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The Serapion Brethren, Vol. II
The Serapion Brethren, Vol. II

Chapter III

Chapter 3 of The Serapion Brethren, Vol. II is here in full — 176 sentences across 36 reading sections, with audio for every sentence and word.

Cover illustration for The Serapion Brethren, Vol. II
Context Illustration Reading 1/35 · 5 lines
English subtitles · tap any word to listen 1 / 5
IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.
The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.
Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.
Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.
Those will come to be something else than trees before you have done with them."
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Serapion Brethren, Vol. II

Chapter III

Chapter 3 of The Serapion Brethren, Vol. II is here in full — 176 sentences across 36 reading sections, with audio for every sentence and word.

Reading 1/35 · 5 reading units · Lines 1–5

Line 1
IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.
Line 2
The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.
Line 3
Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.
Line 4
Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.
Line 5
Those will come to be something else than trees before you have done with them."

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cigar noun US /sɪˈɡɑːr/

a roll of tobacco for smoking

From this reading “IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.”

disturb verb US /dɪˈstɜːrb/

move deeply

From this reading “Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.”

goldsmith noun US /ˈɡoʊldsmɪθ/

an artisan who makes jewelry and other objects out of gold

From this reading “The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.”

intervention noun US /ˌɪntərˈvenʃən/

the act of intervening (as to mediate a dispute, etc.)

From this reading “IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.”

painter noun US /ˈpeɪntər/

an artist who paints

From this reading “The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.”

previously adverb US /ˈpriːviəsli/

at an earlier time or formerly

From this reading “IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.”

sketch noun US /sketʃ/

preliminary drawing for later elaboration

From this reading “Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.”

sketching verb US /ˈsketʃɪŋ/

-ing form of “sketch” — make a sketch of

From this reading “Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

most extraordinary adverb + adjective

In this reading “Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.”

young gentleman adjective + noun

In this reading “Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.”

somewhat different adverb + adjective

In this reading “The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.”

went on verb + particle counted as “go on”

continue a certain state, condition, or activity

In this reading “Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.”

BY THE INTERVENTION preposition + article + noun counted as “by … intervention”

In this reading “IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.”

came up verb + adjective counted as “come up”

bring forth, usually something desirable

In this reading “Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.”

made acquaintance adjective + noun

In this reading “The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.”

looked over verb + particle counted as “look over”

In this reading “Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.”

All words in this reading · 94

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

acquaintancenounUS /əˈkweɪntəns/

personal knowledge or information about someone or something

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

AGOING

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

atprepositionUS /æt/

in or near a particular place or position

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Those will come to be something else than trees before you have done with them."

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Those will come to be something else than trees before you have done with them."

BETWEENprepositionUS /bɪˈtwiːn/

in the space, time, or range separating two things

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

ceremonynounUS /ˈserəmoʊni/

a formal event performed on a special occasion

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

CIGARnounUS /sɪˈɡɑːr/

a roll of tobacco for smoking

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading Those will come to be something else than trees before you have done with them."

criedverbUS /kraɪd/

inflected form of “cry” — utter a sudden loud cry

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

disturbverbUS /dɪˈstɜːrb/

move deeply

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

doingverbUS /ˈduːɪŋ/

-ing form of “do” — engage in

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

DRAWverbUS /drɔː/

cause to move by pulling

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

Edmund

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

else

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Those will come to be something else than trees before you have done with them."

extraordinaryadjectiveUS /ˌekstrəˈɔːrdəneri/

beyond what is ordinary or usual; highly unusual or exceptional or remarkable

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

GENTLEMANnounUS /ˈdʒentəlmən/

a man of refinement

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

goldsmithnounUS /ˈɡoʊldsmɪθ/

an artisan who makes jewelry and other objects out of gold

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

groupnounUS /ɡruːp/

any number of entities (members) considered as a unit

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

HADauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Those will come to be something else than trees before you have done with them."

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

HEADSnounUS /hedz/

plural of “head” — the upper part of the human body or the front part of the body in animals; contains the face and brains

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

HOW

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

INTERVENTIONnounUS /ˌɪntərˈvenʃən/

the act of intervening (as to mediate a dispute, etc.)

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

ISauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

ITpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

KNOCKEDverbUS /nɑːkt/

past form of “knock” — deliver a sharp blow or push

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

LADYnounUS /ˈleɪdi/

a polite name for any woman

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

Lehsen

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

Leonhard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

lonelyadjectiveUS /ˈloʊnli/

lacking companions or companionship

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

LOVE-AFFAIR

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

mostadverbUS /moʊst/

used to form the superlative

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

mysteriousadjectiveUS /mɪˈstɪriəs/

of an obscure nature

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

NOTadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

painternounUS /ˈpeɪntər/

an artist who paints

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

PREVIOUSLYadverbUS /ˈpriːviəsli/

at an earlier time or formerly

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

RELATEDadjectiveUS /rɪˈleɪtɪd/

being connected either logically or causally or by shared characteristics

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

SETverbUS /set/

put into a certain place or abstract location

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

shoulderverbUS /ˈʃoʊldər/

lift onto one's shoulders

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

sketchnounUS /sketʃ/

preliminary drawing for later elaboration

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

sketchingverbUS /ˈsketʃɪŋ/

-ing form of “sketch” — make a sketch of

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading Those will come to be something else than trees before you have done with them."

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading Those will come to be something else than trees before you have done with them."

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

THEIRdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Those will come to be something else than trees before you have done with them."

Thiergarten

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

ThosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Those will come to be something else than trees before you have done with them."

tillprepositionUS /tɪl/

up to a particular time

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

TOGETHERadverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

treesnounUS /triːz/

plural of “tree” — a tall perennial woody plant having a main trunk and branches forming a distinct elevated crown; includes both gymnosperms and angiosperms

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

Tussmann

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

WASauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading Edmund did not disturb himself, but went on with his sketch, till the goldsmith cried-- "That is a most extraordinary picture, young gentleman.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

whenconjunctionUS /wen/

at the time that

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

WHICHpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

WHOpronounUS /huː/

which person or people

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Those will come to be something else than trees before you have done with them."

withprepositionUS /wɪð/

in the company of; together with

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Edmund was one day sketching a beautiful group of trees in a lonely part of the Thiergarten, when Leonhard came up, and, without any ceremony, looked over his shoulder at what he was doing.

WOULDmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading IN WHICH IT IS RELATED HOW, BY THE INTERVENTION OF A CIGAR WHICH WOULD NOT DRAW, A LOVE-AFFAIR WAS SET AGOING BETWEEN A LADY AND GENTLEMAN WHO HAD PREVIOUSLY KNOCKED THEIR HEADS TOGETHER.

youpronounUS /juː/

the person or people being spoken to

From this reading Those will come to be something else than trees before you have done with them."

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The manner in which young Edmund Lehsen, the painter, made acquaintance with the mysterious goldsmith, Leonhard, was somewhat different to that in which Tussmann had done so.

Chapter 3 of The Serapion Brethren, Vol. II by E. T. A. (Ernst Theodor Amadeus) Hoffmann holds 176 sentences, grouped into 36 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of The Serapion Brethren, Vol. II contain?

Chapter 3 holds 176 sentences of The Serapion Brethren, Vol. II, unabridged, divided into 36 reading sections.

This page carries chapter 3 of The Serapion Brethren, Vol. II by E. T. A. (Ernst Theodor Amadeus) Hoffmann exactly as it stands in the source edition, without abridgement. It runs to 176 sentences, grouped into 36 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of The Serapion Brethren, Vol. II?

Work through the 36 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 36 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Serapion Brethren, Vol. II

Common questions about reading The Serapion Brethren, Vol. II by E. T. A. (Ernst Theodor Amadeus) Hoffmann on this page, its source edition and its audio.

Is this the complete text of The Serapion Brethren, Vol. II?

Yes. All 7958 sentences of Project Gutenberg eBook #31668 are kept, with a record of which sentences cover which part.

Which edition of The Serapion Brethren, Vol. II is used?

Project Gutenberg eBook #31668, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Serapion Brethren, Vol. II take to read?

About 600 minutes of reading across 1592 sections of 5 sentences each, at an unhurried pace.

How to read The Serapion Brethren, Vol. II section by section

How to work through The Serapion Brethren, Vol. II section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 13 chapters of The Serapion Brethren, Vol. II to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Serapion Brethren, Vol. II

Words and structures a reader meets early in The Serapion Brethren, Vol. II, each tappable for pronunciation and meaning.

Source
A word that appears in the opening chapter of The Serapion Brethren, Vol. II; the reader can tap it to hear it and see its dictionary entry.
Scans
A word that appears in the opening chapter of The Serapion Brethren, Vol. II; the reader can tap it to hear it and see its dictionary entry.
Google
A word that appears in the opening chapter of The Serapion Brethren, Vol. II; the reader can tap it to hear it and see its dictionary entry.
Books
A word that appears in the opening chapter of The Serapion Brethren, Vol. II; the reader can tap it to hear it and see its dictionary entry.