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The Shakespearean Myth
The Shakespearean Myth

Chapter V

Chapter 5 of The Shakespearean Myth is here in full — 258 sentences across 52 reading sections, with audio for every sentence and word.

Cover illustration for The Shakespearean Myth
Context Illustration Reading 1/51 · 5 lines
English subtitles · tap any word to listen 1 / 5
HERE is a legal maxim to the effect that he who destroys should be able to build up.
The anti-Shakespeareans have not neglected to observe it.
The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.
Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.
"The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Shakespearean Myth

Chapter V

Chapter 5 of The Shakespearean Myth is here in full — 258 sentences across 52 reading sections, with audio for every sentence and word.

Reading 1/51 · 5 reading units · Lines 1–5

Line 1
HERE is a legal maxim to the effect that he who destroys should be able to build up.
/hiːr ɪz ə ˈliːɡəl ˈmæksəm tuː ðə ɪˈfekt ðæt hiː huː dɪˈstrɔɪz ʃʊd biː ˈeɪbəl tuː bɪld ʌp/
Line 2
The anti-Shakespeareans have not neglected to observe it.
Line 3
The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.
Line 4
Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.
/mɔːˈroʊvər ˈletərz ənd ˈlɜːrnɪŋ soʊ lɔːŋ ɪkˈskluːsɪvli kənˈfaɪnd tuː ðə rɪtʃ ənd ˈdʒentəl bɪˈɡæn tuː faɪnd ɪkˈspreʃənz ɪn ˈʌðər ræŋks/
Line 5
"The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.
/ðə mɑːb ʌv ˈdʒentəlmɪn huː raɪt wɪð iːz wɜːr wʌn ənd ɔːl bɪˈɡɪnɪŋ tuː juːs ðer penz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

borrowed verb US /ˈbɑːroʊd/

past form of “borrow” — get temporarily

From this reading “The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.”

continent noun US /ˈkɑːntənənt/

one of the large landmasses of the earth

From this reading “The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.”

destroys verb US /dɪˈstrɔɪz/

third-person singular of “destroy” — do away with, cause the destruction or undoing of

From this reading “HERE is a legal maxim to the effect that he who destroys should be able to build up.”

exclusively adverb US /ɪkˈskluːsɪvli/

without any others being included or involved

From this reading “Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.”

expressions noun US /ɪkˈspreʃənz/

plural of “expression” — the feelings expressed on a person's face

From this reading “Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.”

maxim noun US /ˈmæksəm/

a saying that is widely accepted on its own merits

From this reading “HERE is a legal maxim to the effect that he who destroys should be able to build up.”

pens noun US /penz/

plural of “pen” — a writing implement with a point from which ink flows

From this reading “"The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.”

Renaissance noun US /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading “The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

first time adjective + noun

In this reading “The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.”

throwing off verb + particle counted as “throw off”

get rid of

In this reading “The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.”

borrowed from verb + particle counted as “borrow from”

In this reading “The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.”

build up verb + adjective

enlarge, develop, or increase by degrees or in stages

In this reading “HERE is a legal maxim to the effect that he who destroys should be able to build up.”

appeared in verb + particle counted as “appear in”

In this reading “The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.”

All words in this reading · 85

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

ableadjectiveUS /ˈeɪbəl/

(usually followed by “to”) having the necessary means or skill or know-how or authority to do something

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

anti-Shakespeareans

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The anti-Shakespeareans have not neglected to observe it.

appearedverbUS /əˈpɪrd/

past form of “appear” — give a certain impression or have a certain outward aspect

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

beginningnounUS /bɪˈɡɪnɪŋ/

the event consisting of the start of something

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

borrowedverbUS /ˈbɑːroʊd/

past form of “borrow” — get temporarily

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

buildverbUS /bɪld/

make by combining materials and parts

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

confinedadjectiveUS /kənˈfaɪnd/

not invading healthy tissue

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

continentnounUS /ˈkɑːntənənt/

one of the large landmasses of the earth

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

crudities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

destroysverbUS /dɪˈstrɔɪz/

third-person singular of “destroy” — do away with, cause the destruction or undoing of

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

easeverbUS /iːz/

move gently or carefully

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

exclusivelyadverbUS /ɪkˈskluːsɪvli/

without any others being included or involved

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

expressionsnounUS /ɪkˈspreʃənz/

plural of “expression” — the feelings expressed on a person's face

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

gentleadjectiveUS /ˈdʒentəl/

soft and mild; not harsh or stern or severe

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

gentlemennounUS /ˈdʒentəlmɪn/

plural of “gentleman” — a man of refinement

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

happenedverbUS /ˈhæpənd/

past form of “happen” — come to pass

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The anti-Shakespeareans have not neglected to observe it.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

HEREadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The anti-Shakespeareans have not neglected to observe it.

justadverbUS /dʒʌst/

and nothing more

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

learningnounUS /ˈlɜːrnɪŋ/

the cognitive process of acquiring skill or knowledge

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

legaladjectiveUS /ˈliːɡəl/

established by or founded upon law or official or accepted rules

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

lettersnounUS /ˈletərz/

the literary culture

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

maximnounUS /ˈmæksəm/

a saying that is widely accepted on its own merits

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

miraclenounUS /ˈmɪrəkəl/

any amazing or wonderful occurrence

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

mobnounUS /mɑːb/

a disorderly crowd of people

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

MoreoveradverbUS /mɔːˈroʊvər/

in addition to what has just been said

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

mysterynounUS /ˈmɪstəri/

something that baffles understanding and cannot be explained

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

neglectedadjectiveUS /nəˈɡlektəd/

disregarded

From this reading The anti-Shakespeareans have not neglected to observe it.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The anti-Shakespeareans have not neglected to observe it.

observeverbUS /əbˈzɜːrv/

discover or determine the existence, presence, or fact of

From this reading The anti-Shakespeareans have not neglected to observe it.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

pensnounUS /penz/

plural of “pen” — a writing implement with a point from which ink flows

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

ranksnounUS /ræŋks/

plural of “rank” — a row or line of people (especially soldiers or police) standing abreast of one another

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

reachedverbUS /riːtʃt/

past form of “reach” — reach a destination, either real or abstract

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

RenaissancenounUS /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

Renaissant

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

richadjectiveUS /rɪtʃ/

possessing material wealth

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Moreover, letters and learning, so long exclusively confined to the rich and gentle, began to find expressions in other ranks.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

throwingverbUS /ˈθroʊɪŋ/

-ing form of “throw” — propel through the air

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

usenounUS /juːs/

the act of using

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

whenconjunctionUS /wen/

at the time that

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

whopronounUS /huː/

which person or people

From this reading HERE is a legal maxim to the effect that he who destroys should be able to build up.

William

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The days when William Shakespeare first appeared in London, happened to be the days when the Renaissance had reached England, and the drama which began then for the first time to be produced, was the English Renaissant Drama--just throwing off the crudities of the old miracle and mystery plays borrowed from the continent, and beginning to be English and original.

withprepositionUS /wɪð/

in the company of; together with

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

writeverbUS /raɪt/

produce a literary work

From this reading "The mob of gentlemen who write with ease" were, one and all, beginning to use their pens.

Chapter 5 of The Shakespearean Myth by Appleton Morgan holds 258 sentences, grouped into 52 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of The Shakespearean Myth contain?

Chapter 5 holds 258 sentences of The Shakespearean Myth, unabridged, divided into 52 reading sections.

This page carries chapter 5 of The Shakespearean Myth by Appleton Morgan exactly as it stands in the source edition, without abridgement. It runs to 258 sentences, grouped into 52 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of The Shakespearean Myth?

Work through the 52 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 52 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Shakespearean Myth

Common questions about reading The Shakespearean Myth by Appleton Morgan on this page, its source edition and its audio.

Is this the complete text of The Shakespearean Myth?

Yes. All 2726 sentences of Project Gutenberg eBook #47424 are kept, with a record of which sentences cover which part.

Which edition of The Shakespearean Myth is used?

Project Gutenberg eBook #47424, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Shakespearean Myth take to read?

About 227 minutes of reading across 546 sections of 5 sentences each, at an unhurried pace.

How to read The Shakespearean Myth section by section

How to work through The Shakespearean Myth section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of The Shakespearean Myth to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Shakespearean Myth

Words and structures a reader meets early in The Shakespearean Myth, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Shakespearean Myth; the reader can tap it to hear it and see its dictionary entry.
Literature
A word that appears in the opening chapter of The Shakespearean Myth; the reader can tap it to hear it and see its dictionary entry.
Notes
A word that appears in the opening chapter of The Shakespearean Myth; the reader can tap it to hear it and see its dictionary entry.
Best's
A word that appears in the opening chapter of The Shakespearean Myth; the reader can tap it to hear it and see its dictionary entry.