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The Shakespearean Myth
The Shakespearean Myth

Chapter VI

Chapter 6 of The Shakespearean Myth is here in full — 553 sentences across 111 reading sections, with audio for every sentence and word.

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HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.
There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.
But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.
The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.
But the Elizabethan Dramatist was a man who catered to the Elizabethan play-goer.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Shakespearean Myth

Chapter VI

Chapter 6 of The Shakespearean Myth is here in full — 553 sentences across 111 reading sections, with audio for every sentence and word.

Reading 1/110 · 5 reading units · Lines 1–5

Line 1
HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.
Line 2
There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.
Line 3
But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.
Line 4
The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.
Line 5
But the Elizabethan Dramatist was a man who catered to the Elizabethan play-goer.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

arrests noun US /ərˈests/

plural of “arrest” — the act of apprehending (especially apprehending a criminal)

From this reading “But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.”

brutish adjective US /ˈbruːtɪʃ/

resembling a beast; showing lack of human sensibility

From this reading “There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.”

catered verb US /ˈkeɪtərd/

past form of “cater” — give what is desired or needed, especially support, food or sustenance

From this reading “But the Elizabethan Dramatist was a man who catered to the Elizabethan play-goer.”

impresses noun US /ˌɪmˈpresɪz/

plural of “impress” — the act of coercing someone into government service

From this reading “There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.”

ogled verb US /ˈoʊɡəld/

past form of “ogle” — look at with amorous intentions

From this reading “There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.”

overshot adjective US /ˈoʊvərʃɑːt/

having an upper part projecting beyond the lower

From this reading “But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.”

roles noun US /roʊlz/

plural of “role” — the actions and activities assigned to or required or expected of a person or group

From this reading “But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.”

scenic adjective US /ˈsiːnɪk/

used of locations; having beautiful natural scenery

From this reading “But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

middle age noun + noun

the time of life between youth and old age (e.g., between 40 and 60 years of age)

In this reading “There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.”

at once preposition + adverb

without delay or hesitation; with no time intervening

In this reading “But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.”

small boys adjective + noun counted as “small boy”

In this reading “But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.”

too refined adverb + adjective

In this reading “There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.”

make out verb + adjective

detect with the senses

In this reading “The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.”

All words in this reading · 125

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

abruptadjectiveUS /əˈbrʌpt/

marked by sudden changes in subject and sharp transitions

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

agenounUS /eɪdʒ/

how long something has existed

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

arrestsnounUS /ərˈests/

plural of “arrest” — the act of apprehending (especially apprehending a criminal)

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

atprepositionUS /æt/

in or near a particular place or position

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

attemptnounUS /əˈtempt/

earnest and conscientious activity intended to do or accomplish something

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

barnsnounUS /bɑːrnz/

plural of “barn” — an outlying farm building for storing grain or animal feed and housing farm animals

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

beernounUS /bɪr/

a general name for alcoholic beverages made by fermenting a cereal (or mixture of cereals) flavored with hops

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

boysnounUS /bɔɪz/

plural of “boy” — a youthful male person

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

brutishadjectiveUS /ˈbruːtɪʃ/

resembling a beast; showing lack of human sensibility

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

BrutusnounUS /ˈbruːtəs/

statesman of ancient Rome who (with Cassius) led a conspiracy to assassinate Julius Caesar (85-42 BC)

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

byprepositionUS /baɪ/

showing who or what does the action

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

cateredverbUS /ˈkeɪtərd/

past form of “cater” — give what is desired or needed, especially support, food or sustenance

From this reading But the Elizabethan Dramatist was a man who catered to the Elizabethan play-goer.

Catharine

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

coarsenessnoun

language or humor that is down-to-earth

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

contemporaryadjectiveUS /kənˈtempəreri/

characteristic of the present

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

creatingverbUS /kriˈeɪtɪŋ/

-ing form of “create” — make or cause to be or to become

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

credulitynounUS /krɪˈduːləti/

tendency to believe readily

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

departurenounUS /dɪˈpɑːrtʃər/

the act of departing

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

divisionsnounUS /dɪˈvɪʒənz/

plural of “division” — an army unit large enough to sustain combat

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

DramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

DramatistnounUS /ˈdrɑːmətɪst/

someone who writes plays

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

elaborateadjectiveUS /ɪˈlæbrət/

marked by complexity and richness of detail

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

ElizabethnounUS /ɪˈlɪzəbəθ/

daughter of George VI who became the Queen of England and Northern Ireland in 1952 on the death of her father (1926-)

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

ElizabethannounUS /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

employedadjectiveUS /emˈplɔɪd/

having your services engaged for; or having a job especially one that pays wages or a salary

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

femaleadjectiveUS /ˈfiːmeɪl/

being the sex (of plant or animal) that produces fertilizable gametes (ova) from which offspring develop

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

flirtedverbUS /ˈflɜːrtɪd/

past form of “flirt” — talk or behave amorously, without serious intentions

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

foundverbUS /faʊnd/

set up or found

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

grandadjectiveUS /ɡrænd/

of behavior that is impressive and ambitious in scale or scope

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

grossnessnoun

the quality of lacking taste and refinement

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

groundlings

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

groupnounUS /ɡruːp/

any number of entities (members) considered as a unit

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

HamletnounUS /ˈhæmlət/

a community of people smaller than a village

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

HEpronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

honornounUS /ˈɑːnər/

a tangible symbol signifying approval or distinction

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

impressesnounUS /ˌɪmˈpresɪz/

plural of “impress” — the act of coercing someone into government service

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

incongruitynounUS /ˌɪŋkɔːŋˈruːɪti/

the quality of disagreeing; being unsuitable and inappropriate

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

intellectualadjectiveUS /ˌɪntəˈlektʃuːəl/

of or associated with or requiring the use of the mind

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

intelligencenounUS /ˌɪnˈtelədʒəns/

the ability to comprehend; to understand and profit from experience

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

IsabellanounUS /ˌɪzəˈbelə/

the queen of Castile whose marriage to Ferdinand of Aragon in 1469 marked the beginning of the modern state of Spain; they instituted the Spanish Inquisition in 1478 and sponsored the voyages of Christopher Columbus in 1492 (1451-1504)

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

LearnounUS /lɪr/

British artist and writer of nonsense verse (1812-1888)

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

lordsnounUS /lɔːrdz/

plural of “lord” — terms referring to the Judeo-Christian God

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

MacbethnounUS /məkˈbeθ/

king of Scotland (died in 1057)

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

maidsnounUS /meɪdz/

plural of “maid” — a female domestic

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

makeverbUS /meɪk/

engage in

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading But the Elizabethan Dramatist was a man who catered to the Elizabethan play-goer.

middlenounUS /ˈmɪdəl/

an area that is approximately central within some larger region

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

mildlyadverbUS /ˈmaɪldli/

to a moderate degree

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

miraclenounUS /ˈmɪrəkəl/

any amazing or wonderful occurrence

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

mummeries

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

mysteriesnounUS /ˈmɪstəriz/

plural of “mystery” — something that baffles understanding and cannot be explained

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

naturallyadverbUS /ˈnætʃərəli/

as might be expected

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

ogledverbUS /ˈoʊɡəld/

past form of “ogle” — look at with amorous intentions

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

onceadverbUS /wʌns/

on one occasion

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

Ophelia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

overshotadjectiveUS /ˈoʊvərʃɑːt/

having an upper part projecting beyond the lower

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

partsnounUS /pɑːrts/

the local environment

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

play-goer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But the Elizabethan Dramatist was a man who catered to the Elizabethan play-goer.

play-houses

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

playersnounUS /ˈpleɪərz/

plural of “player” — a person who participates in or is skilled at some game

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

profitnounUS /ˈprɑːfət/

the excess of revenues over outlays in a given period of time (including depreciation and other non-cash expenses)

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

proposeverbUS /prəˈpoʊz/

make a proposal, declare a plan for something

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

proprietornounUS /prəˈpraɪətər/

(law) someone who owns (is legal possessor of) a business

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

ratheradverbUS /ˈræðər/

on the contrary

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

refinedadjectiveUS /rəˈfaɪnd/

(used of persons and their behavior) cultivated and genteel

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

RenaissancenounUS /ˌrenəˈsɑːns/

the period of European history at the close of the Middle Ages and the rise of the modern world; a cultural rebirth from the 14th through the middle of the 17th centuries

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

renderverbUS /ˈrendər/

cause to become

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

rolesnounUS /roʊlz/

plural of “role” — the actions and activities assigned to or required or expected of a person or group

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

scenicadjectiveUS /ˈsiːnɪk/

used of locations; having beautiful natural scenery

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

seemsverbUS /siːmz/

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

ShakespearenounUS /ˈʃeɪkspiːr/

English poet and dramatist considered one of the greatest English writers (1564-1616)

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

Shakespeareans

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

smalladjectiveUS /smɔːl/

limited or below average in number or quantity or magnitude or extent

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

surprisesnounUS /sərˈpraɪzɪz/

plural of “surprise” — the astonishment you feel when something totally unexpected happens to you

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

swaggered

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

swilled

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

ThereadverbUS /ðer/

in or at that place or location

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading HE English Renaissance Drama seems naturally to group itself into two grand divisions: the Elizabethan drama and--Shakespeare.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

utmostadjectiveUS /ˈʌtmoʊst/

of the greatest possible degree or extent or intensity

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading But the Elizabethan Dramatist was a man who catered to the Elizabethan play-goer.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

whopronounUS /huː/

which person or people

From this reading There is nothing in the first which surprises: which impresses us as too abrupt a departure from the brutish coarseness and grossness of the middle age mummeries--"miracle plays" and "mysteries"--or as being too refined or elaborate for the groundlings who swaggered and swilled beer, or the lords and maids of honor who ogled and flirted in the contemporary barns called "play-houses" in the days of Elizabeth.

whosedeterminerUS /huːz/

belonging to which person

From this reading But that the proprietor of one of these barns should have found it to his profit to have overshot the intelligence of his audience by creating a Hamlet, a Lear, Brutus, and Macbeth--the action of whose roles are intellectual rather than scenic--for his players, or an Ophelia, Isabella, or Catharine for the small boys employed to render his female parts, is an incongruity--to put it mildly--which arrests our credulity at once.

William

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The utmost that the Shakespeareans propose to do--the utmost they attempt--is to make out William Shakespeare to have been an Elizabethan Dramatist.

Chapter 6 of The Shakespearean Myth by Appleton Morgan holds 553 sentences, grouped into 111 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of The Shakespearean Myth contain?

Chapter 6 holds 553 sentences of The Shakespearean Myth, unabridged, divided into 111 reading sections.

This page carries chapter 6 of The Shakespearean Myth by Appleton Morgan exactly as it stands in the source edition, without abridgement. It runs to 553 sentences, grouped into 111 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of The Shakespearean Myth?

Work through the 111 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 111 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Shakespearean Myth

Common questions about reading The Shakespearean Myth by Appleton Morgan on this page, its source edition and its audio.

Is this the complete text of The Shakespearean Myth?

Yes. All 2726 sentences of Project Gutenberg eBook #47424 are kept, with a record of which sentences cover which part.

Which edition of The Shakespearean Myth is used?

Project Gutenberg eBook #47424, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Shakespearean Myth take to read?

About 227 minutes of reading across 546 sections of 5 sentences each, at an unhurried pace.

How to read The Shakespearean Myth section by section

How to work through The Shakespearean Myth section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of The Shakespearean Myth to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Shakespearean Myth

Words and structures a reader meets early in The Shakespearean Myth, each tappable for pronunciation and meaning.

Author
A word that appears in the opening chapter of The Shakespearean Myth; the reader can tap it to hear it and see its dictionary entry.
Literature
A word that appears in the opening chapter of The Shakespearean Myth; the reader can tap it to hear it and see its dictionary entry.
Notes
A word that appears in the opening chapter of The Shakespearean Myth; the reader can tap it to hear it and see its dictionary entry.
Best's
A word that appears in the opening chapter of The Shakespearean Myth; the reader can tap it to hear it and see its dictionary entry.