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The soldier's orphans
The soldier's orphans

Chapter V · An Unexpected Performer

Chapter V of The soldier's orphans, “An Unexpected Performer,” is here in full — 207 sentences across 42 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/41 · 5 lines
English subtitles · tap any word to listen 1 / 5
Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”
As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.
“Are you the young person?”
“I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.
“Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
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The soldier's orphans

Chapter V · An Unexpected Performer

Chapter V of The soldier's orphans, “An Unexpected Performer,” is here in full — 207 sentences across 42 reading sections, with audio for every sentence and word.

Reading 1/41 · 5 reading units · Lines 1–5

Line 1
Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”
Line 2
As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.
Line 3
“Are you the young person?”
/ɑːr juː ðə jʌŋ ˈpɜːrsən/
Line 4
“I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.
Line 5
“Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

dependent adjective US /dɪˈpendənt/

relying on or requiring a person or thing for support, supply, or what is needed

From this reading ““Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.”

Destitute adjective US /ˈdestətuːt/

poor enough to need help from others

From this reading “Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.””

duplicated verb US /ˈduːplɪkeɪtɪd/

past form of “duplicate” — make or do or perform again

From this reading “Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.””

faltered verb US /ˈfɑːltərd/

past form of “falter” — be unsure or weak

From this reading ““I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.”

garment noun US /ˈɡɑːrmənt/

an article of clothing

From this reading “As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.”

Jewish adjective US /ˈdʒuːɪʃ/

of or relating to Jews or their culture or religion

From this reading “As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.”

Soldier's noun US /ˈsoʊldʒərz/

possessive form of “soldier” — an enlisted man or woman who serves in an army

tableaux noun US /təˈbloʊ/

plural of “tableau” — a group of people attractively arranged (as if in a painting)

From this reading “Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.””

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

second time noun + noun

In this reading “As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.”

real life adjective + noun

the practical world as opposed to the academic world

In this reading “Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.””

young person adjective + noun

a young person (especially a young man or boy)

In this reading ““Are you the young person?””

touch of verb + particle

In this reading ““I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.”

All words in this reading · 89

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

againadverbUS /əˈɡen/

anew

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

alasexclamationUS /əˈlæs/

used to show sadness, pity, or regret

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

AnnanounUS /ˈænə/

a former copper coin of Pakistan and India

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

Areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading “Are you the young person?”

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

BurnsnounUS /bɜːrnz/

United States comedian and film actor (1896-1996)

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

changedadjectiveUS /tʃeɪndʒd/

made or become different in nature or form

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

costumenounUS /kɑːˈstuːm/

the attire worn in a play or at a fancy dress ball

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

crimsonadjectiveUS /ˈkrɪmzən/

of a color at the end of the color spectrum (next to orange); resembling the color of blood or cherries or tomatoes or rubies

From this reading “I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.

deepadjectiveUS /diːp/

relatively deep or strong; affecting one deeply

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

dependentadjectiveUS /dɪˈpendənt/

relying on or requiring a person or thing for support, supply, or what is needed

From this reading “Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.

desiredadjectiveUS /dɪˈzaɪərd/

wanted intensely

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

DestituteadjectiveUS /ˈdestətuːt/

poor enough to need help from others

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

detailnounUS /dɪˈteɪl/

an isolated fact that is considered separately from the whole

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

drawing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

duplicatedverbUS /ˈduːplɪkeɪtɪd/

past form of “duplicate” — make or do or perform again

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

earnounUS /iːr/

the sense organ for hearing and equilibrium

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

falteredverbUS /ˈfɑːltərd/

past form of “falter” — be unsure or weak

From this reading “I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.

FamilynounUS /ˈfæməli/

a social unit living together

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

garmentnounUS /ˈɡɑːrmənt/

an article of clothing

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

heavyadjectiveUS /ˈhevi/

of comparatively great physical weight or density

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading “Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading “Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

Ivanhoe

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

JewishadjectiveUS /ˈdʒuːɪʃ/

of or relating to Jews or their culture or religion

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

laidadjectiveUS /leɪd/

set down according to a plan

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

nodeterminerUS /noʊ/

not any; not one

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading “Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.

personnounUS /ˈpɜːrsən/

a human being

From this reading “Are you the young person?”

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

povertynounUS /ˈpɑːvərti/

the state of having little or no money and few or no material possessions

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

protegé

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.

puttingnounUS /ˈpʌtɪŋ/

hitting a golf ball that is on the green using a putter

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

ratheradverbUS /ˈræðər/

on the contrary

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

satisfyverbUS /ˈsætəsfaɪ/

meet the requirements or expectations of

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

SavageadjectiveUS /ˈsævədʒ/

(of persons or their actions) able or disposed to inflict pain or suffering

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

shoulderverbUS /ˈʃoʊldər/

lift onto one's shoulders

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

Soldier'snounUS /ˈsoʊldʒərz/

possessive form of “soldier” — an enlisted man or woman who serves in an army

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

soundedverbUS /ˈsaʊndɪd/

past form of “sound” — appear in a certain way

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

standverbUS /stænd/

be standing; be upright

From this reading “Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.

startverbUS /stɑːrt/

take the first step or steps in carrying out an action

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

tableauxnounUS /təˈbloʊ/

plural of “tableau” — a group of people attractively arranged (as if in a painting)

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

timenounUS /taɪm/

an instance or single occasion for some event

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

tonesnounUS /toʊnz/

plural of “tone” — the quality of a person's voice

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading “I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading “I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.

TwiceadverbUS /twaɪs/

two times

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading “I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

wantingadjectiveUS /ˈwɑːntɪŋ/

nonexistent

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading As she was putting on a Jewish garment a second time, in the little drawing-room, a rather heavy hand was laid on her shoulder, and a voice that made her start, from the deep tragedy of its tones, sounded in her ear.

WhatpronounUS /wʌt/

used to ask for information about something

From this reading “I—I—— What young person?” faltered Anna, turning crimson under the touch of that hand.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

whopronounUS /huː/

which person or people

From this reading “Mrs. Savage has a dependent or protegé, here, who is to stand in the Ivanhoe picture.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Twice Anna Burns had changed her costume, first to satisfy Mrs. Savage, that it would be all that she desired for the Ivanhoe tableaux; and again, that no detail of poverty should be wanting to that picture which, alas! has been so often duplicated in real life, “The Soldier’s Destitute Family.”

youpronounUS /juː/

the person or people being spoken to

From this reading “Are you the young person?”

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading “Are you the young person?”

Chapter 5 of The soldier's orphans by Ann S. (Ann Sophia) Stephens holds 207 sentences, grouped into 42 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of The soldier's orphans contain?

Chapter 5 holds 207 sentences of The soldier's orphans, unabridged, divided into 42 reading sections.

This page carries chapter 5 of The soldier's orphans by Ann S. (Ann Sophia) Stephens exactly as it stands in the source edition, without abridgement. It runs to 207 sentences, grouped into 42 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of The soldier's orphans?

Work through the 42 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 42 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

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Vocabulary met early in The soldier's orphans

Words and structures a reader meets early in The soldier's orphans, each tappable for pronunciation and meaning.

Chapter 1
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Chapter 2
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Chapter 3
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