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The skeleton key
The skeleton key

Chapter I

Chapter 1 of The skeleton key is here in full — 156 sentences across 32 reading sections, with audio for every sentence and word.

Cover illustration for The skeleton key
Context Illustration Reading 1/31 · 5 lines
English subtitles · tap any word to listen 1 / 5
BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.
INTRODUCTION.
To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.
From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.
It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The skeleton key

Chapter I

Chapter 1 of The skeleton key is here in full — 156 sentences across 32 reading sections, with audio for every sentence and word.

Reading 1/31 · 5 reading units · Lines 1–5

Line 1
BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.
Line 2
INTRODUCTION.
/ˌɪntrəˈdʌkʃən/
Line 3
To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.
/tuː ˌɪntrəˈduːs ðə læst bʊk baɪ ðə leɪt bərˈnɑːrd keɪps ɪz ə sæd sɔːrt ʌv ˈɑːnər ɪn mɔːr weɪz ðæn wʌn fɔːr nɑːt ˈoʊnli wɑːz hɪz deθ ənˈtaɪmli ənd ˌʌnɪkˈspektɪd bʌt hiː hæd ə maɪnd ʌv ðæt ˈfɜːrtəl taɪp wɪtʃ mʌst ˈɔːlweɪz liːv bɪˈhaɪnd ɪt wɪð ðə ˈfɪnɪʃt laɪf ə sens ʌv ənˈfɪnɪʃt ˈleɪbər/
Line 4
From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.
/frʌm ðə fɜːrst hɪz proʊz hæd ə strɔːŋ ˈeləmənt ʌv ˈpoʊətri wɪtʃ æn əˈpriːʃieɪtɪv ˈriːdər kʊd fiːl ˈiːvɪn mɔːr pərˈhæps wen ɪt rəˈfaɪnd ə ˈfræŋkli ˈmɑːdərn ənd ˈiːvɪn ˌmelədrəˈmætɪk θiːm laɪk ðæt ʌv ðɪs ˈmɪstəri ˈstɔːri ðæn wen ɪt ɡeɪv ˈdɪɡnəti æz ɪn ˈaʊər ˈleɪdi ʌv ˈdɑːrknəs tuː mɔːr ˈtrædʒɪk ɔːr mɔːr hɪˈstɔːrɪk θɪŋz/
Line 5
It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.
/ɪt meɪ siːm ə ˈperədɑːks tuː seɪ ðæt hiː wɑːz ˌɪnsəˈfɪʃəntli əˈpriːʃieɪtɪd bɪˈkɔːz hiː dɪd ˈpɑːpjələr θɪŋz wel/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

appreciative adjective US /əˈpriːʃieɪtɪv/

feeling or expressive of gratitude

From this reading “From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.”

capes noun US /keɪps/

plural of “cape” — a strip of land projecting into a body of water

From this reading “BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.”

historic adjective US /hɪˈstɔːrɪk/

belonging to the past; of what is important or famous in the past

From this reading “From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.”

insufficiently adverb US /ˌɪnsəˈfɪʃəntli/

to an insufficient degree

From this reading “It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.”

melodramatic adjective US /ˌmelədrəˈmætɪk/

having the excitement and emotional appeal of melodrama

From this reading “From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.”

paradox noun US /ˈperədɑːks/

(logic) a statement that contradicts itself

From this reading “It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.”

unfinished adjective US /ənˈfɪnɪʃt/

not brought to the desired final state

From this reading “To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.”

untimely adjective US /ənˈtaɪmli/

badly timed

From this reading “To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

leave behind verb + particle

depart and not take along

In this reading “To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.”

All words in this reading · 98

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

appreciatedadjectiveUS /əˈpriːʃieɪtɪd/

fully understood or grasped

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

appreciativeadjectiveUS /əˈpriːʃieɪtɪv/

feeling or expressive of gratitude

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

AUTHORnounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

behindprepositionUS /bɪˈhaɪnd/

at or toward the back of something

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

BERNARDnounUS /bərˈnɑːrd/

French physiologist noted for research on secretions of the alimentary canal and the glycogenic function of the liver (1813-1878)

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

CAPESnounUS /keɪps/

plural of “cape” — a strip of land projecting into a body of water

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

CASTLEnounUS /ˈkæsəl/

a large and stately mansion

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

DarknessnounUS /ˈdɑːrknəs/

absence of light or illumination

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

deathnounUS /deθ/

the event of dying or departure from life

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

dignitynounUS /ˈdɪɡnəti/

the quality of being worthy of esteem or respect

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

ETC

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

fertileadjectiveUS /ˈfɜːrtəl/

capable of reproducing

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

finishedadjectiveUS /ˈfɪnɪʃt/

(of materials or goods) brought to the desired final state

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

franklyadverbUS /ˈfræŋkli/

(used as intensives reflecting the speaker's attitude) it is sincerely the case that

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

GREATadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

historicadjectiveUS /hɪˈstɔːrɪk/

belonging to the past; of what is important or famous in the past

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

honournounUS /ˈɑːnər/

the state of being honored

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

insufficientlyadverbUS /ˌɪnsəˈfɪʃəntli/

to an insufficient degree

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

introduceverbUS /ˌɪntrəˈduːs/

cause to come to know personally

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

INTRODUCTIONnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading INTRODUCTION.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

labournounUS /ˈleɪbər/

a social class comprising those who do manual labor or work for wages

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

LadynounUS /ˈleɪdi/

a polite name for any woman

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

lastadjectiveUS /læst/

immediately past

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

lateadjectiveUS /leɪt/

being or occurring at an advanced period of time or after a usual or expected time

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

leaveverbUS /liːv/

go away from a place

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

likeverbUS /laɪk/

prefer or wish to do something

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

melodramaticadjectiveUS /ˌmelədrəˈmætɪk/

having the excitement and emotional appeal of melodrama

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

modernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

MYSTERYnounUS /ˈmɪstəri/

something that baffles understanding and cannot be explained

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

OurdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

paradoxnounUS /ˈperədɑːks/

(logic) a statement that contradicts itself

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

perhapsadverbUS /pərˈhæps/

by chance

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

popularadjectiveUS /ˈpɑːpjələr/

regarded with great favor, approval, or affection especially by the general public

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

prosenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

refinedadjectiveUS /rəˈfaɪnd/

(used of persons and their behavior) cultivated and genteel

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

sadadjectiveUS /sæd/

experiencing or showing sorrow or unhappiness

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

sayverbUS /seɪ/

express in words

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

sensenounUS /sens/

a general conscious awareness

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

SKENE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

SPAINnounUS /speɪn/

a parliamentary monarchy in southwestern Europe on the Iberian Peninsula; a former colonial power

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

strongadjectiveUS /strɔːŋ/

having strength or power greater than average or expected

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading BY BERNARD CAPES AUTHOR OF “THE GREAT SKENE MYSTERY,” “A CASTLE IN SPAIN,” ETC., ETC.

themenounUS /θiːm/

the subject matter of a conversation or discussion

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

thingsnounUS /θɪŋz/

any movable possession (especially articles of clothing)

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

ToparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

tragicadjectiveUS /ˈtrædʒɪk/

very sad; especially involving grief or death or destruction

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

unexpectedadjectiveUS /ˌʌnɪkˈspektɪd/

not expected or anticipated

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

unfinishedadjectiveUS /ənˈfɪnɪʃt/

not brought to the desired final state

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

untimelyadjectiveUS /ənˈtaɪmli/

badly timed

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

waysnounUS /weɪz/

structure consisting of a sloping way down to the water from the place where ships are built or repaired

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading It may seem a paradox to say that he was insufficiently appreciated because he did popular things well.

whenconjunctionUS /wen/

at the time that

From this reading From the first his prose had a strong element of poetry, which an appreciative reader could feel even more, perhaps, when it refined a frankly modern and even melodramatic theme, like that of this mystery story, than when it gave dignity, as in “Our Lady of Darkness,” to more tragic or more historic things.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

withprepositionUS /wɪð/

in the company of; together with

From this reading To introduce the last book by the late Bernard Capes is a sad sort of honour in more ways than one; for not only was his death untimely and unexpected, but he had a mind of that fertile type which must always leave behind it, with the finished life, a sense of unfinished labour.

Chapter 1 of The skeleton key by Bernard Capes holds 156 sentences, grouped into 32 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The skeleton key contain?

Chapter 1 holds 156 sentences of The skeleton key, unabridged, divided into 32 reading sections.

This page carries chapter 1 of The skeleton key by Bernard Capes exactly as it stands in the source edition, without abridgement. It runs to 156 sentences, grouped into 32 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The skeleton key?

Work through the 32 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 32 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The skeleton key

Common questions about reading The skeleton key by Bernard Capes on this page, its source edition and its audio.

Is this the complete text of The skeleton key?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The skeleton key is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The skeleton key take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The skeleton key section by section

How to work through The skeleton key section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of The skeleton key to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The skeleton key

Words and structures a reader meets early in The skeleton key, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The skeleton key, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The skeleton key, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The skeleton key, divided into 5-sentence reading sections.