈmeɪʃənz ðæt juː wʊd ədˈhɪr tuː ɪkˈskluːsɪvli/
Line 3
"_Ludwig_.
Line 4
'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.
/aɪ ˈsɜːrtənli θɪŋk ðə roʊˈmæntɪk ˈɑːprə ðə ˈoʊnli pərˈfekt kaɪnd bɪˈkɔːz ɪt ɪz ˈoʊnli ɪn ðə relm ʌv ðə roʊˈmæntɪk ðæt ˈmjuːzɪk ɪz æt hoʊm/
Line 5
Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adhere verb US /ədˈhɪr/

be compatible or in accordance with

From this reading “'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'”

exclusively adverb US /ɪkˈskluːsɪvli/

without any others being included or involved

From this reading “'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'”

Ferdinand noun US /ˈfɜːrdɪnænd/

the king of Castile and Aragon who ruled jointly with his wife Isabella

heaped verb US /hiːpt/

past form of “heap” — bestow in large quantities

From this reading “Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.”

prodigies noun US /ˈprɑːdədʒiz/

plural of “prodigy” — an unusually gifted or intelligent (young) person; someone whose talents excite wonder and admiration

From this reading “'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'”

productions noun US /prəˈdʌkʃənz/

plural of “production” — the act or process of producing something

From this reading “Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.”

rhyme noun US /raɪm/

correspondence in the sounds of two or more lines (especially final sounds)

From this reading “Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.”

transformations noun US /ˌtrænsfərˈmeɪʃənz/

plural of “transformation” — a qualitative change

From this reading “'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

at home preposition + noun

a reception held in your own home

In this reading “'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.”

without rhyme preposition + noun

In this reading “Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.”

Of course preposition + noun

as might be expected

In this reading “Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.”

All words in this reading · 62

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adhereverbUS /ədˈhɪr/

be compatible or in accordance with

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

appearverbUS /əˈpɪr/

give a certain impression or have a certain outward aspect

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

atprepositionUS /æt/

in or near a particular place or position

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

classnounUS /klæs/

a collection of things sharing a common attribute

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

delectationnoun

a feeling of extreme pleasure or satisfaction

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

despiseverbUS /dɪˈspaɪz/

look down on with disdain

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

exclusivelyadverbUS /ɪkˈskluːsɪvli/

without any others being included or involved

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

eyesnounUS /aɪz/

opinion or judgment

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

fairiesnounUS /ˈferiz/

plural of “fairy” — a small being, human in form, playful and having magical powers

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

FerdinandnounUS /ˈfɜːrdɪnænd/

the king of Castile and Aragon who ruled jointly with his wife Isabella

From this reading "_Ferdinand_.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

groundlings

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

heapedverbUS /hiːpt/

past form of “heap” — bestow in large quantities

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

homenounUS /hoʊm/

where you live at a particular time

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

Ludwig

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "_Ludwig_.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

miserableadjectiveUS /ˈmɪzərəbəl/

very unhappy; full of misery

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

musicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

OperanounUS /ˈɑːprə/

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

perfectadjectiveUS /pərˈfekt/

being complete of its kind and without defect or blemish

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

prodigiesnounUS /ˈprɑːdədʒiz/

plural of “prodigy” — an unusually gifted or intelligent (young) person; someone whose talents excite wonder and admiration

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

productionsnounUS /prəˈdʌkʃənz/

plural of “production” — the act or process of producing something

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

profoundlyadverbUS /proʊˈfaʊndli/

to a great depth psychologically or emotionally

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

realmnounUS /relm/

a domain in which something is dominant

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

rhymenounUS /raɪm/

correspondence in the sounds of two or more lines (especially final sounds)

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

RomanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

sillyadjectiveUS /ˈsɪli/

ludicrous, foolish

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

spiritsnounUS /ˈspɪrɪts/

an alcoholic beverage that is distilled rather than fermented

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

spiritualadjectiveUS /ˈspɪrɪtʃuːəl/

concerned with sacred matters or religion or the church

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading 'I certainly think the Romantic Opera the only perfect kind, because it is only in the realm of the Romantic that music is at home.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

transformationsnounUS /ˌtrænsfərˈmeɪʃənz/

plural of “transformation” — a qualitative change

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

unnounUS /ʌn/

an organization of independent states formed in 1945 to promote international peace and security

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

whereconjunctionUS /wer/

in or at the place that

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

withprepositionUS /wɪð/

in the company of; together with

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

wondersnounUS /ˈwʌndərz/

plural of “wonder” — the feeling aroused by something strange and surprising

From this reading Of course you will understand that I profoundly despise that miserable class of productions in which silly, _un_spiritual spirits appear, and where wonders are heaped upon wonders, without rhyme or reason, merely for the delectation of the _eyes_ of the musical groundlings.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

youpronounUS /juː/

the person or people being spoken to

From this reading 'Then it is the Romantic Opera, with its fairies and spirits, its prodigies and transformations, that you would adhere to, exclusively?'

Chapter 4 of The Serapion Brethren, Vol. I. by E. T. A. (Ernst Theodor Amadeus) Hoffmann holds 422 sentences, grouped into 85 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of The Serapion Brethren, Vol. I. contain?

Chapter 4 holds 422 sentences of The Serapion Brethren, Vol. I., unabridged, divided into 85 reading sections.

This page carries chapter 4 of The Serapion Brethren, Vol. I. by E. T. A. (Ernst Theodor Amadeus) Hoffmann exactly as it stands in the source edition, without abridgement. It runs to 422 sentences, grouped into 85 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of The Serapion Brethren, Vol. I.?

Work through the 85 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 85 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Serapion Brethren, Vol. I.

Common questions about reading The Serapion Brethren, Vol. I. by E. T. A. (Ernst Theodor Amadeus) Hoffmann on this page, its source edition and its audio.

Is this the complete text of The Serapion Brethren, Vol. I.?

Yes. All 8687 sentences of Project Gutenberg eBook #31820 are kept, with a record of which sentences cover which part.

Which edition of The Serapion Brethren, Vol. I. is used?

Project Gutenberg eBook #31820, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Serapion Brethren, Vol. I. take to read?

About 600 minutes of reading across 1738 sections of 5 sentences each, at an unhurried pace.

How to read The Serapion Brethren, Vol. I. section by section

How to work through The Serapion Brethren, Vol. I. section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 21 chapters of The Serapion Brethren, Vol. I. to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Serapion Brethren, Vol. I.

Words and structures a reader meets early in The Serapion Brethren, Vol. I., each tappable for pronunciation and meaning.

Footnotes
A word that appears in the opening chapter of The Serapion Brethren, Vol. I.; the reader can tap it to hear it and see its dictionary entry.
Number
A word that appears in the opening chapter of The Serapion Brethren, Vol. I.; the reader can tap it to hear it and see its dictionary entry.
Listed
A word that appears in the opening chapter of The Serapion Brethren, Vol. I.; the reader can tap it to hear it and see its dictionary entry.
Diphthong
A word that appears in the opening chapter of The Serapion Brethren, Vol. I.; the reader can tap it to hear it and see its dictionary entry.